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Culture War Roundup for the week of November 11, 2024

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Moving into the '00s, nu metal gave way to pop punk (decidedly more ironic and emotionally guarded) and mainstream hip-hop (even the comparatively cerebral Kanye West never rapped about his uncle touching his private parts), with only emo music going anywhere near the kind of "icky" subjects discussed by Korn et al – and even then, it's comparatively tame and aesthetic.

I have to disagree massively with the timeline here. Pop-punk became huge concurrently with nu-metal; Green Day’s Dookie and The Offspring’s Smash both came out in 1994, the same year as Korn’s self-titled debut album, and several years before Limp Bizkit and Slipknot got going.

Also, pop-punk was never just an “ironic and emotionally guarded” genre. The Offspring released “Gone Away”, a plaintive song mourning the death of a friend, in 1997. Hell, even Blink-182, maybe the poster boys for juvenile tongue-in-cheek pop-punk, have a song on their breakout album - “Adam’s Song” - about teen suicide. And drawing some distinction between “emo” and “pop-punk” in the 00’s just has no basis in reality. By that time the two genres were inextricably linked, with most of the major practitioners of the genre effortlessly bouncing between ironic detachment and almost cartoonish emotional sincerity and airing of traumas. Sure, you have bands like Bowling For Soup who stayed committed to above-it-all jokiness, but most of the 00’s-era bands in the Warped Tour scene were famous for their songs about how their dads screwed them up emotionally. (Simple Plan, Sum 41, My Chemical Romance, The Used, etc.)

I'm aware of the connection between pop punk and emo in the '00s – I didn't mean to make it sound like I considered them wholly distinct genres. In the context of the '00s I would say most emo bands were pop punk, but not all pop punk bands were emo. Bands like Blink-182 are a great example of how ambiguous it can get. There was also some overlap between indie rock and emo, to make things even more difficult.

I have to disagree massively with the timeline here. Pop-punk became huge concurrently with nu-metal; Green Day’s Dookie and The Offspring’s Smash both came out in 1994, the same year as Korn’s self-titled debut album, and several years before Limp Bizkit and Slipknot got going.

This is actually a little hard to quantify – I looked at Billboard charts from this era, but most of these acts never charted that high. Journalists certainly commented on the decline of nu metal in the early '00s. My perception at the time (I was a teenager in those years) was that there was a sharp decline in the number of white boy dreadlocks post-2001, and a marked rise in skinny jeans and guys wearing eye liner. My Chemical Romance, AFI, Fallout Boy... also the rise of metalcore took place during that period. None of this is to say that pop punk doesn't predate that period (it absolutely does), just that when nu metal collapsed, a specific kind of pop punk moved in to fill the "edgy teen rock" space in radio programming.

Bowling For Soup

Even there, songs like "Highschool Never Ends" and "Come Back to Texas" clearly have a core of molten sincerity beneath all the jokes.

Oh sure, not to mention songs like “A-Hole”, “Cold Shower Tuesdays”, “The Luckiest Loser”, etc. And their more recent stuff is more openly sincere.