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Yes. An upper class that uses a complex theology of privilege to obfuscate. A world of the top 10% jealous of the 1%. The Atlantic and the NYT Sunday Magazine aren't working class organs, the grievance studies departments churning this shit out aren't at community colleges. The people forming these views are factually upper class, -ish, but they're jealous of those who have it even better and want to tear them down.
Ollie, within the film, is well-off, a freshman at Oxford. He isn't as rich or as popular as Felix and Farleigh, but he is so immensely well off with a great future ahead of him. But once he sees someone who has it better, it attracts and incites him, he has to have it, his own lot in life seems terrible by comparison.
Privilege discourse is driven by students who get into great universities, like they were told to, and find that everything isn't handed to them.
Correct.
You're allowed to be professionally aggrieved as long as you aren't one of those deplorable types.
"I think, maybe, I was mistreated in my amazing Tech and VC jobs"
"Oh, you poor thing!"
"Drunk chick threw a chair at me at Waffle House"
"Please acknowledge your white privilege. Also, you're fired forever."
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Are Davos people jealous? Are they the 1% or the 10%?
I'm probing as I'm curious how this reconfigures political understanding. So, a right-populism that hates the top 10% virtue-signallers - but only superficially for class-based reasons, as it's really cultural and psychological - and is joined by the top 1% the loser top 10% are jealous of. Which raises the question, why are the top 1% not also virtue signalers? Do you really stop seeing successor ideology antics at that strata?
One of the flaws of our culture, oft noted, is the lack of self confidence of the elites. One of the ways this manifests is that no one claims elite status, everyone is jealous and oppressed. No one is the Blonde Beast, everyone is the nebbish loser who doesn't fit in.
Not just the 1% but the 1, Elon Musk is jealous, perceives others as getting things he deserves, as having unfairly easy lives. Throughout the tippy top upper classes: Trump, Ackman, Adelson. Nowhere do we find the easy self assurance of the aristocrat. We find grievance.
Our culture is in disarray because the trads are rebellious and the rebellious are defending tradition.
It's not a lack of self-confidence so much as an overabundance of confidence. Our "elites" are not intelligent people. They're idiots, and that there is the problem.
such comments are against rules of themotte. and what exactly do you mean by 'intelligent' here?
I mean ability to process new information and adapt to changing circumstances/scenarios.
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Davos is quite a bit narrower than the 1%, they virtue signal all the time, and the right hates them.
Davos is a combination of whoever happens to be in power at the time (typically elected) and people who want to sell them things (bankers, consultants, lobbyists, think tanks, assorted corporates).
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I think almost the opposite tends to be more true; middle-class guilt is much more powerful than middle-class jealousy. Hence why, though people like Disraeli and Sadler fancied that the aristocracy were better guardians of the poor, it was the barrister Lloyd George and the thoroughly bourgeois Attlee who created the foundations of the modern welfare state. This is really why Oliver disguises himself as poor; because the latent Methodism present in every middle-class Briton tells him that his (unearned) station is actually shameful, and the only acceptable circumstance in which to accept aristocratic largesse is poverty.
I think the class system has changed since Disraeli’s day, there were peculiarities to the Victorian titles economy that even the Edwardians commented upon mockingly.
Part of the film’s subtext is about Fennell’s own ambiguity about her own class and its relationship to ideas of what it means to be middle class. There’s a funny interview where she says something like “I don’t see how the daughter of the ‘king of bling’ [her father’s tabloid-anointed nickname because of his jewelry business] could be really, really posh”. And of course posh people don’t ever really call themselves posh, they call themselves smart or chins or just ‘people like us’.
So there’s a lot of resentment in parts of the upper middle class, maybe lower gentry for people who unironically and unashamedly adopt the trappings of middle-middle class British life. People who actually say “pardon” instead of “what” and all the other u-and-non-u stuff. This then becomes the most embarrassing possible thing.
It’s not a coincidence that the decor of the villain’s comfortable middle class parents’ home is a florid pastiche of the Dursleys’ home in Harry Potter, played completely straight. In real life that’s not what the home of the class of people look like (certainly not in 2007, Rowling might get a pass because Harry Potter is set in the early ‘90s with some anachronisms like the millennium bridge), but in the film it’s a particular kind of gauche horror.
That, in practice, it was actually Lloyd George and Attlee who created the welfare state isn't surprising; it was always the bourgeois classes (both provincial and urban) who were most in tune with the need for something to stave off the radical left. That's probably a small part of the reason why they were successful at doing so in Germany and Britain but not in Russia, where there were fewer of them and they were less powerful.
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