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Culture War Roundup for the week of March 10, 2025

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I generally disagree with the notion that modern architecture is bad but there is definitely quite a lot of bad architecture made. But good modern buildings can be visually very pleasing. For example, I find the Rietveld Schröder House extremely captivating. Even more impressive is that it was built in 1924.

If you don't find it better than an ordinary brick house from that time, the next explanation is

6: If you are longer exposed to something (including an architectural style), it makes you feel better about it

This is a well-know phenomenon in music. A song feels better the more you listen to it. An architectural example is the Eiffel Tower that was extremely controversial and hated by many when it was built. Now, it is perceived as an iconic and inseparable part of Paris. It will also explain why architects are more fond of modern architecture: they are much more exposed to it.

For what it's worth, the more time I spend looking at the Eiffel Tower the more I agree with the original critics and wish it had been torn down.

I've lived near and in buildings that look almost exactly like that, and it still looks absolutely hideous to me. The building in the background mogs it by a mile.

If you are longer exposed to something (including an architectural style), it makes you feel better about it

That might be a true factor, but if it were the entire reason, it would predict that people make no distinction between buildings that were built before they were born - after all, can't be exposed longer than your life.

That would surprise me and doesn't appear to be in evidence.

An architectural example is the Eiffel Tower that was extremely controversial and hated by many when it was built. Now, it is perceived as an iconic and inseparable part of Paris.

The Eiffel Tower might an icon of Paris - but do Parisians actually consider it beautiful? Compared to, say, the towers of Notre Dame? Or may its impressive and skyline-dominating size, the imposing construction, and the utility as a vantage point more relevant to its popularity?

Angular things are always inferior to curves. Buildings that look more natural are more beautiful and modernism leans into artificial looks

To provide a contrary data point, I find that building you linked utterly repulsive.

I find the Rietveld Schröder House extremely captivating. Even more impressive is that it was built in 1924. If you don't find it better than an ordinary brick house from that time, the next explanation is 6: If you are longer exposed to something (including an architectural style), it makes you feel better about it

Personally I don't like it, and I've been exposed primarily to modern architecture in my urban environments. I would think this is true for most people who express preferences against modern architecture - they live in cities primarily filled with concrete-and-glass blocks. Perhaps exposure plays a bit of a role here, but I doubt it's the only reason for the disparity between architects' and laypersons' preferences.

I suppose the initial framing is a bit besides the actual question, which was not "why do people like modern architecture", it was "why is the style associated with modern architecture so common, despite the fact that people in my experience dislike it?" I've updated the title of the post to reflect this.

Does your distaste to modern style extend to other aspects of modern design? Modernist architecture was just one pillar of the modernist movement. Modernist ideas for exteriors also allowed for completely new interior designs. The interiors with large windows and open spaces are impossible in traditional architecture. The modernist style of furniture or just simply design of tools is also different.

Looking around me in my European landscape, I can definitely say that modern interior design is pretty widely accepted, way more than the exteriors that are indeed not fully accepted. There are very few people that design their bedrooms in old style, similarly for bathrooms or living rooms.

I definitely think there is some merit to modern interior design principles - I enjoy bright open spaces as much as the next guy - but I find it most visually pleasing when these principles are integrated with older, more rustic styles of design. For example, here's Eunpyeong Hanok Village in South Korea, built in 2014. The interiors clearly crib from modern design with how open and airy they are, but they incorporate traditional stylings into the buildings' interiors seamlessly to make a space that looks inviting. Of course this is adapted for the Korean environment and can't be generalised - localised approaches involving the vernacular style of any given area are always needed, much of this wouldn't necessarily work in the European context.

Currently, I live in a gleaming white block of an apartment building, and frankly I have to say the interiors feel a bit alienating sometimes. It's hard to hate it because it's been my home for years, but it sometimes comes off as quite sterile and bland, and while it's technically designed in a way that's meant to let in light, in spite of this I almost always keep the blinds closed. The sunlight can get harsh. Many traditional East Asian buildings tried to solve this problem by softening the sunbeams through panes of paper, creating a warm diffuse glow, but modernist buildings do nothing of the sort - the light that filters in through the massive glass windows in the midday is brain-boiling, and I dislike having to pull down the blinds every single time noon rolls around.

Don't get me wrong, I'm not strictly in favour of retvrning completely and building everything in perfectly authentically old-style ways, I think there's something to be learned from some modern ideas of design, but as a standalone aesthetic package it just doesn't work for me. I primarily wish we had hybridised these traditional vernacular forms with up-to-date concepts in a more seamless and natural manner - more like a natural progression of the style, instead of simply disposing of all the architectural forms that had developed locally for thousands of years. To see these rich and varied traditions quickly disappear in mere decades feels like a travesty.