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Notes -
2nd half of the second act is usually a rough spot, but IMO Glass Onion wasn’t terribly egregious here. My big issue wasthe handling of the Mona Lisa. The protagonist destroyed a priceless work of art just to besmirch the name of her nemesis. There’s no gravitas, it’s just a tool she can use to hurt her enemies.
Yes, this reminds me of a non-political gripe I was going to include in my post, but left out, which was that I found it irritating the degree to which certain things were set up that I thought were clues, but ended up just being something more lazy. When I watched the movie, I was paying attention to all details thrown at me, believing that all would come to play in the murder mystery. I thought the mona Lisa and the hair-trigger shield would be a part of the murder mystery, like "they couldn't have been killed in this way because the shield was down, and if it made a sound then the shield would have been up" or something. Instead the Mona lisa had nothing to do with the murder and was just used to get revenge on Elon. Nothing clever about it. Same thing goes with the hot sauce, I thought it'd play in the mystery, but it was just used as a way to make people think Helen was dead. It seemed like these details were less like an intricately plotted murder mystery where everything plays on everything else, but instead just like "we need to fool the audience into thinking she's dead, let's go 3 scenes back and make mention of hot sauce".
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It was a major weakness in the script for another reason:There was no reason to think that any of the characters valued it as anything other than a symbol of the antagonist's ability to acquire it, so it made no sense to paint the incident as particularly significant to anyone, including the audience.
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I think you meant to post this as a response to a lower post.
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