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Culture War Roundup for the week of April 24, 2023

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Male fiction, put simply, is somewhat crude and churlish on the psychological side. Again, I'm not saying it's wrong in the sense of providing poor actionable descriptions. But it's not elaborate, not fancy and eloquent when it goes into the internal workings of the mind.

Without reaching back to your old world giants - Kurt Vonnegut, Graham Greene, Gabriel García Márquez, Richard Wright, Anthony Powell, William Faulkner, John LeCarre, Cormac McCarthy, Jonathan Franzen, Ian McEwan - just to name a few off the top of my head. I deliberately chose more or less "literary" authors to avoid wrangling over genres. Note that I'm not endorsing all of these writers or saying they're everyone's cup of tea or that their writing is flawless (and some of them definitely have the "men writing women" problem you allude to), but the list of male writers capable of writing very masculine novels that are still psychologically elaborate and eloquent is longer than you suggest.

I'm not sure if that's really challenging my claim about priorities. Men can reason about psychology, sure. But McCarthy, for example, is famous for a number of enigmatic masculine characters, whose psychology, however nontrivial, is revealed overwhelmingly though action; it's a cinematic «show, don't tell» ethos. Vonnegut's ones came across as alexithymic and somewhat emotionally stunted to me (Slaughterhouse, Cat's Cradle).

Perhaps we could evaluate this just by looking at the proportion of self-referential monologue in text.


«Old World giants» was a bit tongue-in-cheek, I meant chronology and pre-digital culture more than geography, it just occurred to me that my immediate associations are Eurasians, which was not the case with genre fiction I referred to.