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It's hard to sever, that's for sure. But there are aspects of many modern Disney films that are bad regardless of those stuff. Rise of Skywalker wasn't helped by Rey continuing to be a Mary Sue, but the entire plot point of Palpatine somehow returning and bizarre plot contrivances like the dagger shape matching up to the Death Star ruins (just one example among many) by themselves were enough to make the film awful. Doctor Strange 2 wasn't helped by Doctor Strange being a supporting character to his own film, but the utter lack of internal logic and bizarre plot contrivances by themselves were enough to make the film awful. I've heard Peter Pan and Wendy is quite woke, but also it's been heavily criticized for awful acting, awful color grading and set design for Neverland, and awful combat choreography. Perhaps a lack of focus on the messaging would have allowed Disney to put some more focus on these other technical and fundamental script writing aspects, so I agree that it's hard to sever, but at the least, these films didn't seem to have some salvageable, worthy core that would have been fine but for the woke messaging.
Their films with less woke messaging don't seem to be particularly better, either. The Lion King remake did make a lot of money, but arguably that was riding the coattails of the original masterpiece, and it did turn off a lot of fans for being a near-shot-for-shot remake but with a lot of the soul ripped out due to the hyperrealistic style and bad voice acting. We'll see with the upcoming prequel CGI film about Mufasa if this was a one of those "fool me once/fool me twice" situations, I suppose. The Pinocchio remake has been criticized for missing the point of the original story, making the titular puppet a complete goody two-shoes from the beginning who is passively pushed into bad situations rather than making bad decisions, along with the lying-causing-nose-to-grow being used to help him get out of a sticky situation rather than punishing him. I heard that film had some woke messaging with some casting choices, but those weren't the downfall of the film, from what I understand.
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And they didn't really establish how they could be sure he was really gone, either! What's to stop Palpatine showing up again? In the EU series the heroes used various tactics to establish how he was capable of resurrecting and then how they could defeat him.
The EU series itself also had a lot of drek it and the good stuff(like thrawn etc) was much more popular than the generic schlock.
I love Rise of Skywalker because it ruins a major talking point against the EU (Dark Empire).
So now the status quo is that the EU had a lot of dumb stuff (a lot of it was basically semi-lapsed canonically anyway) but what was widely recognized as one of the worst was in the new canon anyway.
Without some of the other good shit the EU also did like show us a working Jedi Order (I think they added Thrawn now, but I don't care to find out)
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