somethingsomething
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User ID: 1123
I watched jt in the theater and it has to be one of the worst movies I've ever seen, and I was rooting for it, since I knew going in that Copolla was going against the cultural grain.
Nathalie Emmanuel's performance is the worst I've ever seen on film. The dialogue between her and Driver are a joke, and delivered with zero chemistry. Aubrey Plaza is hilariously unconvincing.
The themes are broadcast in screaming capital letter, absolutely zero subtlety. "What do you think is the most important institution?" "Marriage" with no further comment.
There are a few good visual pieces but mostly it's a blown out, blurry mess when it tries to get fancy.
Then there's the fucking crossbow scene.
It gave me a lot to think about how such a great artist can put out such total drek.
3 different candidates vs 1 candidate? Two females vs one male? rederendum on Trump vs referendum on Democrats? Pandemic vs no pandemic? Trump telling people not to mail in votes vs not doing that? Height of BLM popularity vs. not? Sometimes people get more votes and sometimes less?
Occam's razor in my opinion is that Harris, Clinton, and Obama in his 2nd year underperformed, and turnout has been increasing as America becomes more polarized and politically activated.
Biden overperformed for the same reason normies went to BLM rallies in 2020, there was an huge anti-Trump awakening, it's just petered out.
Compare that to a 15 million vote fraud coverup, which is more likely?
I'm a lifelong democrat voter who would vote Haley, but I do think it's up in the air how much better she'd do. Trump does energize Democrats too.
I think the error here is comparing yourself to an entire nation. If you are making an argument like "Sure it only affects my family and friends," then you're rationality is poorly calibrated.
Voting does particularly stress this because you're personal affect really is so small, and in presidential elections the electoral college schemes to reduce it even further in most cases. In this case I think it is worth finding some other process than number crunching to justify the effort because it does break down if everyone stops doing it.
I think something like Trumps tax cuts and tariffs are going to blow up the economy at a precarious time when you want the adults in charge, could work.
Maybe a "too online" jab as a variation of the "weird" jab now that he's getting Elon Musk to cut down the government, which intrigues me but could come off as alienating or reckless to the average voter? Basically emphasize that she cares about what people in the real world think instead of being obsessed with the internet.
Abortion should be an obvious win especially with the recent Trump Florida flip flop.
I think laying out a succinct case for what Trump's recent criminal cases are about, and push the fake electors story hard, saying something like two terms won't be enough, and after Trump it'll be Trump Jr. or something.
I don't see it as a moralistic movie. The logic of 2/3 of those beats rest entirely on Napoleon's insane dance performance. It's not by being a good person that Napoleon succeeds, it's by doing something totally out of character and ubermenchian that wins everyone over. Note how in the final scene he hits the thetherball as hard as he can over and over.
It's not just social conservatism. Trump is weird, and so is the online right which Vance feels tied to. Hanania is weird, Moldbug is weird, people on this website are weird.
I see what you're saying, the far right areas where he is discussed are pretty unknown to me. I wouldn't necessarily characterize Nietzsche as a loser, though. If he hadn't succumbed to sickness as young as he did, he would've been celebrated in his own lifetime and his long, prolific, but isolated journey would have payed off.
I think the loser attitude is putting too much stock in the American high school analysis because the things Nietzsche accomplished aren't valued there, and he would be seen as lesser for basically having a problem with women, something obviously Jay-Z would never have an issue with. But to an adult in the room, hopefully they'd see that Nietzsche's influence and power far exceeds Jay-Z's, along with the metaphorical jocks, to the world's benefit or profound harm depending on which of his disciples you are looking at.
I just think there has to be room for the "sigma male" in the analysis of things, where the truly powerful don't necessarily match the vital youth imagery, a lot of times they are weirdos taking big risks to even the odds in their favor, and if it doesn't pan out in their lifetimes, I'd hope they don't get necessarily lumped in with slave morality unless they were actually expressed ressentiment and were preoccupied with being part of the mob/morality police etc. (which I do think you can still argue Nietzsche was doing himself to a degree, at least with the former)
I haven't really seen what you describe in the last paragraph. Where I've seen Nietzsche discussed, master morality is usually seen with some sympathy. Personally, I feel like aspects of slave morality as Nietzsche describes it were acting as deep unconscious forces in my psychology that I am very glad to have made conscious to more easily push back against where they are unproductive, and I feel like conversations like these help with that. To manage emotions it helps to be able to identify them, and reading your post I actually felt the ressentiment reading about the jocks, I noticed it, and I let it go. That is not something I used to be able to do so easily.
