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Notes -
In the situation of literary outliers it doesn't matter if most men are insensitive, because the highly sensitive and talented male outlier can succeed and many have as psychological, emotional, sensitive writers (while other male authors have gone the way you describe as idea-focused etc.)
I think it's more of a question of there being space in the culture and market to draw those people into successful writers who understand their own gifts, have something to communicate clearly, and see rewards from it. I think that what culture that would support that has deeply degraded, to the point where the output of men and women authors are suffering.
Firstly I think sensitive men have become deeply confused by the culture/political war. Male gaze is bad, Fellini's male psychodrama is offensive etc. Sensitive men are so steeped in shame they are afraid of creating sensitive works with honesty.
Secondly, the sensitive male is outcompeted by the sensitive female. When women writers didn't exist, there is much less competition in the niche. It's like when men played the female roles in theatre, when women aren't competing it releases pressure on male gender expression.
Thirdly, the literary culture is less interested in reading the "sensitive man". What people see today as the "sensitive man" is basically an invented personality that has rough edges sanded off. Real sensitivity from men is distasteful in certain ways, so people only feel comfortable engaging with it when it at least was made in the 1970s when you can excuse that kind of thing.
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