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I know nothing about any of that, other than the observation that the internet (where I’m assuming lots of what you talk about lives or are least has deep roots in) is opening up thousands or millions of new niches to cater for and profit from new interest groups.
But honestly, I don’t think it’s relevant at all to this point. This is about mainstream publishing and society/culture. Which has become extremely anti-male/anti-masculine in the past ~10 years.
I’m talking UK/Irish literary fiction, which is not internet native. It’s offline establishment native. It holds a powerful influence over the conversations being had by normie people who don’t spend any time on Reddit or X (and who might not be able to find Reddit or X if you asked them to).
As a sideways related example, Entourage was a hit mainstream US show, centering on four male characters and their interests, ambitions struggles, screened between 2004-11. When you watch it now and realise that there’s an almost 0% chance of anything like it being approved now, never mind be given prime time slots for years, you realise how far the mind virus has gone in the decision making corridors of power across all mainstream publishing and media.
I agree with the BahRamYou that there's no malevolent conspiracy. Women simply spend more money on media they consume. So publishers cater to them.
The ones I talked about with shounen/shoujo is offline. It has physical sales. Same thing in China. Where despite the CCP's stance against homosexuality some of the most popular novels and tv shows are danmei, which are stories with gay romance, but without the sex and kissing. Whose fanbase is primarily female.
If you want stories that are made for and by men, there's plenty of webnovels you can read on Royalroad or self published on Amazon, or fanfics on Spacebattles or other sites.
And actually there are still shows made primarily for men. Reacher, Jack Ryan, Terminal List. Adaptations of novels that probably do still have a primarily male readership.
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I agree, but I don't think there's any malevolent conspiracy at work here. It's just that TV, and especially books, are more of a female market. So the publishers naturally make stuff aimed at women, which attracts more of a female audience and also creates a pipeline where the only new writers getting trained are the sort of people who can write that stuff. And over time it just becomes more and more extreme. The guys go elsewhere to things like sports, video games, anime, and internet blogs.
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