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PaperclipPerfector  1mo ago (text post)   3734 thread views

Small-Scale Question Sunday for August 18, 2024

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The "hungry as heck" bug you? It does me. And he does this throughout the 1st person narrative. Now I don't need swear words to feel realism, but if you want to eliminate epithets, just go without.

To me the use of "heck" rather than a stronger epithet or swear word is indicating that the hunger is significant, but in a safe or comic way rather than a serious one. Similar, I'd view "scary as heck" as describing a safe scare that someone was comfortable with vs "scary as hell/fuck" where I'd be worried that someone was actually seriously scared and possibly in need of support.

I don't disagree. I just find the constant use of these terms unnecessarily childish. Why not say "I was ravenous"? "I was suddenly keenly aware of my own hunger" "I had reached the table and brought a bun to my mouth before I had even thought about it"? Or any of a dozen other ways to write the sentence?

I don't know if you have read Weir, but this book at least is replete with a goofy humor that for me at least falls very flat. He is a bestseller so maybe there's a wide audience for this type of writing. I'm not part of it.

The protagonist a scientist burnout who literally became a children's school teacher. His train of thought is not quite "Sunday School teacher for ten-year olds", because that's the sort of person who may just never start cursing to begin with, but it's pretty solid as "late-career-change teacher for eleven-year olds", because that's the sort of person who may find themselves at work saying "What the he ... ck" so often that the euphemisms replace the original habit.

To each their own, though. I didn't like his second book, Artemis, for what I thought of as an incoherence along those lines; the main plot could have come out of a 1950 Boy's Life sci-fi adventure, while one or two of the side plots were R-rated, so it didn't work for me as adult fiction or young adult.

But in Hail Mary the goofy humor is what keeps the whole thing tonally coherent for me; it bridges the gap between the very dark plot points (where it works as gallows humor) and the very lighthearted plot points (where it works straight).

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