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A recent example I'm thinking of is Frieren, where - minor spoilers - it turned out that the demons actually were bad. That is, the story didn't follow the "what if the bad guys were actually good and the good guys were actually bad" subversion seen in, for example, every single webcomic that ever included an orc and/or goblin: instead of being different-looking people wrongly oppressed for looking different by the retrograde powers-that-be, they are actually inhuman predators who exploit the former mode of thinking.
On some more-progressive corners of the internet (I saw kerfuffles in threads on RPG.net and SomethingAwful) this made (a minority of) people upset for being a racist idea. Racist against what group, exactly? Well, it wasn't that: it was just that the idea of irreconcilable differences existing between groups that could (apparently) communicate with each other was too dangerous to be entertained at all.
I think that betrayed a weakness of faith in anti-racism on the part of the people who said that. Frieren demons are clearly unlike any real-world humans, and thus their example should be a positive thought-experiment for coexistence in our world. One thing I like about fantasy and science fiction and so forth is its utility as a lens upon our own world: it lets us consider what things would be like if something we believe is true were different. What would things look like then? If they're necessarily obviously different, then perhaps your beliefs have stood the test. If the result seems more like reality than your understanding of the real world does - then perhaps you've learned something, too.
Arguably sociopaths. My understanding of demons in Frieren is they evolved to lack empathy. They understand that humans will lower their guard if you tell them your parents or your children died, but they don't fully understand why because they can't feel familial love or sadness. There's even a demon who is portrayed slightly sympathetically as he alternates between helping and torturing humans because he's trying to see if he can experience emotions.
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A lot of people are unable to consume media in this way. If a piece of media says something is true in this fictional hypothetical that wildly diverges from out world, they are trying to say it is also true in our world. So, Starship Troopers a story about a united humanity fighting against literal bugs is really promoting racism and white supremacy in our world, despite it's protagonist being Filipino.
It's similar to people who argue against the hypothetical in thought experiments. They seem to believe worlds in which their current politics fail just can't exist and anyone who would think up such a world only does so to push evil beliefs in the here and now.
In the defense of midwits, people who argue against the hypothetical intuitively sense that the other party is trying to convince them of something, and that is always unambiguously suspect, so it's better not to give the other party an inch.
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I'm reminded of the thread spawned by this Tumblr post, which begins:
It also addresses sci-fi — specifically Mass Effect — as also problematic for having different alien races be, well, different:
In short, treating differences between thinking beings as anything other than purely cultural is Problematic.
I don’t know how else you’d handle magic creatures or aliens. They’re not the same species. Orcs are specifically not humans, and neither are elves. Klingons aren’t humans. And as such saying that an Orc or a Klingon doesn’t act like a Southern California PMC half wit isn’t quite the same as being a racist.
The things that make me uncomfortable in those settings is less that Orcs act differently than humans, it’s that all orcs have the exact same culture and belief system and nobody rejects it or questions it. Humans are certainly one species, but we are different and have different opinions and cultures and religions. Or maybe I just wonder what a hippy orc would be like.
Per your second paragraph, on the sci-fi end, this is why I think DS9 was one of the best Star Trek series — the stationary setting, longer story arcs, and (particularly in later seasons) less reliance on Negative Space Wedgie or Strange New Life of the Week stories (though there's still quite a bit) allowed it to get further away from the "planet of hats." We get Bajoran political and religious disputes, Ferengi feminists, Cardassian dissidents of various stripes, and even a Klingon restauranteur who played a concertina-like instrument as he serenaded his customers. And as for D&D specifically, this isn't nearly the issue that some critics make it out to be, as Samueldays touches on in his reply to that Tumblr post.
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