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Culture War Roundup for the week of July 15, 2024

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In my view, the 1998 Modern Library list of the best 100 novels of the 20th century has mostly held up. As of now I have read 50-60% of the books on the list and was generally glad to have read each one.

https://sites.prh.com/modern-library-top-100#top-100-novels

Something else that you may find interesting to do, is to examine some of the books that were bestsellers in different time periods. In the '50s you had writers like Nevil Shute and A.J. Cronin; later you had authors such as Arthur Hailey and Mary Stewart. However, rather than being slop, I've generally found these writers' works to have held up quite well; to my mind this reflects that at one time, the reading public was much more male, had longer attention spans uncorrupted by digital technology, and had better liberal educations than what prevail now.

I have not read most of the books on that list, but from the ones I have it does not bode well. The Great Gatsby is fine, but massively overrated. The same goes for Brave New World and Nineteen Eighty-Four. Others are mediocre at best with a lot of flaws (Lord of the Flies) or simply execrable (On The Road, a book whose only redeeming quality is that it did an excellent job of making me detest the narrator). And the authors of the list seem to take pleasure in selecting books which had, at one point or another, been banned for obscenity, which certainly sheds some light on their criteria for greatness.

On the other hand, the books they chose not to include are also telling. How can you make a list of the best 100 twentieth-century novels and not include The Lord of the Rings (a contender for #1, and it's not in their list of 100!)? They also seem to think that anything that could be construed as "children's literature" is beneath them, though for my money this includes some of the best literature. Notably omitted is Anne of Green Gables as well as, as far as I can tell, every single Newbery winner (I'd single out A Wrinkle in Time, as well as it's more-mature sequel A Swiftly Tilting Planet (not a Newbery winner), as being particularly good).

All of which is to say, this list surely embodies somebody's idea of a good book, but it's somebody to whose recommendations I'd give negative weight.

It's not a bad list, and it being 1998-1999 there's nothing to be made of certain omissions, but wow to miss Moby-Dick and Blood Meridian. Midnight's Children at least made it, but at #90, lol. Then for the lesser misses, Gravity's Rainbow, and even less so, one of Dick's works, probably Ubik--though remarkable for prescience rather than prose. But it's not like people don't know those books, and also they all made one of Time's lists. Ignoring Neuromancer is probably a miss too, but I say that looking back from 2024.

Speaking of Gibson, and the only point I could say of this, thinking of him reminded me of his short story Burning Chrome. If you (anyone reading this) are familiar with Cyberpunk 2077 but not Gibson's work, read it. A quite short story, published in 1982, and Gibson's the rare science fiction author with real chops for prose.

Note that Moby Dick came out in 1851.

I thought that, but the header text says

The editors of The Modern Library were privileged to have the assistance of a distinguished Board made up of celebrated authors, historians, critics, and publishing luminaries. In 1998 and 1999, members of the Modern Library Board participated in the “100 Best” project, voting on the 100 Best Novels and 100 Best Non-fiction works, respectively.

Maybe whoever wrote the header forgot that bit, as I'd assume it'd have an obligatory mention.

Hot take: Moby Dick is unreadable. It's most notable for being good source material for adaptations.

(doesn't excuse the list, which has Ulysses at the top. Ulysses is famous for being unreadable).

Moby-Dick is actually good. Really good. It's also casually unreadable.

There's a stupidly multilayered structure. Under the whale lore and purple prose, it's psychological. Under that it's more Jungian, archetypal. Under that, some sort of Manifest Destiny, Americana, man-vs.-nature primal thesis. You could make one of those iceberg memes or crazy masonic conspiracy diagrams out of stuff that is really, unarguably buried in the book.

But the cruft is there on purpose. The allusions, on purpose. Melville basically inhaled Bible prose for decades and then breathed it into this book, because he wanted to invoke the mythic style. People joke about the homoeroticism, except that's also an intentional move, one that complements the whole indomitable-American-spirit theme, and it's just...The more you pick at it, the more convinced you get that it's all on purpose. Melville was definitely capable of writing a tighter novel, but he wanted to write an epic. It's layered.

I can't do it justice. I really can't. I'm basing this off a really rewarding college class. Yeah, I realize that sounds both stupid and pretentious. But I swear, I god something out of it. It's not just cope. It's not! There's something great in this book.

If I could find the reading list or at least syllabus I'd share it. There has to be a good study guide out there. I hope I can find it.

Moby Dick and Bood Meridian (aka Moby Dick on land) are two of the few books I'll do a focused planned reading day on.

Get up. Breakfast. Read straight and take notes until Lunch. Repeat until Dinner. If mental energy still available, continue until bedtime. No work, no TV.

And it has Finnegan's Wake later in the list as well.