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There have been some interesting results in relation to the Hugo Awards, and to the broader WorldCon environment. Kevin Standlee, a previous chair of the World Science Fiction Society (the WorldCon runners) posts Elections have Consequences:
The Hugo Nomination statistics were released on Friday, and unsurprisingly there are some oddities. Some of the disqualifications are likely politically charged over Chinese-specific matters, and others more universal. To be fair, the exact rules for qualification are complex, and some past nominees have been screwed over by esoterica of first publication dates; given the number of new voters, it's not too surprising that some nominated works fell outside of the eligibility timeline.
To be somewhat less charitable, I'm not familiar with too many previous times where nominees were listed as eligible by associated vendors before getting disqualified. The nominations are also bizarre in other ways, if one expected a largely Chinese fandom: there's a few Chinese-original pieces and editors, but not many.
Officially, there was absolutely no political pressure for these decisions, which have an explanation that the WorldCon Chendgu admins won't be providing.
On one hand, it's hard to be surprised if something wacky happened, and surely the people who set up WorldCon inside the CCP should have known it'd be a charlie foxtrot one way or the other. It's even part of the WorldCon bylaws that given a lot of power to the laws of the hosting nation, as Standlee points out. WorldCon locations are determined by member votes, even if this rounds out a little weird.
On the other hand, there were some fun questions about exactly how fair that vote for the 2023 WorldCon bid was well before this point -- quite a lot of ballots were allegedly filled out remotely and dropped off by a small number of visitors. Which wasn't and currently isn't against the rules, mind you! And the WSFS certainly wouldn't bring up questions of authenticity in 2021.
((On the gripping hand, unlike nearly every other vote at WorldCon, the location vote is heavily vetted internally rather than going through a member nominee process; only sufficiently prepared locales are listed. And WorldCon Chengdu advocates had been wining-and-dining hard for a while, which, given the logistical issues the convention had that included a complete rescheduling, might have been descisive.))
Schadenfruede isn't great for the soul, so to some extent I'm pretty happy to that a number of critics of modern WorldCon have had better things to do with their time, even if I personally have struggled not to snark a bit. And it's hard to expect too much to come from any retrospective at this point: because ballots and nominations, proving or disproving any tomfoolery incoherent as a position; more likely, it ends up with some minor tweaks to the location bid process, and just becomes one of those weird bits of fan lore, like when people wonder why Mercedes Lackey disappeared from SFWA conferences.
It's already too late to pass out the Asterisk Awards v2, and most of the winners weren't bad; many would have won regardless, even if the novel slot is definitely curious. ((Though I'm definitely less-than-happy that Scalzi squeaked in a nomination on another terrible work because of the DQ's)). Which brings up the culture war side. Standlee has an example :
To be fair, Standlee gets pushback, and eventually admits that no, that's not actually the existing law. I expect if pressed hard enough, he'd even admit it would surprise him were a Florida WorldCon's subcommittee willing to comply with such a law. (To be a little less charitable, he's probably going to be a go-to example for people on the left assuming conservative jurisdictions will ignore courts orders, if only because most people use video format or circumlocutions). And perhaps there are uses to bringing forward a nearby hypothetical over a distant reality (and, tbf, the at-least-up-as-a-bid-but-still-implausible WorldCon Uganda gets some attention on File 770).
But it's a slightly awkward comparison. It's not like either of these hypotheticals are really things this cohort experience personally, or even by second- or third-hand. Yet they're useful boogeymen.
Is there a particular reason you’re using ((these parentheses))?
It's an old habit, arising from conventions of online dialogue, most often seen in fanfiction and roleplay communities, where (()) was a popular way to indicate asides, stage directions, or more general notes, that are not essential to the post and may contradict it in theme, but still help illuminate the view the writer is trying to bring forward.
The telos was to apparently enable a particularly good pun about parenting vs divorce that I can't find from the old subreddit.
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I saw that, and I'm laughing. They wanted this, and now they're getting it. The Sad and Rabid Puppies campaigns were all about the Hugos being a cosy little arrangement where the people 'in the know' got their favourites pushed, and the response was all "nope, not us, each con is its own thing, it's the people who registered to vote who make the decisions" at the same time as they were publicising that Worldcon owned the Hugos so you grubby lowlifes can just forget about it.
