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Culture War Roundup for the week of September 4, 2023

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Excuse me while I roll around on the floor groaning. We've had about a hundred years plus of bright-eyed "let's dump all the literal miracle stuff and instead just keep the rational religion that Modern People of Science can believe, which is mainly reducible to 'being nice is nice, so let's all be nice!'"

That stuff doesn't last. It evaporates into Unitarian Universalism (sorry to the UUs, I'm sure they're lovely people) and the mainstream churches which lolloped along the primrose path of "let's keep the good, nice bits and dump the miracle stuff" are bleeding numbers and not recruiting new people from the unchurched masses, no matter how much they zealously follow the Zeitgeist.

(The conservative/fundamentalist/orthodox churches are also bleeding numbers, too; it's a problem for everyone, it's just that the conservative ones are doing it more slowly).

If you scrap the miracle stuff, what you're left with is "let's all gather once a week or so to hear an inspirational message". Well, I can spend that hour doing stuff I like better, or hanging out with my friends, or going to some replacement gathering be it a sporting event or an art gallery or the likes. If I want inspirational messaging, there's an entire industry of self-help literature and podcasts and social media and life coaches and Uncle Tom Cobley and all out there.

You take this stuff seriously, which means hell yeah you fight over a shade of definition of a word, or you give up on it as nothing more than playing dress up for ceremonies like weddings and funerals.

I feel a Chesterton quote coming on:

The Editor of an evening paper published recently what he announced as, and even apologized for, as "an unusual article." He anxiously guarded himself from expressing any opinion on the dreadful and dangerous views which the unusual article set forth. Needless to say, before I had read five lines of the unusual article, I knew it was a satisfactory sample of the usual article. It was even a careful and correct copy of the usual article; a sort of prize specimen, as if a thing could be unusually usual. I had read the article before, of course--thousands and thousands of times (as it seems to me)--and had always found it the same; but never before, somehow, had it seemed so exactly the same.

There are things of which the world to-day is subconsciously very weary. It does not always know what they are; for they commonly bear large though faded labels, describing them as the New Movement or the Latest Discovery. For instance, men are already as tired of the Socialist State as if they had been living in it for a thousand years. But there are some things on which boredom is becoming acute. It is now very near the surface; and may suddenly wake up in the form of suicide or murder or tearing newspapers with the teeth. So it is with this familiar product, the Usual Article. It is not only too usual; it has become intolerably, insupportably, unbearably usual. It is appropriately described as "A Woman's Cry to the Churches." And I beg to announce that, though I am of a heavy and placid habit, and have never been accused of any such feminine graces as hysteria, yet, if I have to read this article three more times, I shall scream. My scream will be entitled, "A Man's Cry to the Newspapers."

I will repeat somewhat hurriedly what the lady in question cried; for the reader knows it already by heart. The message of Christ was perfectly "simple": that the cure of everything is Love; but since He was killed (I do not quite know why) for making this remark, great temples have been put up to Him and horrid people called priests have given the world nothing but "stones, amulets, formulas, shibboleths." They also "quarrel eternally among themselves as to the placing of a button or the bending of a knee." All this gives no comfort to the unhappy Christian, who apparently wishes to be comforted only by being told that he has a duty to his neighbour.

...But the philosophy expressed in the Usual Article avoids all these disadvantages by never coming into the world of reality at all. Its god is afraid to be born; its scripture is afraid to be written; it only manages to remain as the New Religion by always coming to-morrow and never to-day. It puffs itself out with spiritual pride, because it does not impose what it cannot even invent. It shines with Pharisaical self-satisfaction, because there are no crimes committed for its creed and no creed to be the motive of its crimes. This sort of critic is a surgeon who never performs an unsuccessful operation because he never operates; a soldier who never falls because he never fights. Anybody can talk for ever about a non-existent religion which shall be free from all the evils of existence. Anybody can dream of that entirely humane and harmonious Christianity, whose Christ is never born and never crucified. It is so easy to do, that half a hundred people in the papers and the public discussions have been doing nothing else for the last twenty or thirty years. But it is every bit as futile as applied to a spiritual ideal as it would be if applied to a scientific theory or a political programme; and I only mention it because I have just heard it for the hundredth time; and feel a faint hope that I may be mentioning it for the last time.

