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Culture War Roundup for the week of April 15, 2024

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I find your comments intriguing, because I have the opposite reaction you describe. To me a well rendered painting or drawing of a landscape is often more attractive than an actual landscape. Or if not more attractive, more pleasing in a slightly different dimension. Have you ever felt a desire to be inside a picture: not literally, but to be in the place the picture is depicting? That the art is trying to communicate something higher and better than anything we can actually find our our normal existence? That the artist is taking what is beautiful and good about a landscape but crafting it in a way that no real landscape can match up to, throwing out the small bits of ugliness that is inherent in any landscape we can actually see and replacing it with the ideal? Because that's something like 70% of my aesthetic preferences. I want art to be more beautiful than life, more transcendent, more glorious and inspiring.

What do you see attractive about something like Miro painting? To me there's no real attraction at all. It does not show me anywhere I would want to go, any emotion I would want to feel, any state of being I would want to inhabit. I don't find it repulsive, but I don't see the point of it at all. What's the draw for you?

I'm not immune to the idea of a landscape that draws you in and in the past have liked such. These days I'd mostly prefer the landscape to be quite unusual or presented in the right context. I kind of like the Lo-fi girl videos because they seem especially well calibrated for the mood they are trying to create; I loved Scavengers' Reign because of the continual newness of its alien landscapes and wildlife. Whereas simple beautiful photos of earth's landscapes have been so abused for the purposes of marketing, screensavers, etc that they have in general lost their charm for me unless curated/displayed just so. Or else I feel that they are trying to suck people in to look at them as distraction, instead of in relation to the place where they're displayed (a pet peeve is places that display photos of the cities where they actually are, like a London cafe that has photos of London on the wall, a sure sign that you are in a crappy tourist spot.).

As to why I find the Miro piece attractive, hmm, hard to articulate, but I guess I like its choiceful colour combos, its combination of crisp shapes with rich more naturalistic textures. It feels like it abstractly represents elements of thought being observed, like when you close your eyes tightly or meditate. I find in it a sense of soft motion and microscopic scale interaction, like we're in some kind of primordial soup or subatomic field that could run on peacefully for millions of years. But I ain't gonna pretend this doesn't sound a little pretentious. In the end it just feels like Miro caught onto a certain wavelength and was able to share it at a time when it hadn't been captured so well before.