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naraburns  nihil supernum  1yr ago (text post)   29600 thread views

Culture War Roundup for the week of February 6, 2023

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Into the Spider-Verse was my favorite movie of 2018. I only found out this year that one of the film's directors was someone whose values are antithetical to everything I believe and as harmful to me as ideas can be. I knew he wasn't returning to direct the sequel, so I thought that meant I could go see it without feeling shame, but I just found out (again, surprisingly late) that he's an Executive Producer on it. This likely means he gets a share of the box office gross, though I don't know how big that share would be.

This presents an e̶t̶h̶i̶c̶a̶l̶ psychological dilemma that feels as though it's ethical for me. This is one of the few movies where seeing it in the theater is very important to me, and I do feel that I'd be missing out by seeing it on my tiny laptop screen several months after release. However, I would feel emasculated if I gave this person any more money than I already have. Is there a way I can have my cake and eat it too here?

I know it's unlikely that anyone here has a better idea "than stop giving a crap about what filmmakers believe," but I'm asking anyway, just in case. There's nobody else on the internet where I'd expect people to be sympathetic to my problem in a way that's more than superficial. Left-wing spaces (as I've experienced them) would say "you should only care about political violence and life ruination if you're the kind of person we'd be using it against," and right-wing spaces (as I've experienced them) would say "these tactics are actually good and we should use them against left-wingers when we're in power" after making fun of me for liking children's movies. I do not mean to imply all left-dominated or right-dominated spaces are like the ones I describe, but that's my expectation of them based on experience, and it's always demoralizing to get those kinds of reactions, so I don't want to go seek them out.

If you like Spiderman movies, the early 2000s version are somewhat less woke.

They have a whole range of memes in the style of Ben Garrison parodies deemed 'raimiposting' arising due to this one somewhat 'homophobic' scene.

The issue is not so much your money going to your political opponents (you're not really their enemy yet if you're a liberal and they're nazi-hunting), but the damage that they do to you.

The leftist propaganda machine is not hurting for money, the goal is to weaken Western minds.

I don't think that you care that much about the issue.

Even people that are committed to fringe ideologies are not backed to the wall yet, in the West. Getting banned from Twitter or other social media is one thing. Getting jailed for protesting an election is another thing.

But even then I'm not aware of anybody affiliated to the Jan 6 political prisoners committing violence or terrorism, yet.

When things start popping up and you are directly financing woke firing squads or Waco-style bombings, then yes, it will be more of a moral concern.

Now your main concern is wasting precious time that could be better spent figuring out which side you're on, as there will be no liberalism in the future we're heading toward.

Every artist, musician, writer etc. believes things you don't agree with. If you only consume media by people who share all of your opinions, you will not be consuming any media at all.

I find Varg Vikernes's worldview more offensive than that of just about any woke person's, but is that going to stop me listening to his music? No.

I take 0 issue with someone having different opinions and values. They can support abortion, LGBT, BLM, be militant atheists for all I care.

I do however draw the line when they publicly admit that they believe I'm the worst person ever for literally existing, that my race, culture, religion and society are the roots of all evil and oppression and comparable to Nazis. That's when it stops being an opinion, and turns into vile character assassination. My moral worth and that of everyone in my community is in the negatives, apparently. Unless said person is making some kind of a breakthrough in something significant, it would be very hard for me to look drudge past so much drek for some occasional entertainment.

Just go, you don’t need our permission.

However, I would feel emasculated if I gave this person any more money than I already have. Is there a way I can have my cake and eat it too here?

The real emasculation going on here is the very act of taking this decision seriously. Out of the Chad and the Virgin, who do you think would do that?

Aside from this and with the Hogwarts Legacy awareness campaign going on, I'm also reminded of two incidents when Chinese censorship collided with American entertainment corporations. The first was the Blitzchung controversy, when Blizzard acted out against a Hearthstone player who talked about the Hong Kong protests during an official stream. The second was when Chinese corporations withdrew their sponsorships for the NBA because the NBA didn't "sufficiently" punish someone in the NBA who tweeted support for the Hong Kong protesters. The NBA chose to accept the withdrawals and stand behind the free speech of the tweet.

Despite one action being pro-China and the other being anti, I think both decisions were correct under the principle that it's good for us to have "sanctuaries". There should be times and spaces where we can consciously ignore conflicts to do something enriching together, as a reminder of common humanity. Even if both sides return to war, even if they have incompatible values, we at least remember the cost of casualties.

Sports have a tradition of being such a sanctuary, and I feel like signal boosting a conflict-heavy cause during these spectator events is a violation of that. Signal boosting outside of the events, outside of the sacred spacetime, falls under the judgement of free speech principles in that context (or your equivalent principle). Public discussion spaces like The Motte pursue a similar sanctuary ideal, and that pursuit is likely more important than the sports sanctuary.

Should art be a sanctuary? I'm not confident enough to say that all "art" is eligible for sanctuary. Editorial cartoons and documentaries are closer to the conflict and are probably part of the culture war battlefield. But identifying art that's eligible for sanctuary is more of an I-know-it-when-I-see-it affair. Is it largely apolitical (distant from the hot points of conflict)? Is it well crafted? Is it heartfelt? Is it self-expression? Is it honest? At some point, yes, consuming, sharing, and discussing that art has the same function of connecting us through human commonalities, even as we're divided by our just as human differences.

Do you have similar reservations about products that include children mining cobalt sonewhere in the supply chain?

You make a good point. This is a totally psychological phenomenon based on the perception that I, personally, am being threatened by Peter Ramsey, whereas I am not a child living in the third world. Looking at it like that, I'm being petty selfish.

Not op, but children mining cobalt are not an existential threat to the west. Concern for them is purely charitable, and while I’d have no objections to a plan to re-colonise Africa, sterilise a good chunk of the adult population and take the kids out of the mines and put them in glorious well fed summer camps; in the current world boycotting mining companies… is pointless.

in the current world boycotting mining companies… is pointless.

And boycotting movies for right-wing causes isn't? You must strongly overestimate the number of people who have the "political will" to actually go through with that compared to me.

I actually agree with you entirely on the implausibility of success via conservative boycotts; I was addressing the implied discrepancy in degrees of concern. 1st, there's the domestic and personal versus foreign angle, then there is a secondary discrepancy in what success looks like. Were boycotts to succeed on the politics front, I think the world would be improved (this almost certainly won't happen). Given the state of much of Africa, I'm not sure boycotts would deliver the goal of improving life quality for the affected people, even if they worked. Those children in the mines, might be better off than in the alternative. Sorry for the lack of clarity.

I struggled with such decisions too. But then I thought about something. I like to eat sweet things. But I know too much of it would be very bad for my health. I like to drink beer. But I know drinking too much of it would be very bad for my health. So I use this knowledge to keep my body in (relatively) healthy state. I am no saint but I think I know what I should be doing there.

Why shouldn't I do the same with my mind? There is a lot of cultural artifacts that have been created over the last 3000 years of human culture that vastly exceed anything that Wokewood has been producing. In fact, if you bother to look a little, there are many recent cultural artifacts that is at par or better with anything Wokewood is producing - still being created. I have no chance of ever consuming even 1% of these riches - and yet I would strive to consume the products from people that openly hate me? Why?

Surely, non-Wokewood culture doesn't have such powerful PR machine behind them, and you may have to spend a bit of effort to look for something that would speak to you - but wouldn't you be willing to spend this effort, if it is good for your intellectual and moral health? Why consume High Fructose Wokeness that is fed to you by the PR machine if you can easily - and probably cheaper too - have access to much healthier and much richer culture?

