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Culture War Roundup for the week of January 27, 2025

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I think some of these complaints are legit and some are typical progressive culture warring. I think a huge does of the criticism of Emilia Perez is that a white guy made a movie about a “Brown” without being excessively apologetic, and if the nationalities were reversed (ie. a Mexican made a movie about France), no one would care.

Didn't Emily in Paris get shit for its unrealistic portrayal of Paris? And that was just a random show. It didn't get 13 Oscar nominations which naturally puts more of a spotlight on things. As I said on reddit on the same topic: people hate Crash, a movie about fighting racism, more than worse movies because it won Best Picture.

My general impression is that the backlash from Mexico is organic and this gave people in America something to rally behind (the lead actress being incredibly unwoke, hilariously so, didn't help*). You've given good reasons for Mexicans to consider this film absurd and, frankly, I don't really have much sympathy. This movie is probably only being rewarded because it's seen as a moral milestone for white libs, so it is fair to note that it violates those standards.

When called on not casting Egyptians in Exodus: Gods and Kings Ridley Scott just said "nobody is going to go watch Mohammed Whogivesafuck" and went about his day. The attack is working on this movie because it's seen in a different light than a purely commercial project.

Prompt: what is a rational approach to assigning sacredness in society, especially when it comes to comedy? Is it ok to joke about the holocaust? Is it ok to joke about 9/11? Is it ok to joke about Muslims? If my best friend’s son dies in a horrible freak accident, is it ok to make a joke about that the very next day? Where should the lines be drawn? How do we distinguish between personal lines and broader societal lines? My sense is that the progressive left has conquered this space in the popular culture, but I haven’t seen a coherent alternative beyond 4chan “make fun of everything” culture. Are there better models out there?

I hate sounding even a bit like Kulak but these discussions seem utterly pointless to me. A lot of norms around sacrality are basically arbitrary. The group that cares more, that is more intolerant and more willing to fight decides. In the absence of an already unifying set of beliefs you're just gonna have to fight it out.

Roman norms around sacrifice and emperor worship were sacred until they weren't. European countries have free speech norms (a non-arbitrary example) yet the fact that psychos will semi-reliably kill you for drawing Mohammed has set a new taboo. Meanwhile, other groups that theoretically have more power have allowed the statues of their great men and icons of their people to get torn down and tabooed even when it makes no sense.

I don't see any coherent throughline in a lot of the things that happen, but they happen anyway because one party imposes its will.

Things are sacred if you'll pay a price for violating them. This is why warring tribes smashed the idols of their opponents. It was a theological argument: either your god doesn't care about you, or he cannot do anything.

* Although, ironically, she's unwoke in a progressive sense: her hatred of religion seems to universal, it's just her bad luck that she's not capable of managing the cognitive dissonance that comes with pretending brown religions from manifestly more conservative backgrounds are somehow not worse than her native faith. That's a middle class Anglo superpower.

European countries have free speech norms (a non-arbitrary example) yet the fact that psychos will semi-reliably kill you for drawing Mohammed has set a new taboo. Meanwhile, other groups that theoretically have more power have allowed the statues of their great men and icons of their people to get torn down and tabooed even when it makes no sense.

I don't see any coherent throughline in a lot of the things that happen, but they happen anyway because one party imposes its will.

I think these examples misunderstand who actually has power and what they want. The will being imposed here is not that of Muslims in Europe (who would have no recourse if TPTB told them to pack this shit in and actually enforced this) but that of the urban/political elite who gain status by openly deferring to the wishes of violent third-worldists. Broadly speaking, they don't identify with the great men of their history and people.

That just pushes it one step back. How did the patriots lose control of their institutions to self-hating people with a totally different religion? Why can't they be claimed back?

The US is showing that some people are willing to fight back against inverted patriotism but a lot of this stuff happens cause one group of people just seem to care more. Their enemies would be perfectly happy going home and not worrying about the curriculum or other details that much. In fact, they may be so disconnected that the people they'd agree with the most seem insane to them

And, sure , let's grant that high capacity states could, if they marshalled all of their willpower and resources, rid themselves of all of the problems of political Islam. I think the idea that because it started relatively harmless and easy to uproot that it'll stay so is very naive though. At a certain point you're not using them. It's just how life is.

Cowardice is self-reinforcing.

Didn't Emily in Paris get shit for its unrealistic portrayal of Paris? And that was just a random show. It didn't get 13 Oscar nominations which naturally puts more of a spotlight on things

Emily in Paris is not a random (terrible) show. It is a worldwide phenomenon, to the point that the actual French president complained that they were moving it to Rome for the next season. By comparison, Emilia Perez is an oscarbait movie that everyone will forget in a couple years.

I stand corrected then. I tried to watch it but didn't stick with it personally.

Also: does Macron always do this, take such a direct, visible hand in cultural products like that? IIRC he interfered in Mbappe's transfer saga too.

By comparison, Emilia Perez is an oscarbait movie that everyone will forget in a couple years.

Maybe. But right now it jumped into the public's view and it's in the way of some very competitive people getting Oscars.

I stand corrected then. I tried to watch it but didn't stick with it personally.

Don't worry, it is, by all accounts, not a good show.

Also: does Macron always do this, take such a direct, visible hand in cultural products like that? IIRC he interfered in Mbappe's transfer saga too.

Not being French, I can't tell for sure, but he's 100% an attention whore drama queen: look no further than whatever is going on in French politics right now: He tried to make a 350 IQ 5D chess move, and ended up furthering the crisis.