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The concern isn't about learning by stealing, it's about earning by stealing: the thought is that AI will put (some) human artists out of business.
Mass produced shoes put many cobblers out of business. I suspect you're wearing mass produced shoes right now, when you could have commissioned a cobbler to make custom shoes crafted for your specific feet, with a six-month lead time and at least 10x what you paid for the shoes you're currently wearing. Do you feel guilty about this? I wouldn't.
Or as @haroldbkny pointed out - when you're hosting a party in your house, do you hire a band or a string quartet to perform music for the duration? Or (like almost everyone who isn't fabulously wealthy) do you get a Spotify subscription and a couple of Bluetooth speakers? And don't tell me "well the artists are still getting revenue from the Spotify streams" - I assure you, we are not. Even the top-performing artists on streaming platforms make a pittance and all their actual revenue comes from touring and merch.
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I don't know if I can fully articulate it, but there's something I don't like about that kind of argument. Humans will learn by stealing from other humans, and sometimes that results in humans putting each other out of business. If it's just about the fact that AI can product more quantity of art, easier and cheaper than humans, well, our entire history is one of newer, better, cheaper replacing older and more expensive. Some people spend their lives learning antiquated art forms, and well, that's kinda the breaks, and I don't really believe any amount of cultural outrage could or should change that.
Think about how diminished the role of musicians is in our society since the invention of the record player. Previously, if you wanted music at your event, or you even just wanted to hear music, you had to hire musicians. But we are well over a century of that being not the case, increasingly so as time goes on and recorded music became the norm. Musicians barely earn squat making music these days. It's sadly the case that almost all trained musicians make their primary living teaching other musicians, unless they're one of the lucky few who won the lottery of having an album go platinum.
It's interesting that, as fevered as the opposition to AI art is today, it's nowhere near as hysterical as the kind of Luddism of previous generations. I read an article once that when the player piano was invented, a prominent musician wrote an article calling for it to be banned, arguing that if recorded music became the norm, eventually people would stop singing, our vocal cords would atrophy and we would become a mute species. Apparently he meant this quite sincerely.
Hah, that's really interesting, and I didn't know there was such opposition. Even though I doubt it could result in is being a mute species, truly, I have no clue why it's so important to me to be a competent musician. Why did I, and do I continue to, invest so much time and money in training for a career they I can never even hope to break even on? Maybe these days it's a sunk cost issue for me, and I'm also clinging to music as tied to my identity. And maybe at the start it was me simply not knowing any better, and assuming that a career making music would be easier then a more normal career, before I learned the opposite is true.
Also, there's a bunch of signaling involved. Parents want to signal that their children are talented, so they send them for music lessons. And I when I got older, I wanted to signal that about myself.
Also, somewhere mixed in there is a genuine love of creation and desire to express myself, as well.
I could've written this comment myself. Sitting on my desk are two test presses for the vinyl edition of the album I'm going to be releasing soon. I will not break even on its production.
I wouldn't ask you to dox yourself, but I'd be very interested to hear it!
Will send you a DM when it goes live.
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