theintrinsicperspective.com
Submission statement:
Erik Hoel argues that 2012 was a cultural inflection point. Just as 1968 signalled the peak of the 1960s cultural revolution that would set the stage for the next few decades of social change, 2012 represents the beginning of the (spoiler) smartphone era and a new round of social change.
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Notes -
Those things are true, though. There is no such thing as pure uncomplicated good, only good enough.
What I liked about the prequel trilogy is that (even though Lucas stubbornly denies this) it portrays the Jedi as incredibly flawed, but still obviously better than the Sith. They take children from their families at as young an age as possible and forbid them from starting their own families so that they never form loyalty to anything above the Jedi order. The novelizations go even further in creating a sympathetic defense for the Sith, to the point that they're not obviously better than the Jedi until Order 66 happens.
I've always thought that a sequel trilogy should be about Luke starting his own Jedi order that is less oppressive than the original one, but running into the same problems that those harsh rules were created to solve. (Kids missing their families, questioning the Jedi ways, potentially creating new Anakins.) I haven't read the Harry Potter books, but based on what my friend has told me of them, the Wizarding World is similarly morally flawed, despite meaning well and being the good guys of their universe.
But back on topic: to me, the problem with our popular culture is the exact opposite of what you're describing. The issue isn't that people don't believe in pure, uncomplicated good. The issue is that believe it exists and that they represent it, while their enemies do not. This is why before JK Rowling became a "TERF", leftists would compare themselves to the Wizards and their political enemies to Voldemort. It's why they describe themselves as the Jedi, and their enemies as the Sith. It's why their definition of "fascist" always boils down to "cartoon supervillain who is obviously evil".
When a self-identified socialist disparages tankies, what they're saying is "I want to do exactly what the Soviet Union did, but it'll work this time, because we'll put a Snowball in charge instead of a Napoleon. We learned from our mistake and won't trust obviously evil people like Stalin, only obviously good people like Lenin or Trotsky."
I don't know if popular culture influences the way people see the world, reflects the way people see the world, or merely gives them a vocabulary to discuss their experiences. Regardless, I think we need more depictions of moral ambiguity, not less.
I'm with you on therapy culture, though.
I think /u/MaiqTheTrue's diagnosis seems more accurate to me. One of the things that jumps out at you when you interact with hardcore woke people is how neurotic so many of them seem to be, convinced that they must walk on eggshells at all times for fear of unwittingly unleashing irreversible psychic harm on those around them. Hence the "micro-aggressions" paradigm, hence the banning of yoga and kimonos, hence the assertion that there's "no ethical consumption under capitalism", hence radical woke activists insisting that EVERYTHING is problematic, hence the claims that even members of minority group X can suffer from internalised anti-Xism/phobia. I'm far from the first person to note that "white privilege" (likewise male, cis, het etc.) as generally defined is functionally indistinguishable from original sin, but without the possibility of redemption (hence the rabid opposition to transracialism).
Even with people that woke people generally admire and consider "heroes" (e.g. Bernie Sanders), that admiration is always tempered by nebulous accusations that the hero is sullied in some nonspecific way: that he "failed to centre black voices" or whatever.
You're correct that woke people see out-and-out conservatives as irredeemably evil (I'm sure we've all seen memes saying that there's no essential difference between a MAGA hat, a KKK hood and an SS cap), but I don't think they generally see themselves as being pure and good. Probably the only way you can be truly "good" with no asterisks in the woke framework is to win the gold medal at the oppression Olympics e.g. a black trans sex worker from a working-class background with a history of drug abuse, a PTSD diagnosis and no green card. Given that woke people are overwhelmingly straight, white, middle- to upper-class, native-born and university-educated, this implies that the modal woke person probably walks around thinking they're kind of a shitty person most of the time ("but at least I'm not one of those bigoted MAGA chuds!").
Dylan Moran once said that all great religions are built on shame. This observation explains so much to me as to how Catholicism, evangelical Protestantism, Islam and wokeness became dominant ideologies in various nations, while Buddhism, Confucianism and so on were left in the dust.