Well now, China is hosting Worldcon and, as they say, when in Rome... and all the outrage is superfluous because they wanted the principle of "we can select a slate of nominees and award winners on DEI and LGBT+ and other progressive grounds", and now that principle of "we can select the criteria according to which any work is judged permissible or deplorable" is being used against their pet causes. Too bad, they set this up and it's one more example of "but how was I supposed to know the leopards would eat my face?"
Do they still work relatively well at selecting good books? Are there other, less problematic, awards?
I have no idea, I haven't read a "Hugo Nominee/Hugo Winner" in ages. I had a look at this year's slate, there was one novel that vaguely interested me, but looking it up - ah, it's about colonialism and feminism and religion and I don't even have to read it to know what it will be like.
Also, you don't get to look down your nose at H.G. Wells (even if he is open to criticism) when you're relying on his original work to be the source for your reworking. Get your own characters and events.
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Dragon Awards are pretty good for finding decent 'popular' works.
Prometheus Award if you want things that lean libertarian.
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I would say they haven't been useful at selecting good books since 2000. It really has been a while.
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Is there a reason to care about these conferences? I think every time I've seen a list of the books that won awards I'd never read a single one, and never had any interest in reading them from the descriptions. That isn't a criticism of the conference, I have very weird and esoteric reading preferences so its not a surprise when my preferences aren't mirrored by these conventions.
Let them have their weird little conference where they pretend to be super progressive, and then also hold the conference in a country with active censorship.
With many other culture war issues I get why there is a fight. The universities should not just be surrendered. The institutions should not just be surrendered. The competitions and sports that are location based should not just be surrendered. The licensers and certifiers should not be surrendered. This though? I don't know why you'd want to save it or fight for it. Just let them go off the deep end.
There used to be.
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I've followed the Hugos since ~2004ish -- and been crotchity yelling at cloud over Best Related Work never being that Related or that Best almost the whole time -- so a good part of it's just me yelling at clouds.
That said, even in recent years there's often been occasional good results: Welcome to Your Authentic Indian Experience™ is definitely the sort of thing that I'd expect to be schlocky Blue Tribe culture war porn and lack introspection, and it's definitely a Blue Tribe work, but it's a lot more self-criticizing than you'd expect -- not a 10/10 work, but definitely more worth the time than you'd see from the summary. I found Ted Chiang through The Merchant and the Alchemist, and older folks would have known about his Story of Your Life a decade and a half before Arrival, for example.
And the Hugos in particular were nice because you'd get a big voter's packet with all of the finalist pieces together. While sometimes you got some stinkers (and there have always been stinkers), just a couple good works outside of your normal wheelhouse would often pay for the membership.
At a deeper level... while you can be a successful writer in other ways and other approaches, the field and especially the successful commercial part of the mainstream field is both insular and incestuous. Even if you don't care about any particular award or convention hall speech or signing-books-for-dollars, they're often how behind-the-scenes discussions bring a sudden consensus forward.
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They still hold the once-honored name of Hugo Gernsbeck, but that's the only reason. The Sad Puppies have apparently decided that now that the other guys won by breaking the awards, they can have both pieces.
If I ever get rich or famous I'm going to include something in my will about not naming things after me. After half a century I'm sure that thing will not reflect any of my values. Happens in the think tank world all the time. Conservative/libertarian think tanks get infiltrated by leftists and become skin suits worn by people that the founder would have hated. In the Koch network some places don't even have the patience and decency to wait until both Koch brothers are dead.
I've given a lot of thought to the issue of how you can set up a foundation with your name on it and expect it to stay aligned with your intentions over the course of decades. It's hard, way too many failure modes and attack surfaces you'd have to anticipate and design countermeasures for.
Even in the best case scenario, all it really takes is the last person who knew you when you were alive to die or retire and get replaced by someone who has no connection to you and no respect for your ideals, and then there's no mechanism for forcing adherence to your goals. They turn the ship in a different direction and sail on unabated.