I think the issue with the jocks and nerds view is by definition you are dealing with youth coming into the world with whatever background they happened to have, and little of their own choices has had an effect on where they are. The question is what happens for the rest of the adult lives of the slave morality kids? Are they doomed, or can they change their outlook? Can someone think themselves into being a master moralist or onto some kind of middle road? I tend to think we have some kind of agency and can alter the course of our lives in some way. Elon Musk takes ketamine for depression, he probably grew up immersed in slave morality and forged some kind of master morality for himself, but still has parts from his childhood that hate himself. That's the kind of complexity that is happening for most people who aren't totally immersed on one side or the other.
Why doesn't their reaction make sense? Aren't they just being magnanimous? What would you expect instead?
How it plays is people thank God we finally have a normal candidate and no one cares how we got here (even if Kamala is a bit of an oddball) (just my prediction)
Yeah learning about the pace at which TNG episodes were written and shot was a revelation to me, and it made me question why so much is invested in a show that was, as good as it was, clearly hobbled by not having time to really flesh out ideas and rework bad scripts, and was basically rushing all the way to its end.
Similarly, years ago I was listening to a Phil Ochs song about how terrible "liberals" are and it just hit me, why am I getting my political opinions from music? From rock to rap, why are the pop stars determining what I think over political scientists, essayists etc.
It's feels like even the most deep cuts of pop culture feel shallow as a puddle, it's like it's all expressionism, just surface level reactions to things, no humility, no ability to dig deeper, due to time constraints or just ignorance of the authors. And it almost feels like a psyop where we're told to just stay in the there, don't try to look up the past, it's all problematic and boring. Like they read Great Expectations and Shakespeare in High School just to intimidate and bore you so you stay away from that stuff for good.
I think it has to do with gender in the sense that gender is one of the primary ingredients of social groups, even in the hyperliberal paradise of today. For instance you probably wouldn't expect that behavior of male feminists. (edit: unless they're mansplaining to TERFs I suppose). But in the context of this article, with older generations, I think the male version of this is far more common since it was given a lot of room to fester years ago compared to today with men.
Apologies, I missed your parenthetical completely. So how I see it is that with blowhards, it's less on the surface about intelligence but it's related. Regardless of their IQ, blowhards say dumb stuff because by their nature they are bullshitting all the time. If you know something they don't, then voicing that will intimidate them, and they will only accept that behaviour from people they see belonging to a certain kind of social category of mostly belligerent men that they feel comfortable sparring with, and that excludes many women and plenty of other men as well. Exchanging ideas for them is a deeply vulnerable status game, and they try to play to win, even while undermining themselves with all the bullshitting.
But with this strategy it's not just about preferring dumb women. It's actually just as effective to put down and shut down intelligent men or women who try to challenge them. Women who experience think "he just wants a dumb woman." But what he really wants is typical narcissistic desires of adoration and winning and so he cruelly shuts down challengers as a kind of crude tool to get what he wants.
I think this "prefer dumb women" idea could be refined to be a bit clearer to describe what it's pointing to but I think it's how it feels on the surface when you are dealing with these kinds of people. You know something they don't, you tell them, they confidently explain to you why your wrong even though you know they are BSing. Among certain groups of men, I think this behavior is depressingly common.
Why is your criteria that men must explicitly state this preference? There's been infinite debates on "mansplaining" but I believe there is a kernel of truth to it and it's revealed through behavior. I think the gendered aspect is overrated though and what you're really dealing with are blowhards that are socialized around other blowhard men, and I find them unpleasant as a man to a similar degree and would hate being married to one. Importantly though, these types have no self-awareness and are unable to articulate their true preferences.
When it comes to literature I am certainly not paying enough attention, I basically don't read anything contemporary besides excerpts here and there, and so I don't really have the grounds to make such a sweeping statement. But regarding "scripted" media, screenwriting, I feel pretty up to date on how things have degraded from what highs we managed to reach in the past.
On the other hand, when you talk about writers who can't even get in a magazine I feel like I just don't care. It's like when everyone says there music is just as good these days, you just have to find certain bands etc. It's just nothing like the amount of experience and culture of excellence in the music industry in say the 70s that elevated everyone together. Art goes beyond individuals, and plucky youths can only get so far. I don't think there are exceptions to this rule, I think great art always comes through the world as a movement, and dies out with the movement, and the fame is part of that, because it's how the culture spreads, it orients people's motivations, and puts great expectations on the artists to continue to grow and deliver, see Goethe. Even Van Gogh, the talented loser, wanted to be famous, and was part of a great movement, even though no one gave a shit about him till he died, he was still elevated by the works around him and elevated others in turn.