That said, I get you may sometimes want to consume some bad stuff, just for the heck of it. Happens to everybody. But a tiny laptop screen is not the only option. You can get a TV the size of a wall relatively cheap. You can befriend somebody who has one. There's a lot of options. If you absolutely feel you must see it in the theater - just do it, and donate 2x of that cost to the morally righteous cause. Just don't make a habit of it - everybody does unhealthy things from time to time, making a habit of it is what you need to watch out for.

It's actually rather difficult for me to interpret anything written before the 20th century. I read A Christmas Carol for the first time recently after becoming familiar with the story through its various adaptations, and while it was written less than 200 years ago, I still feel like there's stuff I missed. I do see your point, though, and I appreciate all of the advice in this post. God bless The Motte, or whatever the secular equivalent is.

I don't think there's the "right" reading for the text anyway. Reading is always a sum of what the author puts into it and what the reader takes from it (same of course with listening, viewing art, etc. I just use reading for simplicity). Great works of history survived because the readers over time were able to relate to them - even if they may not have taken exactly the same thing as the author intended. But that is not possible anyway - the only person who can 100% get what the author meant is the author, and even that is not sure (as people change). Of course you would miss some parts. Do you think you don't miss some parts in the modern works too? You surely do. Same would happen with older works. You can fill it in by getting educated on history, culture, circumstances, etc. - but you should not feel discouraged because you won't ever get it all. Nobody gets it all. But I think the process of getting it is by itself great. You can read Dickens once as a clean slate, and then read some history and critique and approach it again and see different parts and then maybe get back to it in 10 years, as a different person, and have different experience. Or maybe you'd hate it and would rather read something else - that's OK too, the thing is there are so many options!

Be a consequentialist. Donate enough money to a cause you care about to morally cancel out the harm you cause by seeing the movie in a theater.

How indulgent.

Is this a comparison of charity offsets to the late-mediaeval Catholic Church's sale of indulgences?

Correct.

I fully endorse voting with your money with regard to woke art, but if the movie isn’t ideological (which remains to be seen), why do you care about the producer? I don’t know about film crew ranks, but if the best boy (whatever that is) held values antithetical to yours would you be bothered? What about the key grip (again, whatever that is)? Costume designer? Casting director? Keep moving up the chain until it matters. Why is that the point where a worker’s political beliefs ruin the movie for you?

In the old Christian view of the world, everyone was equally evil and equally deserving of damnation, but I think that worldview allowed for greater nuance in weighing people’s moral worth. You either had to bite the bullet and say that no one had any moral worth, or make pretty fine distinctions, along the lines of “OF COURSE we’re all equally bad, but we kill people in battle, and that other guy kills prisoners.” Nowadays, though, without that blanket condemnation of every human, it’s easy to fall into “but that guy is BAD and I don’t want to help him/pay him/give him a platform/etc.”

My brother in Christ, EVERYONE is bad. Your plumber cheats on his wife, your mechanic watches child porn, your hairdresser spreads rumours, your kid tortures frogs. You give them all money without a second thought. It sucks, but it is the fallen nature of humanity. If the movie is a wokefest, skip it no matter what the producer thinks, but if this specific bad executive producer can executively produce a good movie, why the isolated demand for purity?

On another note, yousaid it was an ethical dilemma, but ethical dilemmas involve competing obligations. You have only one obligation- to not support this guy, but mentioned shame and feeing emasculated. That’s not an ethical dilemma, it’s a psychological one. It sounds (sounds, that’s all), like you’re trying to preserve an ideal of who you are as resisting in some measure the decline of western society. A noble goal, but we’re fretting over a spiderman cartoon, so the battle is lost. They’ve gotten into your head, and whether you see the movie or not, you think watching spider man movies is really important, which is a win for Marvel marketing over the long run. Do not resist the decline, propel the recovery. Step one is to stop watching marvel movies and go out and act on the world. . If you already act, act more.

Oh my god, you've made me realize something. Rightists often talk about white privilege as though it's the rhetoric of original sin, but it ISN'T original sin, because original sin implies nobody is absolved, doesn't it? That we are all born racist/sexist/ableist/etc and we shouldn't cast the first stone?

I have limited exposure to religious people so I don't know if they were less harsh towards their enemies when they were in power. I just assumed that they were, and that any ideological faction that gains power becomes like this, because power corrupts people.

Oh, they still cast a lot of stones back in the day. But nowadays there's a much more pernicious sense of self-righteousness that I think comes from the loss of the idea that everyone is evil/fallen.

I thought of your comment when I saw these heartless cretins celebrate somebody's suicide because he walked around holding a torch and said some offensive things.

Go on tinder, make a date to go see it and say you can't find your wallet. Then if you don't feel right saying to yourself "if she wasn't willing to spend $13 on me she isn't the one" and going about your day, act like you had an epiphany as you leave the cinema and remember you hid your wallet under the driver's seat in your car, go get it and pay for drinks by way of apology.

Personally though, I just wouldn't care. I believe I am strong enough to resist any propaganda they push, and not just because if I wasn't I wouldn't be here chatting with you witches. Beyond that though, I can not express how stupid I think it is to actively construct an echo chamber around yourself. Get knowledge from everywhere, from everything and from everyone. Who gives a fuck who said something or why - once you have consumed it you can put it to use for yourself. Only Nixon could go to China doesn't just apply to politics, everyone's brains work differently, and there are all kinds of connections between different ideas and concepts - every piece of art on the planet is built from the thoughts and ideas of its creator, and without his admiration for antifa this guy wouldn't have made your favourite movie. If you have to go conflict theory about it, take what you value and discard the rest.

Can't see any problem to follow the advice of Prof. Preobrazhensky from the old soviet movie "Heart of a dog":

—And never read soviet newspapers before dinner.

—Hmm… But there are no other newspapers.

—In that case don’t read any at all.

Worth noting that there isn't a contradiction here. It's actually a 1988 movie, thus deep into Perestroika, based on a 1925 book (I recommend it, Bulgakov is good in general, though M&M is overhyped by our equivalent of «art hoes»).

Its publication was initially prohibited in the Soviet Union, but it circulated in samizdat until it was officially released in the country in 1987. It was almost immediately adapted into a movie, which was aired in late 1988 on First Channel of Soviet Television, gained almost universal acclaim and attracted many readers to the original Bulgakov text.

Also worth noting i guess that the movie's main theme is heavily anti-blankslate. Which is kind of funny in the modern day as it gives a certain social layer of russians a cognitive dissonance. They tend to like the movie previously as it's heavily anti-soviet, but now it turns out it goes against certain modern western shibboleth's. A perfect redpilled movie from soviets, huh..

It all becomes even more funny when you learn that the director of the movie, Vladimir Bortko, is a hardcore member of a Russian Communist party for the last 15 years. Speaking about only american politics being complicated.

Why is a marvel movie important to you? If it is just go, your boycott isn't really doing anything.

Right now a lot of leftists are hectoring people for buying or playing Hogwarts Legacy. Do you think they have a legitimate argument, just the wrong target, or do you think they are being silly for demanding ideological and ethical purity in their media consumption?

Realistically, if you are not on the left, most of your media is going to be produced by people who probably hold views you dislike. (Also, realistically, this true for everyone, just moreso for people who aren't leftists.) The only difference here is this guy has been more open and in-your-face about it than most. There are probably lots of people with credits and revenue-sharing on Into the Spider-Verse who are just as left as him or more so.

How much energy do you want to invest in trying not to give money to your political enemies?

I understand why people are bothered by JK Rowling's political views, but from my perspective, she is taking action that we consider welcome in a liberal society: speaking her mind and lobbying for politicians/policies she wants. I would be bothered if Peter Ramsey was donating money to people who want to create hate speech laws in the United States, but I wouldn't be nearly as upset as I am by his vocal support of mob violence and doxing. Mob violence is literally illegal for reasons that you'd think would be obvious to an educated black man. Doxing isn't illegal, but life ruination in response to legally protected speech still comes off as a violation of liberal principles.