No matter how rigorously you define your terms and how stringent you make your instructions, over time your org will be Ship-of-Theseused into something with the same name and generally the same stated purpose but controlled by actors who may be actively hostile to your desired legacy.
You can hand-pick your successors, but once you're gone there's little guarantee those successors can manage to handpick good successors without serious entropy setting in.
The example that strikes me the most is the Ford Foundation which controls a $16,000,000,000 endowment, and has the stated purpose:
But when you look at where they actually spend the money, it is pretty indistinguishable from any other standard lefty activist organization.
Underscored by this excerpt from the Wiki:
So yeah, the direct descendant of the guys who set up and funded the Foundation quit because it was falling afar from it's original mission and was becoming anti-capitalist using funds provided by some of the most famous Capitalists of all time.
Took less than 50 years. I can barely imagine how one could ensure your legacy lasts 200 years without losing focus... short of founding a religion with fanatical adherents. I suppose you could pay to train an LLM that will spout your values and is given an endowment of its own to ensure it has server time secured for itself in perpetuity.
The whole problem is that if your foundation controls significant wealth, that will attract all kinds of parasites and scavengers to the 'free calories' and nature will then take its course once there are none remaining to defend the bounty.
Just have the state confiscate it. The inheritance tax is among the fairest of them all. If the state can deprive living, breathing humans of the fruits of their labour, it should most definitely squeeze the dead for contributions. Those zombie orgs have no right to exist in the first place.
One could perhaps imagine parasites gaining influence and control at the state if that's where all the wealth accumulates at the end of people's lives.
Hard to imagine, but seems like a risk.
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Piggybacking onto an existing religion might work too. You could insist, for example, that all the board members have done a Mormon mission.
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I've come to the conclusion that it is impossible, and that is probably ok if its impossible. Because if it is possible then that means society could eventually end up being run from the grave.
If these billionaires want a legacy that will outlive them, then they should emulate the Pharaohs and just build giant monuments. Bonus points for monuments like Pyramids which are difficult and annoying to remove.
I think a billionaire could probably afford to build a great pyramid of Giza equivalent in America.
Simple missions are also probably more resistant to change. Its harder to subvert "I want a pyramid 500 feet tall made out of concrete" than it is to subvert "I want to promote [vague term], [vague term 2], and [vague term 3]".
I think I agree with Chesterton here. If everyone who believed some particular thing happens to be dead now, that does not imply that they were wrong.
There’s an argument that dead people didn’t have the chance to learn what we have learned and be convinced of it, but I also disagree with this when it comes to the fundamentals of humans who are dealing with one another in a social scene. It looks different now, is mediated in unrecognizable ways and with some qualities exaggerated, but we’re not aliens to our ancestors.
Thomas Paine's preemptive repudiation of Chesterton on this from when he was giving Edmund Burke both barrels:
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To me, one important difference maker is that dead people have no skin in the game. Broadly, one might posit that dead people had a preference that humanity keep surviving and, as such, they could be considered to have some retroactive skin in the game, and as such their votes could be helpful for humanity continuing to survive. However, I'd contend that the actual preference could be described as genuinely believing that one's preferred ideas would lead to humanity surviving after one's death, rather than as actually wanting humanity to keep surviving after one's death. After all, there's no way to check the latter. At best, one can check the trajectory of humanity (or subset that you care about) while one dies and assume that a trajectory that looks good now will look good in the future after one is dead. That's valuable, but also limited. So I think it makes sense to at least discount people's votes based on accident of death, even if we don't automatically disqualify them. If those people's votes lead us towards hell, they're not the ones who will be suffering that hell, and so we can't trust them to weigh the risks of hell creation properly.
That may be true but it's nowhere near sufficient. There are plenty of good reasons that the death tax isn't 100%. For example, we want to incentivize people to work towards the future rather than squandering their wealth on more temporary and hedonistic endeavors. "Dead people have no skin in the game", as a counter-consideration, is not even worth mentioning by comparison.
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AFAIK concrete is a poor choice for long-lasting monuments. Supposedly erodes to quickly.
Reinforced concrete deteriorates when the steel reinforcement rusts and expands. But a pyramid experiences exclusively compressive loads, and therefore can be constructed from plain (unreinforced) concrete. Non-rusting rebar also is available.
