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Notes -
Cope is far from the most likely explanation. What I have to work with is:
An intense revulsion towards high FPS film and television every time I have encountered it outside a nature documentary, that I share broadly with the film industry and enthusiasts.
Things I have noticed that I like about 24 FPS that appear degrade at 30 and even further degraded at 48 FPS, but also degraded in a different way at 12 FPS.
Finding 60 FPS games vastly preferable to 30 FPS games, despite growing up with games at a low FPS, which I also happen to share broadly with the games industry and enthusiasts (although it's only been more prioritized recently). Also, finding no degradation in 120 FPS or higher.
Empirically I don't think your analogies hold up well. The average record enjoyer does not feel revulsion towards digital audio outside of memes, the black-and-white movie enjoyers, as much as they even exist, don't feel revulsion towards color film. If this is Stockholm syndrome, it's on a far more massive scale than any other phenomena like it that I can think of.
When considering mass psychosis we should at least be curious towards what actually changes with different FPS choices. You say blur is in everything, but I was describing the amount and qualities of the blur, not just from fast movements but practically all movement because it's so low. There's also the ways even TV at 30 looks different from film. Watch Run Lola Run which mixes the two, and try to observe the different effects each have in how you process the scenes. I really think if collectively we act incurious, and if film goes to 48 or higher, film is dead. I watched the Hobbit at 48, I watched an interpolated Game of Thrones episode. Both were just absolutely revolting.
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