I can easily say that I object to Ramsey's encouragement of political violence on meta-level grounds, but when I object to his support of doxing, am I objecting on a meta-level principle, or an object-level one? I don't know. What I do know is that I'm not objecting to boycotting as a strategy, I just don't think Rowling warrants it to the extent that someone who is opposed to liberalism and supportive of criminal violence does. Maybe she still does warrant it. But definitely not as much.

In response to the second paragraph, I mean, it's normal for people to support some kinds of violence in their heart of hearts, but we used to have strong norms against it that prevented people from saying it out loud. The idea that people can say it out loud with no repercussion frightens me.

Actually, neither a lot of leftists nor a lot of transgender people are boycotting Hogwarts Legacy. A small cabal of extremely online transgender activists (is this redundant?) are applying pressure against the game. You might think they failed in their stated goal, but the stated goals of activists are always exaggerated in order to arrive at a better middle ground.

So what did these extremely limited in number activists accomplish? They made “you can support the game and not support Rowling” a popular opinion online, which presupposes the immorality of Rowling, reminding the public of her ill repute. They spooked the game developers, who may have specifically added a transgender character at an important location in the game. The game developers may have also amplified the diversity as a defense against activism against them.

So, for such a small sliver of the population — perhaps 0.1% engaging in anything approximating a boycott — they actually had some influence on popular sentiment.

I disagree. I think by making this their hill to die on and then no one caring they have lost influence on future commercial endeavors the trans movement would disapprove of. Future producers will be a lot less easily frightened by activist underlings when they cannot point to this having tanked the biggest game of the year.

If it surrendered and wasn't tanked, that's not evidence against "failing to surrender gets you tanked".

How much energy do you want to invest in trying not to give money to your political enemies?

I don't look at these things in this light. I don't think it's about political enemies at all. I think it's more so, don't spent time/energy/money on people who think that you're a problem that needs to be solved. It's not because you're rewarding them/encouraging them/providing them ammo. It's because eventually they're going to pull the rug out from under you.

How much energy do you want to invest in trying not to give money to your political enemies?

Money is investment; attention is energy. Framing avoidance of an entirely opt-in loss of resources (and indeed, their transfer to your enemies) as an expenditure unto itself is nonsensical and confused.

So that's a yes to trans activists being tactically correct if directionally wrong?

I mean, I am not one for saying "No ethical consumption under capitalism" because I am not anti-capitalist, but it's basically true that you cannot completely avoid giving money to people and institutions and causes you oppose. Where each person is going to set their line is different, but personally "I won't consume any media made by people I hate" isn't a compelling proposition to me.

I honestly don't understand your argument.

Yes, trans activists are correct, I'd say strategically more than tactically; cancellations and boycotts work. They haven't succeeded with Rowling yet, but she's a uniquely hard target. In what sense are they directionally wrong? I do not care to lecture my enemies on morals and goals, it's a given that we disagree. In any case, the premise of voting with your wallet and denying the other party your capital is of course sound – and morally legitimate.

it's basically true that you cannot completely avoid giving money to people and institutions and causes you oppose

Strawman (or what's the term). Only God is perfect and complete; you totally can make sure of preferentially supporting people you want to support or at least not giving advantage to the opposite group. The point is not purity spiralling in the manner of religious hardliners with absolute dietary taboos, but changing the battleground in ways you deem preferable. Paying Ramsay is not the same as paying Mel Gibson, although the latter is presumably still a node in the same Hollywood economy. Additionally, boycott sends the message that certain attitudes can be financially detrimental; even if parties which are directly at war are fanatical and don't care much about profits, they depend on many mercantile agents.

Or not. I remember a few years ago some in CWR felt that movie industry might «go woke go broke». Well, this never happened, people keep consuming this trash. Wokes are more principled than conservatives – who, ultimately, would rather pay for their own demonization than be deprived of the experience of watching Marvel kung-fu on a big screen.

Yes, trans activists are correct, I'd say strategically more than tactically; cancellations and boycotts work. They haven't succeeded with Rowling yet, but she's a uniquely hard target. In what sense are they directionally wrong? I do not care to lecture my enemies on morals and goals, it's a given that we disagree. In any case, the premise of voting with your wallet and denying the other party your capital is of course sound – and morally legitimate.

That's the thing though, it's not a given you disagree any more man, that sentence is couched in an entire paragraph of agreeing. Do we have to become them to beat them? Is there really no path to the future which leverages the flourishing of human thought instead of its suppression? If that's the only choice we get - whose jackboot is crushing whose throat? - then fuck the whole enterprise.

You can call it immature, I am definitely immature, but if this is the world we live in, if left vs right is highest order and there is no path to compromise, no path of embracing our better nature instead of our worst, then I don't care what you think. I don't care what anyone thinks, I AM, and I hate.

I don't really have a choice if this is the way of the world. I point blank refuse to be a part of any enterprise which judges my loyalty based on my entertainment preferences. I will be deemed a traitor eventually, because I won't stop to appease anyone. Instead I will reaasume my old labourer nickname - passionfingers - and I will fuck everything I touch until it all falls apart.

I just don't think it's possible to draw a line and go no further. Take this place for example. How is it ok to chat with the enemy - sometimes very jovially even - if it's not ok to consume their media? You say the point is not purity spiralling, but have you ever actually seen anyone perform a purity quarter turn? They're called purity spirals because the spiralling is inevitable once you start. The start is the same as the end, it is someone losing their patience and crossing the line - by starting it you endorse the race to the bottom or revel in hypocrisy.

That said, one last caveat - nobody should be paying for media ever unless it is specifically to thank the creator for a job well done after the fact, or if it's something you have watched being independently built from the ground up. If it was made by a studio or network in the last ten years, it has been designed maliciously to extract value from you with product placement, advertising, propaganda and so on, and paying for that is for simps. Even if you want to see it on the big screen there are a dozen ways to do it without paying for it.

Yes, fine, I agree with them. Theirs are beliefs befitting actors, not consumerist NPCs who fancy themselves connoisseurs of «entertainment».

You say the point is not purity spiralling, but have you ever actually seen anyone perform a purity quarter turn?

You insist on missing the point. Purity is entirely irrelevant. Intent is what matters. The Author isn't dead except when s/he physically is; this postmodernist theory about freedom of interpretation is not an excuse to delude oneself about content, but a utilitarian justification for marauding on the culture war battlefront. It matters who holds the picked up weapon.

You and @Conservautism here both seem to underestimate our inferential distance. From here it looks like I'm not «more right-wing» than him nor less principled and appreciative of Enlightenment values than you. It's just that I am taking essences of things more seriously, and on account of this I have become less enamored with their forms and inessential parts.

In this case, the essence is Ramsay's racial grievance and hatred (the Antifa thing is an isolated puny consequence), and political intention implemented as an indoctrination project delivered via flashy movies about Spiderman; the content that you consume is entirely vacuous in the absence of that core. It's as if you had asked me to marvel as the elegant shape and immaculate engineering of a syringe used to spread AIDS HIV. I will take a gander – sure, industrial design is cool. But I can't get its purpose out of my mind, and unlike Cypher from Matrix, am unwilling to; consequently, this purpose takes almost all the aesthetic charm out of the thing by providing a more authentic frame for perceiving it. Meanwhile, your willingness to suspend the awareness of its intent just to enjoy the shine of its edges a bit longer strikes me as infantile. Like a child playing with a firearm. Moreover: I'd have at least respected it if you were simply more magnanimous and capable of decoupling; but you limit yourself to appreciating the thing outside of its proper context. You only agree to notice noises, shapes, color blots, literally taken plots – the surface, the most trivial, childish part of the art.

