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Cleon Peterson is a leftist creep and makes it plainly obvious in his work. If you saw his 'art' on the wall of someone's house, you would immediately assume they're part of some villainous organization, or that they want to look like a villain.
Go look through his Artsy page: https://www.artsy.net/artist/cleon-peterson
It's pretty clear he hates the USA (Destroy America), Donald Trump (Stop the Virus, Useless Idiot and about 1/10th of his portfolio), racists (Practice Intolerance). There's not an apolitical bone in his body. I challenge anyone to tell me that they've looked through 4 or 5 pages of his work and believe he could be altright.
Say I made a painting of a long-nosed, weaselly, greasy, fat, lecherous bastard clutching onto coins being hung from a lamp-post by some stern-faced Teutonic workers - people would quite reasonably assume it was aimed against Jews and that I was a Nazi. I might protest that it was really about destroying the values of greed with hard work - that it was just timeless symbolism. Yet it's pretty obvious that it's not just about that. Images have meaning. Ideas have meaning.
If you make a bunch of paintings about brutish, Uruk-Hai looking blacks slaughtering whites, then people are going to make perfectly reasonable assumptions about the implied meaning, based on context and the clear slant of the artist.
Contra
From here it looks like you were either purposely trying to deceive people here, or are so stupid and incompetent that you cannot be bothered to spend ten seconds looking at an artist's body of work before trying to write intelligently about the topic. I don't want either of those to be the case so I'd really like to hear a good explanation for why you think this is acceptable behaviour in a conversation (not trying to backseat mod or anything, but if somebody did this to me in a real conversation I'd be seriously offended and want to stop talking to them).
"I don't want either of those to be the case" is not enough of a disclaimer for throwing a line like this. Please be less antagonistic even if you think someone is being disingenuous.
I don't understand why the great grandparent post of the chain did not already invite a moderator response. Do you consider referring to public figures as "(outgroup) creep[s]" to be within the rules, conducive to maintaining a good tone of debate here or at all inviting (outgroup) to participate, or do you think there are some extenuating circumstances here that justify it in this particular case? As childish as the impulse is, I'm really finding myself wishing I could go around referring to moderately respected figures on the other side as "rightist creeps" until I find out directly, but I presume that the only thing that would happen would be downvotes and outpourings of organic hostility that would make any modhat warnings on top of them superfluous in broadcasting how one is now okay around here but not the other.
Generally speaking, we'd prefer people not just throw insults, but public figures are more or less fair game as long as there is some substance to the post and not just ranting about how much you hate Trump or Biden or Cleon Petersen. But yes, if you were complaining about, say, right-wing media and called Matt Walsh a "fascist creep," you'd probably get downvoted, but you would not be modded for that alone.
Ugh. I don't think this is a good interpretation of the rules (and I think I explained in a parallel post why I think that). Allowing this sort of insult adds nothing to the discourse, raises the temperature and very likely turns away people in a way that reinforces any existing ideological slant as it simply allows dominant majorities to assert their dominance. Maybe this is wishful thinking on my part but I think we used to be much stricter about that sort of thing, which, yes, resulted in a constant low rumble of discontent -- but it's not like even CWR, which embodied the "we will not stifle your ability to express your righteous feelings" approach and predictably listed right until it capsized for it, didn't have the same amount of malcontents for whom even the little rules that were still enforced were too much.
On that matter, how would you feel about "Jewish creeps"? (I'm now noticing to my dismay that my phone's predictive keyboard app has already learned to suggest the second after the first thanks to this subthread.)
If you can persuade Zorba we should crack down on insulting public figures, we'll do that, but generally speaking, we've never modded someone just for being mean to celebrities and politicians. Only if their entire post is a screed about Person I Hate or general booing. Frankly, I am not willing to go through an election season trying to enforce "charity" towards all political candidates. "Trump is a big orange fat-ass!" is a pretty easy comment to mod because it's low effort and inflammatory for no good purpose, but IIRC you (or someone else) wanted me to mod someone for calling Kamala Harris a "weak candidate." Come on.
The rules against making derogatory generalizations about a broad group of people (which includes posters here) covers that.
The scenario I'm imagining is calling someone (say, Epstein) one. If that amounts to a derogatory generalisation about Jews, how does calling the artist a "leftist creep" not amount to the same generalisation about an even broader group of people (leftists)?
Conversely, I'm not arguing against "leftist creep" on the basis of it being insulting to this particular public figure. Instead, I think, as you (correctly, in my eyes) perceive for the Jewish example, that calling anyone a "leftist creep" is implying that the creepiness is related to being a leftist, which is an attack on a broad group of people including potential posters here.
That was not me, and I would not advocate for any restrictions on that. As I said, it's not about insulting the public figure, but about using public figures to insult potential forum participants (by imputing bad qualities and implying them to be a consequence of tribal membership): e.g. calling Harris a "leftist bore" would be bad.