Yeah, I think there needs to be a kind of environmental momentum, and the critics are part of that. From the critic side I think it's a combination of ideological capture plus the poptimism movement which I think is actually the worse offender in terms of lowering standards.
And yeah your thoughts on punch ups makes a lot of sense to me. My imagination just tells me no one wants to say no to the writers room, everyone just wants to flatter each other and avoid confrontation, that kind of thing, that seems to be the attitude in the air these days.
I was going to make a similar comment about how VG writing is just bad, but I don't think it's just because they're nerds. It feels almost like the human race has become worse writers in the past few decades, it's like the torch was never properly passed on and it's become a lost art.
Well in a sense I agree you used too much detail, but I think a more succinct defense of hip hop that covers more ground is possible. Mostly I think the essay would be more convincing if it didn't read as such an apologetic and more directly addressed the issues conservatives have. I also find it annoying because I feel like I've seen hip hop described in this way to the point of cliche, it just seems to be the way hip hop fans speak about it as a kind of collective unconscious (and I implicate my former self in this as a once big hip hop fan).
If I were to summarize the analysis of the "dancing" tweet you posted, I'd say "hip-hop is decadent and conservatives don't like that." Then the response would either be hip-hop isn't so decadent or that actually decadence is okay, and you appear to argue the former.
One issue I have is that I see most modern music as decadent, and so arguing that hip hop influenced modern music doesn't move me. But I lean more towards decadence is fine, and it's just a kind of natural part of culture, and you basically need to navigate it for yourself with a measure of stoicism. But also, as a multi-culturalist liberal, I think a lot of the "Black" construction around hip-hop and in general is unhelpful when it's bought into by the right or the left. Anyone I meet who has "Blackness" as a sticking point, either way, is someone I would hope that introducing Jazz to would help loosen that and help one move towards common humanistic values.
I would recommend listening to A Love Supreme and reading the liner notes if you haven't. It's something to really think about, and I think could alter your view towards what the components of a song are/can be.
I think this essay fails as a defense of hip hop. You can't just go through a list of how cool this sample was or this lyric, or this genre fusion. I've listened to a lot of hip hop and explored the history, and there's a lot of complexity under the surface level "coolness" that is pretty compromising. There are plenty of intolerant or less informed ways to dismiss it, but the kind of over the top glorification you see here just doesn't move me.
There is talent in the genre, and it compares favorably in a lot of ways to the braindead pop today. But if you're talking about "black" music, it doesn't hold a candle to what black artists were doing in jazz, just nowhere close. And on the other hand I feel like the "blackness" of hip hop has been artificially maintained over time, whereas jazz was explicitly multi-cultural and that is one of its many better values as a genre.
That wasn't Gladwell's idea, the very beginning of his essay attributes it to Gregory Trevorton. As someone who identifies strongly with your caricature of a midwit, I have to say this is what annoys me most about Gladwell fans, that they think he came up with anything original.
Let's say there are three ways people can generally react to you: Disgust, pity, and respect. I believe that there is a world where as a group autistic people are generally treated with respect. Going on the stack means trading that for pity. Either is better than disgust. But I think the respect is worth aiming for, and I think it's where we are trending anyway. I certainly don't think of autistic people the way you describe, and don't know anyone that openly does. I work with autistic and non-autistic people and everyone is respectful to everyone, no one is making fun of anyone behind their back etc. I think things like this would be way worse like 20 years ago.
But looking at that study, which was a survey, it basically confirms my beliefs. You have this broadly shared set of behaviors in regards to masking across autistic and non-autistic, with some extras only exhibited by autistic. But then you have the shame response coming from the autistic group that hates it, that feels suicidal etc. What I believe, and I accept you may disagree, is that there is a shame element here, that is making the masking feel worse than it really is.
Lastly I'd just say that the fact that you have been able to find people you are happy and liked around is a profoundly good thing, and should be enough once you've found it in a stable place. At that point, you can weather the storms, because you have your people. And you can still fight for social change and respect etc. but you don't need the sham that is the progressive stack to do what it does, which I think is vampiric and ultimately soul-destroying, but that's just my personal opinion. Cheers.
I mean it's a sham, and it's leading to a less liberal society, and if you embrace it you're part of why it's worse. If you don't believe in personal responsibility or you get brainwashed, or don't think to much then you can live with that comfortably. If you're striving to be the best version of yourself, it's a hindrance. And I think the material benefits in return are ultimately not that consequential.
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Yeah that scene captures the movie well, it's not just rough or forgetful, but kind of a jaw droppingly overwritten, stilted, over budget high school play.
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