To be clear: not all art is political simply because artists have political beliefs. For example, Demoscene is, far as I can tell, overwhelmingly about showing off one's technical chops, good taste and intelligence (because compression is comprehension). A great deal of music is apolitical. Even the most fanatical woke artist can occasionally succumb to the pure childlike creative impulse. And one's politics may have nothing to do with hot topics of the culture war – whatever Rowling «wanted to say with» Harry Potter, it had zero relation to transgenderism; Brandon Sanderson's Mormonism is not substantially informing the magic of his novels. It can be argued that their enemies are trespassing some norm by vilifying their «civilian» work. Okay.

But those AAA movies with conspicuously cast racial archetypes are means to a political end, made by people at least as serious as myself; thus, they are political art. Their features that captivate you are as utilitarian as Ozy's eloquence when she implores of people to not prioritise their kin over other tribes. Just weapons. Or while we're at it: Ozy argues that Serrano's Piss Christ is aesthetically beautiful. But, even if true, that's the incidental part; the essential part is normalizing pissing on Christianity. Any intricate shape in a jar of orange liquid would be equally pretty; the specific choice of a theme tells us that beauty was not the point, and focusing on appearances is missing the point. Likewise with narratives, character casts and moral lessons of high production value Western slop that you defend as your «preference»: the point of that content is who-whom, whose boot goes on whose face. You are lashing out at me, but I'm a mere messenger.

I know that weapons have a way of being beautiful (for that matter, boots too). You see, I've always liked MLRS launchers, this staple of Soviet war doctrine, and Soviet war songs e.g. 1 2 – not favorites, just germane to the topic. One of the most iconic weapons of the war is BM series MLRS nicknamed Katyusha, associated with the war song of the same name; recently I've heard it played by a dude with an accordion on the street and literally teared up. My love for MLRS is not out of any appreciation for their effect on intended targets, mind you; it's just such glorious fireworks, and such elevating music. People who don't speak Russian like it all too sometimes – just check the comments.

But consider such lyrics:

In our hearts is burning the love to the native land,

We go into a deadly battle for the honour of the native country.

Cities are burning, covered in smoke,

In the grey forests is rumbling the cruel god of war.

Artillerymen, Stalin gave the order!

Artillerymen, the Motherland calls us!

From hundreds thousands of batteries,

For the tears of our mothers,

For our Motherland — fire! Fire!

Know, my dear mother, know, my wife or girlfriend,

Know, distant home and my entire family,

That our blizzard of steel is beating and burning the enemy,

That we are bringing freedom into the native land!

How do you figure this Russian song would sound in Ukraine today? Say, in Mariupol? And yet this kind of outcome is the song's intent, the cultivation of unthinking rah-rah patriotism and obedience to the Great Leader. I may keep listening to it - but I won't pay for the ticket to Red Army Choir's concert, if a chance comes by.

Still. It'd be less self-abasing of me to pay for a Red Army concert than it is for white Americans to pay for their black supremacist Hollywood stuff. I am of the same tribe as those Russians, and they're calling to commit murder in my name too – in a certain twisted and misguided sense; in the name of the glory of the Empire that stubbornly sings in my blood. Leonard Cohen sang: «I'm guided by the beauty of our weapons» (obligatory Scott) and I see where he was coming from.

But most people who bought Cohen's tickets were hypnotized by the beauty of the other party's weapons, which is a far lower mark. And people who go to Spiderverse to, essentially, finance Ramsey's team that intends to do what it preaches are not more enlightened than myself. They are just in denial about the nature of what they consume.

...A song I like even more is this. I'd rather it were about Whites, not Reds. Admittedly ROA songs are, artistically, not as cool.

syringe used to spread AIDS

Hate hate to be that guy.

But AIDS is the condition one develops if the HIV virus (yes I know virus twice) is left untreated for long enough. So you would be spreading HIV with a needle not AIDS.

It's also not that easy to spread HIV with a needle, it dies within minutes exposed to air.

I admire the technicality but are you sure it is ungrammatical to say that one is spreading the condition? After all, infections per se, with modern treatment, are almost meaningless if the intent is to debilitate people.

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I am of the same tribe as those Russians, and they're calling to commit murder in my name too – in a certain twisted and misguided sense; in the name of the glory of the Empire that stubbornly sings in my blood. Leonard Cohen sang: «I'm guided by the beauty of our weapons» (obligatory Scott) and I see where he was coming from.

Pls differentiate between the glory of having your (probably vicariously) Empire step on the faces of lesser surrounding nations as a terminal goal, and the aesthetics of deadly weapons, high morale, all that.

Pls differentiate

Why would I? The Warhammer-like (actually clearly superior) aesthetics is just sugarcoating for the terminal goal of the Empire, and a yet another vehicle for justifying it in minds of the target audience. I'm the target audience for Russian imperialism; Russian imperial aesthetics is the sugar coat, the vehicle, the high-grade anaesthetic for the doctrine that sends my less lucky brethren into the trenches near Bachmut, or wherever the frontline of this hell currently is. Sure, they're also pushed by conformism and material interests, but every marginal point of persuasion and dissuasion of dissidents counts. Ramsay aesthetics, likewise, send people into Antifa. A lesser evil, perhaps, but in a higher-impact locale.

My argument is that once you learn to recognize patterns of thought of authors and terminal goals of essentially political art, you lose almost all interest in «compartmentalized» and «differentiated» readings and justification of their topics on grounds of «free speech» or «artistic expression» or «preference» or whatever, because you see all those grounds and frames as being ultimately false and or myopic and or beside the point; you start relating to the given piece of political art on the basis of its instrumental essence as informed by terminal goals of its manufactures, not patterns of its sugar coat.

I can still appreciate the technique and the quale evoked conditional on abstracting away from the essence of the art piece, if I so choose and no part is too intrinsically grating (like I imagine Piss Christ is for devout Christians). That's easy enough. But that's a more or less academic discussion, not in any way a valid justification for material support of authors and distributors.

@Fruck fair enough that this was not mainly addressed to you. But. I suggest you work on your self-esteem. Many people, not you alone (e.g. the obviously smart @f3zinker) say I'm hard to parse, which does not make me smart at all. The apparent obscurantism is on me, not on them. I try to be as clear as the pragmatics of my message allows, but seems like that's not good enough. If you don't see how my response relates to your defense of preferred entertainment, I shall do better to explain myself whenever I get back to this issue. Some day when I'm less drunk.

My preference is no censorship.

Refusing to mistake the volume of thing for its surface and acting accordingly is not censorship.

I will consume anything for its story - I will consume a Michael Bay film, a silent film, a comic, a song, an eroge, an advertisement. I will pay for it afterwards if I believe it was worth it. To butcher the old saying, to me knowledge is a virtue, and censorship is a sin.

There are hundreds of lifetimes worth of prime knowledge that Michael Bay is obscuring from you. I suggest (only half in jest) that you try some Vladimir Galaktionovich Korolenko – I've listened to his «The River Sparkles» (1892) today and it was good and enlightening. You've grown up in an environment where knowledge is dwarfed by content that apes the shape of living words and human lives as grotesquely and adequately in the low-order technical sense as Stable Diffusion apes human imagery. Same for me.

We can and indeed must do better than that, if those values you profess are genuine.

I never said "give this Ramsey dude all your money, what's the worst that could happen?"

That's a good start. I am saying that there is a genuine reason not to give him any. It's not just that he's a tribal political enemy. It's that he is a political artist – which is very different from an artist who also has opinions about politics. Understanding this difference is useful strategically. But if you don't care about winning, how about that: it's crucial to developing taste for art as such.

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Well that stings. Did you read my top level reply to the op?

