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Amazing write-up. I’m collecting FLAC, but sometimes wonder if it is worth it (especially on private trackers where it might count excessively against an upload ratio).
I’m interested in hearing more about remasters. The only time I would probably encounter this would be on Redacted.ch - I only know what is available and seldom hunt down specific editions unless there are bonus tracks etc.
As far as my setup goes, it’s been random budget audiophile picks in 2.1 setup doubling as a home theater. I probably would not go above $500 in any situation, I just haven’t heard good enough speakers to justify the spend.
If you're on a private tracker it's a different story. I haven't been on a private tracker since the days of what.cd, and I haven't felt the need to get on one since you can find pretty much anything on Soulseek or rutracker (though if you've got an invite I won't turn it down). As for your system, that's enough for it to be worth the difference in quality. Generally, if you have a "real stereo" that has a separate receiver and speakers you're there. If you've done any research into your purchases then you're probably chasing rainbows if you spend more than a few thousand on a system. For full disclosure, my system consists of a few hand-selected pieces I bought used about a decade ago and I spent less than a grand on it if you exclude the amount I spent on stuff for vinyl.
As for remasters, the rules of thumb are that audiophile remasters by record companies like Mobile Fidelity, DCC, Audio Fidelity, and Analogue Productions are probably going to be the best, though some of the earlier MoFi stuff may be questionable (though not bad, just not the best). SACD releases are usually good, with a few exceptions, but it's all because of the mastering, not the bogus "hi-res" designation. For records that were originally released between the mid 70s and the mid 90s, the first CD edition is usually the best. This was the era when most of the questionable recording practices from years prior had been dispensed with and before the loudness wars started. If the record was originally released before the mid 70s, then the quality of the source tapes used comes into play in a much bigger way. Early releases may have used inferior tapes, and later releases may have been casualties of no-noise and the loudness wars. For newer stuff the options are limited, and there is often only one mastering available, and if there is more than one it is either an audiophile release or isn't any different in quality than the original CD. There are exceptions, of course, and the best course of action is usually to search the Steve Hoffman forums for the consensus on what the best release is, just be forewarned that if Steve mastered any of those albums then that version will always be the consensus best version, though not without reason (he has a very warm style of mastering that I absolutely love, but he can be a bit smug about his abilities and there's some backlash online). If you're wondering about any releases from the classic rock canon, DM me and I can tell you, or just give you my Soulseek handle so you can look me up and grab it yourself.
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You're downloading more, but you are also seeding more, right?
Hard to compete with other seeders, if I could upload a FLAC of some new release and seed it would grant me many more MP3 rips. Maybe I should finally invest in a proper seedbox.
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