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Notes -
And yet hardly anyone reads them, while popularity is hardly the primary standard most people use to ascertain the quality of a work of art, even classical symphonies from the late 17th or 18th centuries get much more appreciation for being truly timeless.
And that's precisely my point, the emotions conveyed by lyrics being sung, set to music, grossly outweigh the same relegated to paper.
Whether that's a cover up or not, I'll let everyone else do the judging.
The relevant comparison is not "All time greats in poetry" versus "the average pop song".
If going solely off popularity, then the clade of poetry in vogue these days is so awful that I'd rather quite literally read the blank space between the lines. There's almost certainly good new poetry out there, even great examples, but almost nobody cares about it, and what normally gets signal boosted is primarily for pure signaling purposes.
Book 2 of the Aeneid still goes hard, even in translation. The fall of the city does pull at the heartstrings.
The closest I have come to reading Homerian works is the War Nerd's Iliad, which is absolutely fantastic, and I think it both captures and contextualizes the story faithfully more than any direct translation could.
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I would like, as an aside, to commend how music and tone does add and potentially subvert the "raw" meaning of the words. Consider Eurydice's rendition of Farewell in the video game Hades versus Orpheus' rendition of it. (I'm on the phone, so find it on youtube yourself).
Not only am I on the phone too, but I'm on-call at the hospital, so it'll have to wait ;)
I should get around to playing Hades, the reviews really are raving, even if roguelikes aren't my thing.
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