My estimate of our inferential gap is based on four things - you are here on the motte, you are very smart, you appreciate the truth, and you are Russian. Thats pretty much the extent of what I know about you. And I'm still missing your point I think, because this post almost reads like it was meant for someone else. I'm not doing it on purpose, I am just not smart enough to get it I'm afraid. Maybe I should try to explain my perspective better?

In my perspective, purity spirals are sequential games of moral one-upmanship. People rarely try to start them, they start on their own when someone feels the need to justify actions they took or plan to take, usually actions they feel guilty about but deem necessary. We are trapped in one now. I wish we weren't, I really tried to avoid it. I tried to frame my post as worried and scared but friendly, because that's how I felt, and I am dismayed it read to you like lashing out.

My preference is not for marvel movies, or black supremacist Hollywood stuff, or shiny edges - I don't know where in my post you got any of that. My preference is no censorship. I appreciate media because I believe stories have power. Every story is the amalgam of the feelings, thoughts and ideas the author wanted to promote, and all can provide value, even if it's as a warning or a cautionary tale. I will consume anything for its story - I will consume a Michael Bay film, a silent film, a comic, a song, an eroge, an advertisement. I will pay for it afterwards if I believe it was worth it. To butcher the old saying, to me knowledge is a virtue, and censorship is a sin.

You appear to be making your way down the road to censorship, and I think you should stop, because I like you. I think you were angry when you wrote that and I think you are angry at the moment, and while I don't know why, I am sure your anger is justified. But I also know that most smart people regret acting in anger when they have cooled down, and I know all too well how hard it can be to remember that while you are angry. Perhaps that is the inferential distance, perhaps I think that because I have the privilege. But when I read the second half of your post the distance appears diminished.

After all, you like big guns and may keep listening to kick ass war music but won't buy a ticket. I have paid to go to the cinema twice in my life. It wasn't to a spider man either time, but on one of those occasions it was to a bat man. Aside from intellect, what makes us different? I never said "give this Ramsey dude all your money, what's the worst that could happen?" I said if the right is going to start cancelling people and censoring shit too then fuck this planet.

I said if the right is going to start cancelling people and censoring shit too then fuck this planet.

what happens if the right is, as demonstrable so far, unable to cancel anyone not on the right?

they lose even more than they already have and the other side which has no qualms with censorship will censor more

the reason people agree to détentes like anti-censorship is because they could lose or at the very least suffer significant harm

if they don't think they could lose, they're going to censor or exercise power in some other way

if the right explains to their opposition that they're harmless because they just so darn-tooting believe in principles or whatever, then their opposition takes away that they're harmless and they march forward

"fuck this planet" is an understandable emotion, but it also means you lose and the people you don't like shape the world in their image

we cannot escape this, no one is coming to save us

until one side sheds the mindvirus which renders them harmless, then the other side has no reason to stop and they won't

That's the thing though, it's not a given you disagree any more man, that sentence is couched in an entire paragraph of agreeing.** Do we have to become them to beat them?** Is there really no path to the future which leverages the flourishing of human thought instead of its suppression? If that's the only choice we get - whose jackboot is crushing whose throat? - then fuck the whole enterprise.

The defense of beauty and truth is in and of itself superior to the defense of depravity. Your ?enemies? want a world in which the normalized castration of children is celebrated as the highest virtue. They are not even content with waiting for 'trans' children to reveal themselves to a doctor, but actively work to fill every medium with messages telling subsceptible girls that they might actually be boys. You could crucify every single one of them above an iq cutoff of 115; and it would still not be morally comparable.

I really don't get how people seemingly on the other side can find themselves uncertain about these things. I'm left to conclude that they must be missing some seemingly basic human experiences, like color blind people vs the rest of us*, except for beauty. I look at red and green and see this infinite chasm; you look at it and see slightly different shades of gray (or whatever), while the woke say they are the same or invert them. You are honest so you can point out the tiny difference between shades and I imagine you must be like me; but we might as well be of different species.

  • I suppose the colour blind analogy might be off, in that I might be the outlier here, sure seems like it. Anyway, we all might aswell act in our natures and could never have done anything else. The one thing I can say for my side to a person like you is that, while both the woke and I are committed to mutual annihilation, i'm the only one who intends not to come after you when (or before) I'm done with them.

I honestly don't understand your argument.

My argument is that boycotting things is stupid except in rare cases where your boycott actually has the leverage to pressure the people you are trying to influence. Otherwise, it's just performative. It might make you feel better to say you're not giving money to people you hate, but it has no other impact.

From whence do the rare effective boycotts emerge? Do the ineffective boycotts help build support for the effective ones, for example by "raising awareness"? Progressives have long believed so, proceeded from that belief, and have achieved overwhelming success. What is your evidence to argue that they are wrong?

Class consciousness is useful in an environment of class conflict. Remove the class conflict, and it can be safely left on the shelf. Fail to remove the class consciousness, and it will inevitably proliferate.

From whence do the rare effective boycotts emerge?

The canonical example, the civil rights bus boycotts, worked because the boycotters, being a substantial portion of the bus company's customers, had enough leverage to cause them financial harm.

How many examples do you know of successful boycotts arising from moral outrage?

Arguably the end of apartheid was in part brought about by social pressure on South Africa, but I don't know the history well enough to say that's definitely the case.

Most boycotts, it seems to me, especially the modern form which consists of digital culture warriors screaming about things you shouldn't buy, attract some media attention depending on the issues, but rarely actually have much impact. Conservatives love to say "Go woke, go broke," but where is there any evidence of this? I think this is as much copium as the trans activists I've seen insisting that Hogwarts Legacy is a terrible, low-rated, buggy game, even as it breaks sales records.

The canonical example, the civil rights bus boycotts, worked because the boycotters, being a substantial portion of the bus company's customers, had enough leverage to cause them financial harm.

Sure, but why did they choose to do so? Was it an idea they developed entirely independently, or was it the end-point of a long influence campaign?

How many examples do you know of successful boycotts arising from moral outrage?

Are we counting only boycotts that actually have to be carried out and materially impact the target's finances? I can't think of a single one offhand. On the other hand, examples abound of shows, games, books, films, shows, websites, podcasts, etc cancelled or censored on threat of bad publicity, either directly or by threatening their partners or providers. These seem to me to be successful boycotts, no?

Conservatives love to say "Go woke, go broke," but where is there any evidence of this? I think this is as much copium as the trans activists I've seen insisting that Hogwarts Legacy is a terrible, low-rated, buggy game, even as it breaks sales records.

What evidence there was came from before the 2014-2015 inflection point. Since then, no, I think "get woke go broke" is entirely cope. It's rather the opposite these days, it seems to me. And of course, Hogwarts Legacy is making a mint, it's true! And I have tasks stacking up about art I need to rework for my company's game, because my boss worried that it's too close to the criticisms being leveled at Hogwarts.

The Woke don't always get their way, but they get their way much, much more often than anybody else does. One misses 100% of the shots one does not take; they certainly miss a lot, but given the sheer volume of the shots they fire, they can afford to. They are, observably, winning. That win doesn't look like them tanking a flagpole triple-A harry potter vidya release. It looks like them decisively shaping the entire ecosystem that actually creates such games, the artists, the coders, the designers, the press, and the public as well, such that things that get made conform more and more to their preferences, while things that don't conform tend, on average, to perform less well or to not get made at all regardless of how well they'd perform. And no matter the result of any individual struggle, their faction gains strength and influence for the next fight, always and without fail.

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From whence do the rare effective boycotts emerge?

