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Dursleys were middle class social climbers (the most universally despised class). weasels and malfoys were the two types of old money with no money (and fathers who had to stoop to taking govt sinecures as welfare, or in shady business with The Wrong Sort ("directly in business" being the most disreputable part of course)). Hermione was the acceptable kind of rising middle class (dentist, daughter in higher education, probably going into non-profit work). Harry was the ideal form of old money, with a good pedigree on the father's side, fresh blood of undeniable quality from the mother's side, and the money still there (and nobody asks where it came from because it obviously wasn't from anything as tasteless as working for it). Goblins were the international finance class obvs.
Harry is the classic storybook prince who grew up noble living in a pig pen and instantly takes to the ways of his people through pure blood memory.
I'm not sure we even saw anyone who was legitimately from the lower orders except a few parodies like hagrid and the house gnomes, maybe the bus driver? There was probably a scholarship boy hanging from a bannister by his underwear that nobody bothered to mention because it would be gauche to bring attention to it.
I love that Americans can look at the same scene through an entirely different colour spectrum, and all the flashing red bits just look gray to them.
The question is what value is encoded in the British lens and what Americans are missing by not seeing this worldview. Does it make Americans worse analysts when interacting with the Chinese etc or does it free them to do more, with less mental burdens or are they stupider because they're not constantly doing such social calculus etc etc Like preeminent American Timothy Dexter I'll put my punctuation at the end...,,,???????
If some reader misses something that the author intended and the expected audience understood, I would think less of that reader. Like if all I took away from Animal Farm was that it is a sad story about animals, you would be correct to look down on me.
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Certainly I find that living in a foreign country is more relaxing in many ways because my social radar isn’t going off all the time.
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Weasleys werent old money, even if we discount the weird Irish twins none of them speak in RP / upper class accents except for Ginny to some extent. If one had to place them in the British class system it would be as middle-middle rurals vaguely involved in county life but certainly not upper class. There’s no real evidence dad’s job is a sinecure and the ramshackle thing they live in is more quaint converted barn (or grain silo) than dilapidated dower house.
No, I agree with @SteveKirk here. The Weasleys have a noble background (they’re on the Black tapestry) and they’re well known as an old-established Pureblood family. Lucius Malfoy basically dislikes them for being traitors and letting the side down.
It’s noted several times that Mr. Weasley could have a lot more money and be a lot more influential if he were willing to toe the line. He has personal relationships with bigwigs and Department Heads like Bagman and Crouch.
Many of their children also get distinguished positions: Percy goes straight to the top of government and Bill has an important job in the biggest bank in Britain.
(I’m ignoring accents and going by the books, I never had much interest in the films).
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I always got the impression that JK was channeling Hyacinth Bucket when she wrote Petunia.
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Snape, I think. I can’t remember the flashback well but I think it’s implied that child!Snape comes from the bad end of town.
Oh, Snape's wifebeating dad definitely was. His mom married down and Paid The Toll in American racial terms.
Unless he got a very good match Snape's children would have fallen out entirely, which is one reason him being in love with Lily in spite of his class anxiety was so meaningful.
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Uh, since when did the Malfoys have no money? They were famously generationally wealthy, as evidenced by Lucius Malfoy purchasing a new Nimbus 2001 for each member of the Slytherin Quidditch team in Chamber of Secrets
I don't think it's enough to say they were in economically dire straits, but in the Half-Blood Prince, Narcissa is portrayed trying to sell some trinkets.
I'd have liked an angle where the Malfoys turn to Voldemort out of economic desperation.
More like Voldy eating them out of house and home :P Like Elizabeth I who destroyed political enemies by turning up with her retinue for two months.
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Yes, the Malfoys were evil aristos parleying old money and social status for influence.
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Malfoy’s mates Crabbe and Goyle - lower class or lower middle class? Servants of House Malfoy? As an American, all I can tell is they’re somewhere between soccer hooligans and Alfred Pennyworth.
The lowest of upper/upper middle class, from what I've gathered if I'm not mixing it up with fanon. The kind that have to brownnose people like Malfoys to stay at their level.
Senior Crabbe/Goyle are in the Death Eaters so they couldn't have been too lowborn.
DEs had a lot of people and AFAIR accepted anyone who was pureblood and was willing to worship the big V. I don't think it required any special position in the society, at least for mere membership - it seems to be modeled after the Nazi party, which explicitly welcomed low class people that felt the society has left them behind and wanted to do something about it, no matter who gets hurt. It seems the true numbers of DEs weren't even known as many who were eager to join when the things were going well for them, later claimed there weren't true DEs as they were imperiused or coerced (weird that they didn't have means to detect somebody had been imperiused, but let's not dwell of that, HPs magic system is so full of plot holes).
They could always dose anyone they wanted to question with Veritaserum, the problem in HP society is that the Good Guys can't just impose such measures on the important people.
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Also, sometimes you just can’t do stuff. Modern fantasy is very influenced by sci-fi and D&D, and readers expects thing to be rule-based, comprehensible, and amenable to experimentation. See for example all the silliness about playing rules-lawyer with genies.
I don’t think the deep HP magic runs on such modernist lines. It’s more like art: there are principles and the basics are straightforward but the complex stuff just isn’t, and you have to go by feel.
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