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I would consider it bad, but not bad in a way that specifically infringes on the goals of this forum like the political group qualification does. Similarly, it surely would make a difference if someone were called a "Jewish creep" (and probably draw much more mod attention, as they still seem to be interested in keeping the forum from pushing away anyone outside of the "JQ right").
I don't think those are good either, but well. It's already been the case for quite a while that the more intellectual right wingers want to lower Trump's status so as to move on to a better strategy, explaining why organic opposition to anti-Trump posting is lower. Finally, the group identifier really is doing a lot of work. (Compare calling Epstein a "creep" to calling him a "Jewish creep".)
One is just denigrating the person; the other one is suggesting that the imputed negative qualities are related to, characteristic of or even a consequence of being a member of the group in question.
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This argument exists because you are being deceptive about the artist behind them. You actively called him "apolitical" - again, you were actively lying in order to bolster your argument, in the same way I would be if I took one of those dumb Trump NFTs depicting him as a superhero and said "Oh, we can't really be sure of the original artist's beliefs - you could interpret this from a left wing OR right wing perspective!".
You were the one who claimed that he was apolitical, so you very clearly thought that what he believed was actually relevant, otherwise you would not have brought it up.
My reading is that this work is as shallow as it appears to be on the surface - a depiction of his outgroup (right wing/flyover white people) being humiliated and tortured in the way that he thinks they would find most distressing (racial violence from THEIR outgroup). When you look at the piece in the context of the rest of his work, the most obvious interpretation seems all the stronger to make.
You might want to look at a broader range of his stuff. See what I wrote here. He is certainly not apolitical, but I do not think that the idea that his work is meant to depict "his outgroup (right wing/flyover white people) being humiliated and tortured in the way that he thinks they would find most distressing (racial violence from THEIR outgroup)" holds up.
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Is this to say that you actually believe the interpretation in OP's first link, that is, that the artist (1) intended the literal racial interpretation and (2) believes that such a future is desirable? The "Uruk-Hai looking" figures are intended as the protagonists? Can you think of any historical example where a political group depicted themselves or their allies in such a fashion, without the slightest connotation of righteousness, beauty or heroism, or do you believe that your outgroup is actually the most morally and aesthetically alien group of humans to have existed on the historical record?
An unofficial reupload on youtube exists. I wonder if Europeans were similarly offended when they discovered that people in African and Asian art look more like natives than Europeans.
it's a peculiar sort of chauvinism.
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I can think of many actually. It's a very common thing in warfare and other pursuits where it's in your interest to be seen as a savage with no regard for decency.
If you want a recent one consider Russians depicting themselves as Orks. If you want an older one, consider Pirates.
But interestingly in the particular example we're seeing here (modern leftist ideological art), there is an ideological reason for it, which is the explicit deconstruction of those things you list: beauty, righteousness and heroism. Those are all oppressive norms of whiteness that must be abolished. And instead we must "center" "ugly bodies" and "black bodies".
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Well he couldn't possibly have missed it, it's pretty damn obvious. Contra OP's suggestion that Mr Peterson is apolitical, he's clearly aware of and makes obvious use of political imagery. A quick glance through his portfolio reveals that. A quick glance at the titles of his paintings reveals that.
Motte: Timeless representation of power dynamics and authoritarian violence with caustic debauchery in a revealing display of...
Bailey/What's In Front of Your Lying Eyes: Destroy America, kill Trump, kill racists, the police are oppressive, democracy is a joke, orgies of violence with the strong and obvious implication of whites being killed en masse.
Context is key. If you look at someone's portfolio and just see stuff like this then sure, you could say he might be far right. There is that whole day of the rope meme after all: https://www.artsy.net/artwork/cleon-peterson-absolute-power-7
Or if his portfolio is all stuff like this then sure, he might be a centrist: https://www.artsy.net/artwork/cleon-peterson-what-have-we-lost
But that's not predominantly what Mr Peterson produces, I've looked through his work and it's pretty clear! Didn't you have to go through English in secondary education, where they'd teach you how to find hidden meaning from far less obvious texts. Robert Frost's Fire and Ice for instance, I was taught that it actually had reference to future world wars which might be fought over hot emotions like desire, or stem from a chilling lack of care for the plight of others, that inaction might doom the world. People read in ridiculously far to hidden meaning in poems and art, yet we're not allowed to take what's immediately obvious from Mr Peterson's portfolio? It all but drips malevolence.
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I don't believe they're intended as the protagonists per se. You were looking for a historical example, so let's look at some ancient Roman art - https://upload.wikimedia.org/wikipedia/commons/8/80/Tunisia-3363_-_Amphitheatre_Spectacle.jpg
People making art like this are not identifying with the beast - the protagonist is actually the observer, who is seeing a savage animal painfully kill, torture and degrade their enemies. Cleon himself isn't actually black either, which isn't what you would expect if the black figures were meant to be the protagonists as you describe... but it does match up with the reading that these white figures are his outgroup, and his art is just glorifying the dispossession, dismemberment and raping of his outgroup in the manner that he believes they would find the most distressing.
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