Literalist religion is not only dying, it’s exactly what gave birth to the secular West and its identity-consumerism. We have had 100 years of attempted revision because the old interpretations are insufficient. I don’t know if you read my post but “inspirational message” has nothing to do with the points I made. I do not think “inspirational messages” are something that secular culture can absorb from religion.

Literalist religion is not only dying, it’s exactly what gave birth to the secular West and its identity-consumerism

Excuse my asking, but when was this born? I recall that the heyday of the modernists being after the birth of secularism.

Literalist religion doesn’t seem like it’s dying so much as shrinking slowly, with the rate of shrinkage mostly attributable to generational effects(IIRC millennial and zoomer religious demographics are more or less identical so that could indicate that those generational effects are going away).

Is that total self identification or reported membership from church denominations?

Good question.

At least as regards Catholics and mainliners, I do remember the data I saw showed more conservative views on moral issues with the younger crowd than with their elders on average. This is probably indicative of higher religiosity with younger members than with older ones, but it might be an artifact- after all, we already know that more fundamentalist denominations have been growing at the expense of liberalizing ones in the case of mainliners, so that’s probably just an indication of the LCMS being healthier than the ELCA which we already knew(and Catholicism could be an outlier). A real problem seems to be that nobody knows how to measure absolute(as opposed to relative; everyone knows Tennessee has higher attendance than New York) church attendance rate because the three major methods(survey data, calculation from church headcounts, and cell phone data on Sunday morning) disagree with each other but are basically 100% correlated.

I can’t really answer your question because I can’t find the data I remember. But I do think it’s directionally correct- secularizing in America has largely stopped with millennials. There’s some evidence that indicates millennial and gen z Christians are more devout, and a larger quantity of evidence to indicate that they’re more conservative/literalist. I would point to this as support for my argument that literalist religion isn’t dying, it’s shrinking slowly, and that’s mostly due to generational effects.

And Lewis, from "Till We Have Faces"; real religion is dark and sticky with blood and even oppressive, it's nonsensical when you look at it rationally, yet the tidied-up version can be a game we play to amuse ourselves, but it's not real comfort when needed:

The duty of queenship that irked me most was going often to the house of Ungit and sacrificing. It would have been worse but that Ungit herself (or my pride made me think so) was now weakened. Arnom had opened new windows in the walls and her house was not so dark. He also kept it differently, scouring away the blood after each slaughter and sprinkling fresh water; it smelled cleaner and less holy. And Arnom was learning from the Fox to talk like a philosopher about the gods. The great change came when he proposed to set up an image of her — a woman-shaped image in the Greek fashion — in front of the old shapeless stone. I think he would like to have got rid of the stone altogether, but it is, in a manner, Ungit herself and the people would have gone mad if she were moved. It was a prodigious charge to get such an image as he wanted, for no one in Glome could make it; it had to be brought, not indeed from the Greeklands themselves, but from lands where men had learned of the Greeks. I was rich now and helped him with silver. I was not quite certain why I did this; I think I felt that an image of this sort would be somehow a defeat for the old, hungry, faceless Ungit whose terror had been over me in childhood. The new image, when at last it came, seemed to us barbarians wonderfully beautiful and lifelike, even when we brought her white and naked into her house; and when we had painted her and put her robes on, she was a marvel to all the lands about and pilgrims came to see her. The Fox, who had seen greater and more beautiful works at home, laughed at her.

… Then I looked at Ungit herself. She had not, like most sacred stones, fallen from the sky. The story was that at the very beginning she had pushed her way up out of the earth — a foretaste of, or an ambassador from, whatever things may live and work down there one below the other all the way down under the dark and weight and heat. I have said she had no face; but that meant she had a thousand faces. For she was very uneven, lumpy and furrowed, so that, as when we gaze into a fire, you could always see some face or other. She was now more rugged than ever because of all the blood they had poured over her in the night. In the little clots and chains of it I made out a face; a fancy at one moment, but then, once you had seen it, not to be evaded. A face such as you might see in a loaf, swollen, brooding, infinitely female.