Concrete's resistance to freeze–thaw cycles can be improved by adding air. Its resistance to abrasion by rain and wind can be improved by simply using stronger mixes (including harder gravel). (source)
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outer layer of quartz?
I'm sure the experts at Pharaoh Building Services LLC will have some good recommendations for long term preservation.
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Volume of the Great Pyramid: 3.4 million yd3
Cost of concrete footing: 600 $/yd3
Multiplier for "mass concrete" construction and novel work: I dunno, 2
Total estimated cost: 4.1 billion $
So even a billionaire may find that a stretch.
Growing $1b into $4b over 30 years only requires about a 5% annualized return rate. The S&P 500 has had about a 10% return rate over the last three decades. Assuming you can keep your Die Like A Pharaoh Foundation for a half century that should be enough time to complete the construction.
Its also possible to get lots of savings in here. With the amount of concrete to be bought, you should be making your own concrete, not buying from someone else. Find a location where both the raw inputs and the labor costs are cheap.
More Billionaire should definitely be building great pyramids.
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Haha, this gives me an idea for a foundation whose sole objective is to keep enlarging a pyramid, layer by layer, in perpetuity, with the only tricky part being managing the endowment so that it doesn't deplete too fast and allows continued investment in more pyramid-building supplies.
I think it just irks me that the end result is that the assets in question always end up captured by ideologues (usually left-leaning) when they could just be distributed out to some class of beneficiaries directly or throw into the market at semi-random so no one cause or entity receives all the benefit.
So the wealth isn't burned but also isn't available to be captured and 'squandered' by activists or layabouts.
Japan seems to have a handle on building long-lived, stable orgs, but that seems mostly the case of having the entire culture in which the org exists being aligned with that goal.
This has been one of the more fun thoughts I've had lately. In another thread we are discussing the costs and feasibility of it.
There does seem to be some natural competition between the layabouts and the activists. Many of the orgs I know that have become generic left wing mouth pieces, also tend to just burn through cash on useless employees. Its a bit like cancer. A tumor has to have some inter-cell cooperation to grow large, but its also not cooperating with the host body by being a cancer/tumor in the first place.
It might be a difference in our perspective. I don't really think of wealth as being "burned" if there are actual people spending and enjoying it. War, natural disasters, certain kinds of government Hoop Jumping, etc are the things that burn wealth to me. And having most of the organization's endowment sitting in the stock market also seems like a form of redistribution to everyone.
I was talking more about 'burning' wealth as a means of keeping it from being captured. Like if your foundation has a vault full of cash, you instruct your successors to set it on fire before they let it fall into the hands of your enemies.
I DO agree that money put into the hands of ideological activists and layabouts will eventually find its way into the hands of more productive people.
Sort of, except the most immediate tangible benefits are accruing to people that aren't going to apply it towards your preferred goals. No reason to 'reward' them for failing to uphold your mission.
I think I can also take the flip side of all this too.
MORE organizations should be set up to dissolve once they either complete their goals or fail to complete those goals after a long time trying. If I set up the "Eliminate all Homelessness in [local town] Foundation" whose goal is to solve the very tangible, discrete problem of homelessness in my hometown, and there is still homelessness in that town 15 years later... I'd consider the endeavor a failure and close up shop.
Or take a Company that was set up to produce a particular product that is now completely obsolete and unneeded by the modern economy. Is it better for them to try and pivot or adapt to produce some new product to continue operating, or is it more honorable for the people operating the company to notice that the business has run its course, and it would be appropriate to wind things down and disperse the working Capital to the shareholders?
Why is the 'standard' lifecycle of a Corporation one that usually ends in a bankruptcy proceeding rather than a voluntary dissolution when it becomes clear that there's no path forward? I'm sure there's good rationales for it, I'm just curious.
That runs into the other issue of any organization ultimately becoming staffed by people whose livelihood is dependent on keeping the org going even at the cost of its intended mission.
