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Because some of these things - especially hiring the lower-ranked writers - are just common in development now.
Star Wars -for example - handed its main franchise to people who really didn't have that much experience with such huge projects, comparatively. Marvel has done the same and - allegedly - frightened off a director by waving off their inexperience by saying they'll just handle the action scenes
You would think it would be given to known and proven shepherds like Ridley Scott but you often end up with people like Josh Trank and Colin Trevorrow and D&D and such; people who have one (or even less) exciting movie or project.
Directors like Scott have explicitly theorized that it's cause they'll be more malleable in the face of corporate control.
A mainline MCU movie has a budget north of $100,000,000. How much do they save by going economy-size on the writers and directors?
talking completely out of my ass here, but maybe its the revenue and not the production cost that the bean counters are worried about. Big name directors may want a point from the end rather than an additional zero on the check up front or something.
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They're closer to $200 million at this point.
There's two answers:
They short everyone they can. Entry-level actors don't get paid that much iirc. The idea is that they'll happily work for the experience so they can end up with a good, steady gig that raises their profile like Hemsworth. VFX companies are constantly complaining about the tight timelines and pay Disney can impose upon them, despite them being central to these movies' success. So the logic isn't limited to just directors.
IIRC the argument wasn't just about direct cost but control. These movies are pre-visualized long in advance so directors need to fit what has already been decided. Less experienced directors are presumably easier to control (using the same logic as stars in Point 1) and directors with enough cachet presumably won't sign on. As Patty Jenkins laid out when she explained why she left marvel
I can see the logic there; an established A-list director can always say "to hell with this" and walk off in the face of 'creative differences', and still be assured that their reputation isn't ruined and they are now unhireable. A starter or minor guy can't afford to piss off Marvel or Disney the same way.
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