… The drums went on. My back began to ache. Presently the little door on my right opened and a woman, a peasant, came in. You could see she had not come for the Birth feast, but on some more pressing matter of her own. She had done nothing (as even the poorest contrive for that feast) to make herself gay, and the tears were wet on her cheeks. She looked as if she had cried all night, and in her hands she held a live pigeon. One of the lesser priests came forward at once, took the tiny offering from her, slit it open with his stone knife, splashed the little shower of blood over Ungit (where it became like dribble from the mouth of the face I saw in her) and gave the body to one of the temple slaves. The peasant woman sank down on her face at Ungit's feet. She lay there a very long time, so shaking that anyone could tell how bitterly she wept. But the weeping ceased. She rose up on her knees and put back her hair from her face and took a long breath. Then she rose to go, and as she turned I could look straight into her eyes. She was grave enough; and yet (I was very close to her and could not doubt it) it was as if a sponge had been passed over her. The trouble was soothed. She was calm, patient, able for whatever she had to do.

"Has Ungit comforted you, child?" I asked.

"Oh yes, Queen," said the woman, her face almost brightening, "Oh yes. Ungit has given me great comfort. There's no goddess like Ungit."

"Do you always pray to that Ungit," said I (nodding toward the shapeless stone), "and not to that?" Here I nodded towards our new image, standing tall and straight in her robes and (whatever the Fox might say of it) the loveliest thing our land has ever seen.

"Oh, always this, Queen," said she. "That other, the Greek Ungit, she wouldn't understand my speech. She's only for nobles and learned men. There's no comfort in her."

Soon after that it was noon and the sham fight at the western door had to be done and we all came out into the daylight, after Arnom. I had seen often enough before what met us there: the great mob, shouting, "He is born! He is born!" and whirling their rattles, and throwing wheat-seed into the air, all sweaty and struggling and climbing on one another's backs to get a sight of Arnom and the rest of us. Today it struck me in a new way. It was the joy of the people that amazed me. There they stood where they had waited for hours, so pressed together they could hardly breathe, each doubtless with a dozen cares and sorrows upon him (who has not?), yet every man and woman and the very children looking as if all the world was well because a man dressed up as a bird had walked out of a door after striking a few blows with a wooden sword. Even those who were knocked down in the press to see us made light of it and indeed laughed louder than the others. I saw two farmers whom I well knew for bitterest enemies (they'd wasted more of my time when I sat in judgement than half the remainder of my people put together) clap hands and cry, "He's born!" brothers for the moment.

There's a reason why "argument by fictional evidence" is a fallacy.

Ah, an adherent of the Gradgrind School, I see!

‘Very well,’ said this gentleman, briskly smiling, and folding his arms. ‘That’s a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?’

After a pause, one half of the children cried in chorus, ‘Yes, sir!’ Upon which the other half, seeing in the gentleman’s face that Yes was wrong, cried out in chorus, ‘No, sir!’—as the custom is, in these examinations.

…‘I’ll explain to you, then,’ said the gentleman, after another and a dismal pause, ‘why you wouldn’t paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality—in fact? Do you?’

‘Yes, sir!’ from one half. ‘No, sir!’ from the other.

‘Of course no,’ said the gentleman, with an indignant look at the wrong half. ‘Why, then, you are not to see anywhere, what you don’t see in fact; you are not to have anywhere, what you don’t have in fact. What is called Taste, is only another name for Fact.’ Thomas Gradgrind nodded his approbation.

‘This is a new principle, a discovery, a great discovery,’ said the gentleman. ‘Now, I’ll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?’

There being a general conviction by this time that ‘No, sir!’ was always the right answer to this gentleman, the chorus of No was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.

‘Girl number twenty,’ said the gentleman, smiling in the calm strength of knowledge.

Sissy blushed, and stood up.

‘So you would carpet your room—or your husband’s room, if you were a grown woman, and had a husband—with representations of flowers, would you?’ said the gentleman. ‘Why would you?’

‘If you please, sir, I am very fond of flowers,’ returned the girl.

‘And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?’

'It wouldn’t hurt them, sir. They wouldn’t crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy—’

‘Ay, ay, ay! But you mustn’t fancy,’ cried the gentleman, quite elated by coming so happily to his point. ‘That’s it! You are never to fancy.’

‘You are not, Cecilia Jupe,’ Thomas Gradgrind solemnly repeated, ‘to do anything of that kind.’

‘Fact, fact, fact!’ said the gentleman. And ‘Fact, fact, fact!’ repeated Thomas Gradgrind.

‘You are to be in all things regulated and governed,’ said the gentleman, ‘by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don’t walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don’t find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,’ said the gentleman, ‘for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste.’

Pictures of flowers can replace flowers because flowers are not evidence. Evidence about how beliefs affect people is evidence.