SO, if I were a Billionaire maybe I'd take a very different track and fund a dozen or so orgs with $100 million each with the explicit goal of fixing some small and tractable issue using those funds, and have STRICT instructions that any given organization is to be dissolved and the funds dispersed at random once [Problem] is fully solved OR 25 years have passed and problem has not been solved.
Would probably have to design it so performance bonuses would be dispersed to the people operating the org if they can solve the problem quickly, since otherwise the incentive is drag things out and eat up all the funds.
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I think most Westerners have an inaccurate view of Chinese censorship.
I’m currently visiting family in China. I can walk to the mall and visit Sisyphe Books, part of a big chain, and buy a copy of 1984, as well as a whole bunch of other books that one might naively expect would not be freely available here.
Of course there’s nothing available from the Dalai Lama, and nothing that makes direct anti-government arguments. That appears to be sufficient to get a book banned: it’s an anti-government work, or one written by someone that has expressed anti-government sentiments.
On the disqualifications, maybe this fell to an overzealous party functionary. You can buy some of these on China.
Here’s Babel: http://search.dangdang.com/?key=Babel&sort_type=sort_default
You can search Baidu for “sandman neil gaiman” and find both the comics and show.
Power is actually quite diffuse in China, at least until the central government decides to assert itself.
Chinese censorship is odd. For instance, they're currently sort of favouring street dance, and there are several TV shows with big finals hosting competitions. But you can't show tattoos, so any foreign dancers who have tattoos, or any hosts with them as you can see with Jay Park here, have to cover them up with stickling plaster (and if those fall off during dance, the show then blurs out the naughty socially undesirable tattoos or earrings on men).
Personally, I don't like tattoos, but I think it shows the kind of difference in what is and is not permissible for TV viewership in a way that wouldn't happen in the West.
Every mall in my tier three city has a hip hop dance studio.
But yeah TV is much more heavily policed than books. It has far greater influence on the hoi polloi and that’s what the party is concerned about.
As I said, Chinese censorship - from the little I've learned about it - is odd. There's not really a strict "this is censorship worthy and this is not" list, as such, but on the other hand you do have government bodies monitoring TV, radio, pop culture and they can switch on and off as they feel necessary - see the pother over effeminacy - and that puts subtle but real pressure on the industry bodies that ostensibly are the ones in charge of running the stations etc.
Chinese fans of particular actors, singers, idols can also be - to use a technical term - batshit insane, they are very active online, and malicious actors have no problem getting stars into genuinely serious trouble, and that spreads even to those who worked with them in 'guilt by association', out of jealousy ("X is more popular than Y, whom I idolise, that is not right and I'm going to get X!") and other motives.
So I'm not at all surprised that Worldcon held in China might have background interference, not even directly from the Chinese government, but from those who think that certain subjects or writers or how the topics are written may be 'problematic' and they act in advance to 'maintain harmony and not insult national emotion', as it were.
As I said, I'm laughing over the allegations because this is what the whole Purge of the Puppies was about - getting rid of wrongthink and wrongthinkers. So the outrage over this is very ironic, and the defence seems to be "but what we did wasn't censorship because it was we who did it, and besides we did it all out in the open!"
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I admit that I'm not versed in sci-fi book award culture war. But In your links there's a bunch of complaints that Huang's 'Babel' isn't listed. Babel is basically a 'British Empire Bad' story that fits well with Chinese ideology about the Century of Humiliation, isn't it? Why would that suddenly not be listed, why would the Party have a problem with it?
Lots of things are banned in China but they usually ban individualist or anti-state novels or there's some kind of internal rivalry between authors (RIP Reverend Insanity).
I don't know enough about how Chinese censorship works to venture an educated guess, but when reading R. F. Kuang's wikipedia page the following jumped out at me.
After some further googling I came across the following information that may also have contributed. Her Poppy War series protagonist, Rin, is apparently heavily inspired by Mao, and is deliberately an unlikeable protagonist, as well as being an opium addict. The CCP censors may have been unhappy with this, given that The Poppy War has not been officially translated into one of the various Chinese dialects. It could simply be that she was persona non grata already, and Babel was summarily dismissed for the author's previous WrongThink.
Ah, that would make a lot of sense. I heard that you're not even allowed to mention Mao by name or even with a pseudonym in Chinese fiction, it's a huge faux pas. Same with current leaders.
