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Notes -
If Superman were about the actual assimilation of our Kryptonian hero, Kal-El (the Kryptonian name of Superman), that would make for a very boring story. Of course Superman is not about that- he cannot assimilate.
The most he can do is adopt an alter-ego in his daily interactions with humans by changing his name from Kal-El, meaning "Voice of God" in Hebrew, to the Gentile name Clark Kent. He changes his appearance, puts on a suit, goes to work as a media reporter (!) with everyone else none the wiser to his true identity.
But when Clark Kent tears open the shirt, he affirms that underneath the disguise he was always Superman. He holds sentimental feelings towards humanity as his adopted family, but in his heart of hearts he is a diasporan son of Krypton and he will never be them- he is a superior being and he must protect them and guide them.
This is extremely sophisticated storytelling. It provides perceptive Jewish audiences with a sense of identity, and yes superiority, it is a myth that tells them they cannot assimilate even if they change their name and appearance such that nobody around them knows who they truly are, they will always be Kryptonian underneath the surface. At the same time, there is compelling content for Gentile audiences that internalize the Ethos espoused by the ass-kicking superhero.
My point is that ethos is downstream from mythos. So those who have special talents in creating mythos likewise are in a strong position to influence the ethos of the collective consciousness. Siegel and Shuster's Superman telling children that being American means being anti-racist in 1950, not 30 years after the United States passed legislation intending to wind back the clock on demographics to the 1800s, is an example of this, as-is Captain America.
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