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I think that one has more to do with our most famous historical fascists, who were also cartoonishly evil. To the point where our concept of cartoonish evil incorporates a lot of their stuff. Of course, Star Wars deserves a lot of credit for codifying that language, thanks to its own crisply-uniformed militarist dictatorship with a taste for wunderwaffe.
As for moral ambiguity. The sentiment you describe informed a lot of art through the 90s. This wasn’t just the Modern Age of comics, it was the Dark Age. Pure 80s futurism was passé. Cynicism and deconstruction were in. More importantly, a generation of kids who’d grown up on the one style had developed edgier, teenage tastes. Pop culture delivered: there are antiheroes, and then there are 90s antiheroes.
Enter Dark Empire, an attempt to expand the galaxy far, far away by continuing the timeline. Somehow, Palpatine returned, and terrorized the galaxy with new superweapons and Force powers. Cue Luke struggling with the Dark Side; never mind his character arc from the originals!
Or Shadows of the Empire, an attempt to expand the
merchandisinggalaxy by fitting into the existing timeline. Between Episodes V and VI, the gang are threatened by a mysterious crime lord, because crime syndicates are cool. There’s Imperial infighting, creepy alien sex pheromones, and this outfit for Discount Han Solo.As a new decade—and a new, painfully earnest prequel—rolled around, we lost some of that edge. People looked back on Dark and wondered why the timeline was so hectic, or Shadows and asked if Star Wars was really supposed to have rape threats. Everyone quietly tried to pretend that pauldrons and pouches weren’t cool. Wait.
The wheel of time turns, and fashions come and pass. Sometimes people get tired of one style, and another is flavor of the month. I think Star Wars is in a relatively idealistic phase, with the Mandalorian and other shows played straight. Same for superheroes; without Heath Ledger, DC has consistently failed to make antiheroes cool. Marvel hasn’t really tried since finding its cash cows. High fantasy looked to be coming out of the shadow of Game of Thrones, but with the hubbub over recent projects, I’m not sure it’ll stick.
Point is, it’s hard to draw a line.
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Well, JKR herself thought Trump is worse than Voldemort: https://twitter.com/jk_rowling/status/674196610683940864 - so her followers are certainly keeping up. And I mean, why not. In her world, Voldemort only murdered countless people (the exact count have been never made, but different sources agree it is probably hundreds at least, maybe more), and attempted to be a magical dictator of the world. Nothing compared to the evils Trump unleashed on us. Then again, Voldemort killed Lord Voldemort himself (with a little assist of little known boy by the name Potter) and Trump never did anything like it, so the advantage is clear.
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I think there is a hopeless/nihilistic/no-heroes streak in some parts of contemporary culture, but mostly surrounding climate activism. (It's a narrative that flatters my prejudices to suggest that it's a cautionary tale about distorting the truth for rhetorical power "for the greater good": the exaggerated claims that global warming will end the world, rather than just be very bad, didn't galvanise people to action but created a kind of numbing despair.) "Only we are the heroes" might be a better phrasing of the problem.
For what it's worth, the old Expanded Universe novels were exactly this. Luke's New Jedi Order is founded on a much healthier basis and succeeds in bringing together a new Republic and creating some of the greatest Jedi in history... and also runs into some spectacular disasters, because solving problems is hard actually.
Ooooh! I've only read the prequel trilogy novelizations. I didn't read any other EU stuff. Your pitch intrigues me, but my understanding is that specifics of how the Jedi order functioned and how it related to Anakin's fall weren't solidified until the prequel trilogy, and the New Jedi Order stuff predates it. Let me Google this..
Huh, they were published during the release period for Phantom Menace and Attack of the Clones. Do the books directly reference the prequels?
The new Jedi order takes place after the refounding of the Jedi order and the EU books dealing most with the force and Jedi stuff are usually a) written before it and b) not known for their quality in relation to the rest of the EU.
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