Strong prexistent organization (like, for example, pre V2 Catholic Church), and dedication to the cause.

https://en.wikipedia.org/wiki/National_Legion_of_Decency

https://en.wikipedia.org/wiki/List_of_films_condemned_by_the_Legion_of_Decency

I condemn all indecent and immoral motion pictures, and those which glorify crime or criminals. I promise to do all that I can to strengthen public opinion against the production of indecent and immoral films, and to unite with all who protest against them. I acknowledge my obligation to form a right conscience about pictures that are dangerous to my moral life. I pledge myself to remain away from them. I promise, further, to stay away altogether from places of amusement which show them as a matter of policy.

How many people today would sign such pledge and take it seriously? Few, and if you replaced "indecent and immoral" with "anti-white" even fewer.

How many people today would sign such pledge and take it seriously? Few, and if you replaced "indecent and immoral" with "anti-white" even fewer.

Do people sign pledges like that for anti-racism? It seems to me the modern equivalents are somewhat more informal and reliant on creating a vibe, a "room" for people to "read".

So that's a yes to trans activists being tactically correct if directionally wrong?

I'd flip this to "directionally correct, tactically wrong," especially given the whole "website for targeting streamers playing the stupid wizard game" thing.

Most people who give a shit set their line as ‘whatever is particularly in my face about it’. A point I try to explain to the people boycotting Girl Scout cookies over ties to planned parenthood every year.

What I personally do with matters like this (and what I encourage you to do) is to separate the art from the artist. Good art is worth it even if the artist is an abhorrent person in their life. If you don't want to go that route (which it sounds like maybe you don't), then you don't really have a recourse here. You have to not watch this movie, or betray your principles - there is no other option. Attending a public screening like others have suggested is still indirectly supporting the artist, because he got paid for that screening. I guess you could pirate the movie, but then you're stealing rather than watching a movie made by someone you oppose. Doesn't seem like a trade up, morally speaking.

If you really want to be principled about this, find a public screening and then watch it there. That way your dollars do not go to the director . I did this with some of Michael Moore's movies .

Another way could be to offset your ticket price with a donation to a an opposing group . If the director only makes 10% this is pretty cheap. For a $15 ticket, how much will eventually go into antifa's hands? Probably none.

But if we limited our entertainment and tastes choices to 'people whose views agree with ours' it would be very limited.

Pay for a movie you want to support and sneak into the showing of the one you want to watch. Go a few weeks after both release and both theaters are likely to be pretty empty and no one should care.

If your politics go in this direction and you want to be PURE, you are just gonna have to not watch any movie worth watching, listen to any music worth listening to, read any fiction worth reading, etc. and so forth.

Creative endeavor has been dominated by people with liberal tendencies since the renaissance at least; and "conservative" art is by definition conservative: retreading existing styles, but worse. That Thomas Kinkade Neoimpressionist Disneyest Nostalginizim garbage.

There are some right leaning artists worth a damn, Dali for example had some SPICY OPINIONS re. politics (even if I don't think blowing up the king could be considered conservative at the time); but they are thin on the ground.

There’s plenty of high quality conservative literature and a smaller amount of high quality conservative film(eg, The Dark Knight Rises), though.

I think LOTR was (and is) conservative art. I don’t think it was in any way intended to be so but it is.

Tolkien was a British conservative. Which isn’t the same, of course, as modern American conservatism.

Being openly violent wasn't a "liberal" thing until recently, so far as I know.

Being openly violent is the founding action of the liberal age. The first liberal took their first breath, then picked up a rock and smashed a dukes skull before erecting the guillotine in the champs de mars and gettin' to chopin'

Not related to the culture war angle, but did the animation not bother you at all? I found it so jerky as to be nauseating. I had to stop watching after five minutes.

Most people didn't have motion sickness or anything like that. I didn't. But I am sorry that you did.

Most of the movie is at a lower framerate than the typical animated feature, but then it speeds up during the action sequences, making them more exciting by comparison. Anime already does this for budgetary reasons (they can't afford non-stop full animation, so they put most of the effort into the action sequences). Spider-Verse is just the first CGI Hollywood pic to do it. I don't know how much money, if any, it saved, but stylistically it was cool. Puss in Boots: The Last Wish recently did the inverse: most of the movie moved like normal, but then the action sequences played with framerates.

The Last Wish was fantastic but that was one touch that didn't work for me. It was at least a fun way to signal that action was coming.

That's really interesting! But did they actually, like, speed up the projectors during certain parts? Or was it all converted to a constant frame rate before distribution, even if the underlying produced frames were at a variable rate? Like a resampling of frame rate so it's all constant, with interpolation to make the lower frame rate portions match.

To be honest, I don't even know how modern day movie projectors work, do they naturally handle variable frame rate, or do they need a constant?

To my knowledge, it was all one constant framerate as literally projected. Animation usually holds drawings/renderings for more than one frame, and when the framerate went up, that just meant that the rendered images weren't being held for as many frams.

Cool, thanks, that makes sense.

This is an excellent post. Thank you for sharing this information with me.

Just look at it this way, the amount of money he likely gets from you specifically is going to be very small. So even if he does fund domestic terrorism as much as he cheers it on, you would likely not be contributing to it much directly just by seeing the movie in theaters. There is also the fact that you probably fund significantly worse causes and factions with your other luxury/optional purchases already, so giving up something that brings you joy for that reason is kind of silly in my opinion.

What's weird is, I've never had this problem with "woke" movies. I even thought the 2016 Ghostbusters remake was an okay, but largely forgettable comedy movie. I've seen TV shows that have obnoxious messaging forced into them, but not movies. In fact, the messaging of Into the Spider-Verse was, by the standards of POC-centered media, surprisingly conservative. I don't think spoiler tags work on The Motte the way they do on Reddit, so stop reading now if you care about spoilers for this movie.

! Miles's dad is a cop, and he wants his son to be responsible, but Miles prefers the relaxed attitude of his semi-estranged uncle, who takes him to do graffiti at the subway stop after closing. Miles later finds out that his uncle is a professional hitman, and it's implied that the falling out his father and uncle had led to his uncle getting deeper and deeper into the criminal lifestyle. Miles convinces his uncle to quit, and in response, he's killed by his boss, the most powerful gangster in the city. Miles makes up with his father at the end of the movie and they make a "Rest in Power" memorial for their lost family member. <!

It's anti-criminality, respects the police as an institution, and even says that people who've done bad things can always redeem themselves and become better.. which, funnily enough, is something one of the movie's directors doesn't believe, at least not when applied to his outgroup.

Actually, now that I've typed this, I did think of one thing that bothered me politically in a recent movie, and that was in Spielberg's remake of West Side Story. I loved it and it was one of the best movies of 2021, but they took the tomboy character, Anybody's, and made her into a transgender man. I'm fine with trans people existing and being represented in movies, but this tomboy erasure is frustrating. It's as if they're saying, "you can't be a tomboy, you have to be a transgender man or a butch lesbian." I wish they wouldn't do that.

this tomboy erasure is frustrating. It's as if they're saying, "you can't be a tomboy, you have to be a transgender man or a butch lesbian." I wish they wouldn't do that.

I agree with this. A fair number of butch lesbians also hate this trend. Like no, they don't want to be guys, they want to be butch lesbians.

Another kernel to think about: by not buying a ticket to the sequel, you’re not only avoiding giving money to someone who hates you but not financially supporting a form of entertainment you enjoy. Which is more important to you, signaling to the movie industry to make more films like Into the Spiderverse or keeping your money away from a pro-antifa type? My choice would be towards the former. There’s not much quality bigger-budget films these days thanks to Disney-Marvel. I avoid seeing their stuff in theaters now unless I feel like a dose of visual popcorn. The first movie was a solid story with interesting, experimental visuals, with no pro-antifa or other wokish messaging. If the sequel follows suit, then that’s not a problem for me. If there’s evidence that the director-now-producer’s views have seeped into it, then skip it.

