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Culture War Roundup for the week of April 15, 2024

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Unless the ideology is merely that ugliness is desirable.

This has been a conspiracy theory on the right for a while. “They” are trying to demoralize you by insisting that ugly things (architecture, art, music, people) are beautiful. Very common /pol/ thread topic. Also comes up whenever female video game protagonists are mid. I don’t quite understand the objective or mechanism here but this is a very mainstream claim among that crowd.

From Bauhaus: A Graphic Novel, pg 50-54

"I saw them all, their faces as they crossed the threshold, their hands gilding over the textiles searching for the weave, their eyes reflected in the chrome plating as they let their certainties fall away....their certainties about what a house is, or an object...what a human being is, when there is no gender. In the 'Triadic Ballet' I want to show people move in space. The geometric forms represent the rationality that humanizes and merely stages physicality....and I wondered if, when they left the last room and went back out into the world, they would be able to look at it with the same revolution in their eyes.

The exhibition didn't convince the Landtag, which decided to shut me down: too expensive they said...but I was uncomfortable politically: the right-wing parties won the elections and we were bizarre and revolutionary creatures with socialist leanings. The masters' contracts were not renewed, and the Weimar experience ended on the first of April 1925. I was only six years old! Isn't it the same for everyone? You can still become anything but they tell you you're wrong....that you need to color within the lines, that geometry offers only a limited series of shapes, that words are to be written on the lines of a page. The control exerted by the outside world forces you to define your identity, while all you want is to experience yourself in the world. Your freedom is frightening for them.

This a very common sentiment in extremist left circles. Anarchists in particular. Shifting aesthetics first in order to subvert the current social order and show people that another world is possible. It's not intended to be demoralization, no one actually sits down and goes bwahaha now I will make the world ugly to demoralize my enemies. It's exaltation. Revolution. Religious ferver. It's the sincere conviction that they are breaking people out of Plato's cave and liberating them.

Destroy 2000 Years of Culture is a prayer, not a conspiracy.

I want to be clear though. This doesn't mean the average person making this kind of art is thinking in these terms. That's an entirely separate issue. It's more like how the average conservative might say 'washington is holding back Americans with too much red tape' and then when you keep digging at where that phrase came from you eventually find a Mises Libertarian arguing with a Ancap. Or how a normal left leaning person might say "Healthcare is a human right. We have to help everyone" and then when you keep digging at their phrase you find a Kropotkin-poster arguing with a Noam Chomsky fan about whether the point is to liberate humanity from all Social Exploitation or if it's about liberation from all Material Inequality which Generates Social Exploitation. The tails tug at the core.

Twitter.com/Artiah669/status/1778933764984320157

It's been a real thing for years. The call is "NORMALIZE X", where X is a deformity, mental illness, obesity, etc. it's the natural result of "representation matters.".
You can see it in all the comments: "Damn apparently every character needs to follow strict societal beauty standards rooted in white supremacy" etc. etc.

Once again it's only a conspiracy theory when outsiders notice what the insiders celebrate.
Even that dev who was recently making excuses about how face modeling is hard snuck in an "and actually it's good to challenge cis hetero beauty standards and we're doing it deliberately" towards the end.

Once again it's only a conspiracy theory when outsiders notice what the insiders celebrate. Even that dev who was recently making excuses about how face modeling is hard snuck in an "and actually it's good to challenge cis hetero beauty standards and we're doing it deliberately" towards the end.

I find this apparent feigning ignorance endlessly frustrating. The writers and academics who call themselves "progressive" are very open about their desire and willingness to manipulate the populace into believing things they want them to believe by putting in certain tropes into the fiction they write. This is justified on the basis of their stated belief that all fiction manipulates the audience, and so it's better to do it with conscious intent for causes they consider socially just instead of doing so unconsciously while merely focusing on creating an entertaining/meaningful work of fiction which they contend inevitably reinforces the status quo which they find bigoted and intolerable. It's not always possible to nail down this as the cause of any given individual case of uglification, but given the prevalence of these types of people in fiction production and the ubiquity of this narrative, I don't think benefit of the doubt is at all justified, and it's perfectly reasonable to default to the presumption that any specific case was due to ideological intent until proven otherwise.

