Do you have a dumb question that you're kind of embarrassed to ask in the main thread? Is there something you're just not sure about?
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Notes -
The implicit view our media-makers seem to take is that taboo-breaking is intrinsically good. Turning Red, whatever it did, was sold as a boundary-pushing film with scatological subject matter discussed frankly. But is that itself venerable? Why are we celebrating that as an unmitigated good?
Our culture, our art, tends toward this destructive impulse. Watch the language: we break taboos, smash sacred cows, subvert expectations, break stereotypes, and so on. Correspondingly, what is traditional, conservative, or restrictive to nearly any capacity is represented as backwards and fearful, rather than as healthy and signalling a robust community.
What movies have been made in our lifetimes wherein a character's negative snap-judgments on an outsider have proven correct? When has art made within the last fifty years even come close to endorsing a societal taboo as good and wholesome? When has "boundary-pushing" for its own sake ever been represented as the deeply lazy and pathological trait it often is in reality? Barely ever.
Mainstream superhero films.
It's a fundamentally conservative genre where heroes exist to defend the public from change. Obvious, stylized costumes signpost good and evil. Problems are not subtle, though occasionally, only the heroes can see through a villain's deception. Fortunately, they tend to be able to bring overwhelming force to bear. After the violence is over the heroes settle down to eat shawarma and wait for the next ideologue to threaten dramatic changes to their way of life.
Comics have been through a series of deconstruction/reconstruction cycles on the subject. Blockbuster movies haven't kept up with comic-book weirdness, and continue to play it straight. Marvel may play around with genre and storytelling, but they consistently remain in the bounds of heroic, straightforward narratives.
Frankly, I think you're wrong to identify the destructive impulse as foundational to our art. It's a trend that comes and goes, an ongoing Hegelian synthesis. Yeah, "subverting expectations" got a lot of mindshare in the wake of Game of Thrones' disastrous conclusion; when people talked about prestige TV, they had a ready-made catchphrase. But those catchphrases, those trends, exist on a substrate of quality art. They are attempts to differentiate in a market with higher production values than any time in history. They're working on you, right now, when you can bring examples to mind for one trope but not another.
And when audiences wise up and roll their eyes at "subversion," its edge will be lost, until some fresh-faced exec pitches an honest, refreshing show about interesting people doing interesting stuff.
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My go-to for this is Cloudy With A Chance of Meatballs - the technological improvement is a disaster, and the father is proven correct in his impulse to not partake nor support it. He never eats the food from the invention!
It's been a while since I've seen the film, but I do remember that.
Also, the Lego Movie. Its message is that sometimes "conformity" is good! Being a teamplayer means following some rules and sometimes curbing your impulse to be your own peculiar creature.
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