Something to compliment /u/haroldbkny‘s take: consider “death of the author”. Once a work is created, it stands on its own separate from whatever the author intended. Into the Spiderverse is not pro-antifa work just because the director is so. My personal experience with this is Joss Whedon. Buffy, Angel, and, to a smaller extent, Firefly were all huge influences on my late childhood. I still rewatch them with some regularity. However, it turns out Whedon the man is not quite the feminist crusader Whedon the writer/director is. He might be an egomaniac jerk who verbally abused some of the actresses on his shows. I’m not going to let that ruin them for me.

It is a bit funny because at the end of the day Firefly doesn’t come across as overly feminist.

Sure, Zoe kicks ass. But…there are a lot of traditional values about masculinity viewed as positive.

True, of the three Buffy is the one that's most overtly feminist. But they're all of the 90's/early 00's egalitarian brand of feminism that uplifted good strong female characters without tearing down the male characters.

I know it's unlikely that anyone here has a better idea "than stop giving a crap about what filmmakers believe,"

My answer is not to stop giving a crap about what filmmakers believe, though you may think that it's functionally equivalent to that. My answer is that we should be investing in the idea that people are complex, and that we can compartmentalize the things they do in life. I think that proliferating this idea, the idea of compartmentalization, is the most powerful way that we can take down the woke left, antifa, and everyone else who spreads the horrible, harmful, illiberal idea that you can only get along with people who agree with you on everything, and that not agreeing means that they are a terrible person. I understand and sympathize with your viewpoint, and I certainly have felt it strongly at times in the past. But I personally have learned that the notion that we can compartmentalize, and get along with each other, is one of the most important values to me, and is what is missing the most in our modern woke society which generally wants to act on the idea that we should condemn all but the most right-thinking people.

My answer is that we should be investing in the idea that people are complex, and that we can compartmentalize the things they do in life. I think that proliferating this idea, the idea of compartmentalization, is the most powerful way that we can take down the woke left, antifa, and everyone else who spreads the horrible, harmful, illiberal idea that you can only get along with people who agree with you on everything, and that not agreeing means that they are a terrible person.

It's a self-defeating idea, just like the higher-order idea that propaganda of generic humanism that doesn't rely on superior power is feasible. Why would anyone welcome the spread of this mental infection that directly reduces their fitness?

The left is rational in treating all of economy and culture as a field of political warfare. It's not literally true in all cases, but it helps bring the future in accord with their wishes. @Conservautism shows this Ramsay guy retweeting some clown who calls Andy Ngo a «stochastic terrorist». Does Ramsay accept that libellous label at face value? Who knows; but also who cares: the intent is to suppress the proliferation of Ngo's non-fictional content. Content like this, which undermines Ramsay's own political beliefs and poisons his projects and narratives where fragile, intelligent and egalitarian black boys are suddenly endowed with superpowers to make the world a better place, punching up, saving it from machinations of pale bullies and capitalist oppressors who irresponsibly endanger millions with breakthrough technology. I am not shoehorning anything: this is 100% how the fanatic Ramsay intends his art to work. This is the very heart and soul he pours into it.

In the same vein as demonizing Ngos who immunize people against the political message of your art is rational, boycotting the apparently non-political and subjectively interesting art of Brandon Sanderson (or what have you) to deny a revenue stream which could allow him to support politics (and a family) that you despise is rational too – if you are a mature human being, that is, a predatory Machiavellian ape obsessed with tribal power. All this «entertainment content», attractive moving images and interesting stories and all else, is a pretext to redistribute power, both directly via economy and indirectly via culture; it has no value and no point beyond those ends, and only an excessively neotenic person would take seriously the proposal to «compartmentalize» the hand that dangles a hypnotic medallion in front of his face from the hand that holds a gun to his wife's stomach.

I want to emphasize that Wokes are hyperconscious of small slights and weak links because they are reasonably conscious of longterm outcomes – and their cosmic responsibility before their values and comrades to secure victory. Thus, in a very consequential way, they are as morally (I refer to morale, but morality too) superior to Conservatives – particularly the Spiderman-watching sort – just as early Christians were to effete late pagans with their pointless, wasteful grilling of bulls on lawns of their villas. Here's a case in point. We've discussed Hogwarts:Legacy lately; this guy ended up being mocked by Russian libertarians so I became aware of his existence:

Here's my place in the Hogwarts Legacy credits, the second high budget game I've been credited in. I was the realtime technician on shoot floor helping mocap actors see their rigs in the environments. I will not be purchasing the game - it is the least I can do as an ally.

Trans people do not deserve to have people like JKR grow and prosper - any ammunition to the wrong side is damage to a society I would otherwise wish to see in the future. One where people are not discriminated against for their gender, sexuality, or any piece of their identity

Consider the level of ideological fanaticism (some would uncharitably say «signaling» but I take it at face value) of this guy. Obviously a right-winger with the same attitude would be perceived as a complete freak and a danger to polite society, mocked even here – usually it'd be either a staunch Christian Fundamentalist or some 14/88 Black Sun posting White Nationalist type. Yet I say he's right (leaving aside the absurdity of his beliefs and Rowling's innocence); this asymmetry speaks to cowardice and moral defects of right-wingers rather than some woke insanity. Like Hanania, I lean towards saying that conservatives deserve that's happening to them. If you don't care about politics, politics still cares about you.

I imagine, and to some extent know, that the overwhelming majority of hundreds of thousands of Russians mobilized for war were also proud of just living their lives, taking care of their families like responsible adults. But that's the infantile choice in the world of predatory apes who have weaponized literally everything.

I've watched Spiderverse 1 via Popcorn Time. It was an okay thing to consoom, but the disgusting American racial religion and a host of underclass-glorifying memes were of course already palpable there. Thanks to these updates on Ramsay, I will not be watching the sequel. Entertainment has been artificially made a big part of our lives; the illusion of passing on some positive good is just that, an illusion. Letting a snarl of American brainworms into my head is too high a cost for two hours of watching a well-rendered childish story. If I stooped so low as to actually pay money to spreaders of those worms, I'd have lost all respect for myself. It's indignity enough that I already buy – and have bought in the past – many things that indirectly contribute to the American liberal project.

I'll be listening to some Saltykov-Shchedrin today.

Wait, really? I thought Into the Spider-Verse was, if anything, surprisingly conservative and not reflective of Ramsey's beliefs, but I am pretty obviously not as right-wing as you, so my standards for what's "too left-wing" are gonna be different.

https://www.themotte.org/post/349/culture-war-roundup-for-the-week/64050?context=8#context

I just explained it in a different reply, so I'll link to that here.

But I personally have learned that the notion that we can compartmentalize, and get along with each other, is one of the most important values to me

I don't mind being nice to people who ideologically hate me.

It would be wise, however, not to actually finance their arms purchases for the Culture War.

I love this post and am going to reread it whenever I need to remind myself to not judge people by their worst behaviors. Thank you.

His post is "detach the artist from their art" just with more words. The result won't be to disarm "the left" and "the woke"; the result will be "conservatives" just losing more. If conservatives cannot even forgo a movie about nonwhites fighting against their pale, capitalist oppressors, how are they going to affect significant change in the broader cultural norms to understand people are "complex"? They can't even get movie studios to stop producing content made for mass audiences which attacks their beliefs on their face made by people who are open and vocal about hating you and wanting your civilization to burn.

It's a suicidal position. When your opposition makes everything political, you don't win by compartmentalizing, you simply lose. The entire endeavor turns into what to think in order to soothe discomfort around accepting the morally superior loser part in the play.

