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PaperclipPerfector  22d ago (text post)   34238 thread views

Culture War Roundup for the week of November 11, 2024

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Rules for magic give us an interface for magic.

It’s like teaching arithmetic to the youngest kids, then gradually explaining over the next fifteen years of Masters-track schooling how it works under the hood. Eventually you get top math-wizards inventing new types of numbers and functions named after them, because they need them to make X go widdershins into Y through a tensor, but only if it’s not imaginary otherwise you get a strange attractor set and that’s not ideal at all.

Rowling’s system is about this deeply connected energy flowing through most living things, and where other magical sapients get instinctive and powerful ways to use it, humans have to use tools like wands and words to reach an instinctive level beyond wild flailing. (Like mundane animals having fangs and claws and venom, but mundane humans have to make tools.) But once humans can do wandless wordless magic, they’re basically instinctively programming flows of raw magic and can just blow past boundaries the first year students think are immutable.

Then, some magics were modeled by geniuses after the instinctive magics of beasts and beings and so the restrictions don’t apply for those spells, and other magics are basically like having admin access so certain artificial restrictions interact differently with them, like the Hallows.

The “anything can happen” feel is meant to retain the wonder of high fantasy, while the “you can’t do that spell that way” is meant to retain the utility manipulation of low fantasy. I think she did a great job at letting both levels work together, at least for the genre-redefining work of urban fantasy/Roald Dahl pastiche/bildungsroman/YA fascism dystopia it evolved into.

That makes a lot of sense.

Thanks! That's a high compliment on a sensemaking forum.

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