And if we were to follow the same standards by which such people deem fictional works as "white supremacist" or "patriarchal" or "heteronormative" or whatever, there would be no question that we could conclude that these were caused by ideological motives: as long as someone can write a convincing-sounding essay connecting some work of fiction with these concepts they consider bigoted, it doesn't matter what the creators were thinking or intending, these works are ideological and for a bad ideology. If the creators had nothing but pure entertainment-focused intent or even if they were actively trying to send a message of equality, then that just means that they fell prey to their implicit/unconscious biases which proves just how entrenched white supremacy/patriarchy/etc. really is. But double standards are also justified on the basis of relative power and such (which themselves are justified by someone writing a convincing-sounding essay).

You see this more broadly with people claiming not to know what "woke" or "critical race theory" mean. It's a kind of dishonest bit of self deception that fools no one other than themselves. I just wish they would loudly and proudly stand up for what they believe in, proclaim that they are trying to manipulate the populace for the purpose of a better, more socially just world, and let the chips fall where they may. I find Scott Adams to be... a very silly person not worth paying attention to, but when he said that he was hypnotizing people, including through the very same message of informing them of this hypnotism, because his hypnotism would work even if the audience was consciously aware of what he was doing, I could at least respect that more than this shell game of implausible deniability many writers and activists on the left like to play of openly claiming a desire to manipulate the audience and then acting shocked and appalled that others would accuse them of making creative choices meant to manipulate the audience.

It bothers me immensely and I'm struggling to finish an essay trying to explain it clearly.

Do you know Lewis's "The Inner Ring" speech? I think it's related to how concentric rings of social circles form, with people at each layer sneering at those in the outer layer, while apeing the fashions of the inner layer they're desperate to be inducted into.

The other (hierarchy) is not printed anywhere. Nor is it even a formally organised secret society with officers and rules which you would be told after you had been admitted. You are never formally and explicitly admitted by anyone. You discover gradually, in almost indefinable ways, that it exists and that you are outside it; and then later, perhaps, that you are inside it.

There are what correspond to passwords, but they are too spontaneous and informal. A particular slang, the use of particular nicknames, an allusive manner of conversation, are the marks.

It has no fixed name. The only certain rule is that the insiders and outsiders call it by different names...” From outside, if you have dispaired of getting into it, you call it “That gang” or “they” or “So-and-so and his set” or “The Caucus” or “The Inner Ring.” If you are a candidate for admission you probably don’t call it anything. To discuss it with the other outsiders would make you feel outside yourself. And to mention talking to the man who is inside, and who may help you if this present conversation goes well, would be madness!

The "shell game of implausible deniability" is how people advance in leftist circles. The dev I mentioned must affect all the correct mannerisms to be admitted to a higher circle in his ideologically captured industry. But to name that circle would be unthinkably gauche!
To label it with a term like "woke" announces you're an outsider, the worst kind of scum who has despaired of any social advancement, and anyone hoping for admission must publicly shun you.

Normalize healthy BMI and smooth skin! Wait why am I being dragged to the ludovico theatre? Oh no its the Tess Holliday swimsuit special!

'We are hated and (((they))) are destroying things we like'.

That is the basic aggrievement of the polack. Many modern culture war aspects map fairly neatly into the antipolack position, and polacks are largely losers who lack escape mechanisms from the assaults on their favourite escapes. A redneck in his cabin can still go out and drive his coal roller, an Indian can turn to the pro-India internet to get his ego reinflated, a Chinese can continue ignoring the incomprehensible west, but the polack can only suffer within the communication environment he is wholly nestled within and which he has little alternatives to enjoy.