I don't have any grand plan for how to make the world better, other than to be the change I want to see. I believe the fracturing that comes with non-compartmentalization makes the world worse, makes my life worse, and even makes me worse as a human being, in many ways. I think there are a lot of people out there who are sick of this illiberal way of life they've been coopted into. If we don't start reaching out across the isle to them, showing them there are reasonable people who don't do it that way, they'll feel it's the only way. I do believe and hope that this is just a temporary trend in society, and that the pendulum will swing back.

You don't need a grand plan to solve all the world's ills and your current "grand plan" is cultural suicide; if one cannot even bring themselves to not actively consume the mindvirus which hates them and is working to destroy their civilization, how would they do better ever?

If we don't start reaching out across the isle to them, showing them there are reasonable people who don't do it that way, they'll feel it's the only way.

"start"?

after the last couple decades or so (let alone longer than that), you think the problem is you didn't compromise enough for your opposition to stop hating you, trying to destroy your life, and to burn your civilization down?

you compromise on "civil rights," they ruin your cities and call you racist as you flee to suburbs while pushing explicitly anti-you quotas

you compromise on illegals, they shove more than ever before and in a shorter period of time

you compromise on gays, they move on to transsexuals and your children

the list goes on and on

When will you know when you've "reached out" enough? It's clearly not endorsed state actors convincing children they want to be "gender affirmed." When will you know?

The reason your opposition continues destroying and burning unabated is because they've discovered you're actually harmless.

It's a suicidal position.

Not everything in life comes down to effectiveness. At some point, someone has to be the adult and say "I'm going to treat you well" even if that's tactically unwise. If nobody ever does that, then we just hate each other and try to kill each other forever.

so instead you volunteer to kill yourself

okay, well that's up to you

if avoiding discomfort is the purpose, why not just forget about the whole "conservative" politics things altogether

If you don't understand the difference between giving up entirely and being unwilling to accept certain actions, I don't know what to tell you. Suffice it to say that I don't agree that there's any conflict between "victory is desirable" and "victory isn't worth any possible cost".

"certain actions"

hah, we're talking about going to see a marvel cattleslop movie whose narrative will be about hating "conservatives" and giving money to the creator who is vocal about hating "conservatives"

this isn't a disagreement about being willing to anything vs. nothing, it's about the incredible length of the list of things "conservatives" wouldn't be willing to do and instead choose losing

otherwise, you may be unkind to someone! at that point, why not just give up this whole performative "conservative politics," thing altogether?

that's my point

Just a reminder: the best strategy when dealing with an unconditional cooperatebot is «always defect».

If nobody ever does that, then we just hate each other and try to kill each other forever.

Also wrong: eventually someone wins.

No, that's wrong. Nobody ever wins forever. Your "victory" is really just sowing the seeds of future hatred and violence.

Honestly, it seems to me that conservatives and straight white men have been turning the other cheek for 60+ years now and it's only gotten us into this hell. Maybe time for some stronger tactics?

I never said to just "turn the other cheek". But you have to be careful how you fight back. There are plenty of people here whose only motive at this point is to just hurt the people who hurt them. It would be just as bad if they win the culture war as it would be if the woke left won the culture war. I don't want a tyranny of the left, but that doesn't mean I want a tyranny of the right either.

Less practically, I believe that the one thing that really matters in the end is your character. Not victory or defeat in some culture war, but who you are as a person. It's important to hold on to that above all else. Again, that doesn't mean that you have to just meekly accept everything others may throw your way (unlike how @DaseIndustriesLtd incorrectly characterizes me as a "cooperate bot"), but it does mean that you can't just go "well that's a losing tactic" as a form of dismissal. Better to lose while being moral than to win while being immoral. The latter is quite literally barbaric and is beneath us.

More comments

Is there a way I can have my cake and eat it too here?

No. You have to decide whether you're OK with spending money on art from people that hate you or not. I've personally arrived at a completely useless position that lacks any coherent ethics behind it - I'll buy movies, games, or books made by people that hate me as long as I'm not confronted with public accounts of them hating me in a way that I personally find too irritating to enjoy the products. If everyone adopted that position, it would at least be a bit of cultural detente, even if it's an unstable equilibrium. In practice, that does seem to be what most people do - don't think about it too much, don't worry about it too much, but pass on their products if they've been really vocal about hating you and you find it sufficiently irritating.

If that's what most people do, why did Gina Carano (for example) get screwed over? Is it just pre-emptive striking from execs who respond to headlines?

Is it just pre-emptive striking from execs who respond to headlines?

Obviously yes? Same thing happened with James Gunn. If the Hollywood execs who fired him from Guardians of the Galaxy had done their due diligence they would have realized it was right-wing troll groups stirring up controversy about him, but that didn't matter. It wasn't "most people" that the execs were responding to, it was, in both cases, paranoid PR departments seeing (potential) controversy about their properties and trying to head it off, perhaps with some inside-baseball career jockeying that has nothing to do with ideology.

It's sad, then, that Peter Ramsey's comments only get a Bounding into Comics headline. The conservative media sucks.

The industry is full of leftists that hate her and getting rid of her cost them approximately zero Star Wars nerds.

My understanding is that the people running media companies like Disney are apolitical and respond to market incentives, because I can't imagine people who place politics first would get that far in the business world. Therefore, I have a hard time believing that the number of people outraged by Carano or Roseanne is so insignificant that it makes no difference, since, evidently, it did.

This is getting off-track, though. Walterodim's advice for how I should approach things is still good. I just don't know if it's true that most people act this way.

and I do feel that I'd be missing out by seeing it on my tiny laptop screen several months after release

Tiny laptop screen I can't help you with, but camrip torrents are typically available within 24 hours of opening day for any major release.

And I know you "inb4"d this, but still, you did correctly identify the fundamental problem, and it would be doing you a disservice to tell you how to treat the symptoms but not also the disease. To reiterate your own knowledge back at you: Stop Consooming Children's Media, it's the only long-term solution.

I could still have this problem with adult media. Are you saying my enjoyment of things like Spider-Verse cripples my emotional development?

FWIW, I did feel instant cringe at your OP juxtaposed with your username. I can't really see making a big deal out of wanting to see superhero movies fit the aesthetics of positive conservatism. Either declaring the movies as low-value culture that's beneath you (despite finding them fun), or just going to see the movie because you think you'll enjoy it no matter what the filmmakers believe would be fine. The problem is maybe less that you enjoy the movie but more that you come off as not knowing any culture you find much higher-value than a superhero movie because going to see the superhero movie seems to present such a major dilemma for you.

Fair enough. I do closer to the soyjak Nintendo Switch Funko Pop archetype than any conservative archetype. I just happen to hold classical liberal principles and a mid-00's sense of humor, both of which put me at odds with the modern left. I mean, Elon Musk is considered right-wing now, man.

Is there any work of art or fiction that it wouldn't be embarrassing for me to be interested in?

Rules of thumb for less embarrassing culture are that it's not quite contemporary (things from 20 years ago are different, things from 50 years ago are different again), while maybe being Lindy enough to have stayed somewhat on the radar until now and not fine-tuned to have 14-year-olds as its core audience. Closer details are very much an illegible signaling game. Good starting point is probably to try to not be stuck in the comfort zone of fiction made to be effortlessly consumed by teenagers and get some sense of perspective with things aimed at adults.

I view "sometimes my money goes people I don't like" as a price for participating in an economy. If I buy free-range eggs from a farmer, what I know of their political beliefs? And that farmer probably has to buy crops and stuff from some other people I know even less about. If I buy a Big Mac, the profits will be diluted to countless stockholders after the suits have taken their cut. As a whole, people who profit from my Big Mac have not a coherent opinion.

Yeah, I'll concede that my problem is entirely psychological.

Good idea. I wasn't sure this would work with 3D, but upon reflection, I could find a 3D movie showing at the same time to get my glasses.

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