I happened to be in China for work last summer during the national holiday -- anniversary of the founding of the People's Republic -- and to my surprise there was not a single mention of Mao, or any other specific figure, neither by name nor by image. The only words plastered everywhere were a thoroughly innocuous "I love China". His face is still on the money, of course, but physical cash is being phased out fairly quickly.
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You can buy the book in China though, just not in Chinese: http://product.m.dangdang.com/product.php?pid=11353905286&host=product.dangdang.com
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I find this comment on Standlee's blog post to be interesting:
The thing is, if you took literature and threw out all the perverts, assholes, authoritarians, supporters of controversial wars, racists, sexists, and just plain kooks, I am not sure how much writing that is worth reading would be left.
And science fiction, in particular, is not exactly a field that is known for authors who are well-adjusted, non-controversial people with moderate political opinions.
I get the desire to not platform people whose politics one dislikes, and I actually think that it is a perfectly understandable desire. But at the same time, I also don't imagine that any genre of literature could actually thrive after being passed through the wringer of political correctness.
You've managed to use mistake theory in the middle of conflict theory.
Nobody wants to get rid of all such people. They want to get rid of the ones who are not ideologically on their side.
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When was the last time one of the right-wing science fiction authors got lauded by worldcon?
To be fair, Torgersen received a double nomination in 2012 for Hugo Novelette and a Campbell (a not-Hugo-for-historic-reasons award selected by WorldCon voters in the same packet), and came close second in both, and Correia was nominated for the Campbell in 2011 (though he didn't rank very high, and that year was an absolute mess from block voting perspectives).
For winners, a while. Pournelle famously never won one, though Niven did in the 70s. Orson Scott Card in 1987? Progressives might argue Resnick, but... not very credibly.
Maybe one of the lesser-known slots like editor, but it'd have been before my time.
I mean there’s not a shortage of conservative science fiction authors. I won’t claim that them being underrepresented in awards is ipso facto evidence the awards are biased against them but considering that right wing science fiction writers are seemingly more popular than left wing ones(David Weber, John Ringo, Orson Scott Card, Larry Correia…) it probably does incline us to wonder why these extremely popular writers aren’t getting awarded.
Ringo gets awards, he just gets them for shooting people. I think he might have gotten one for a romance story published under a pseudonym. Card is old enough to have gotten Hugos before they were taken over; he's gotten a bunch of others as well. Correia has a few Dragon awards, but also a Locus.
The bigger problem for "conservative" (and not just conservative) SF is pretty soon there will be no one to publish it. Most of the major publishers are only interested in SF which is based on the current line of environmental crises leading to a smaller and meaner world, not a greater and more glorious one.
It seems like someone will pick up that particular $20 bill on the sidewalk because this stuff sells and conservative book publishing is already a thing that exists.
If conservative publishers get cancelled, "picking up the $20 bill" is going to amount to "create your own social media and your own bookstore chain". In some cases it may mean "create your own payment processor".
Conservative book publishing outside of some of Baen doesn't have access to a general audience, and anything that gets big enough that it can try to sell to a general audience is going to get driven out of business. There will always be individuals selling on Amazon Kindle, but the audience will be tiny, just like there are always forums like themotte, but the audience is tiny.
Also, conservatives are quite happy to read the works of old, dead, white men, of which there are already plenty. The lack of new sci-fi is less of a problem for them than it would be for progressives.
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While I wouldn't overall classify Heinlein as a right-wing science fiction author generally, Starship Troopers won the 1960 Hugo for best novel, and is generally considered a (far?) right-leaning book. So the answer isn't "never". Looking at the list of winners (and limiting to books I've read, which does bias against the last two decades) gives A Canticle for Leibowitz (1961), Dune (1966), Ender's Game (1986) which I'd at least describe that way.
Afaik, the usual claim is that the hugo awards have always been left-leaning, but tolerated right-wing authors and would occasionally even give awards to them. But then in the last 20 years it veered hard off the lefty deep end and the awards are now pretty much exclusively given to left-wing authors. See the sadpuppy controversy. So your description is pretty much perfectly in line with this.
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