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This is that ship, sailing away at high speed.
To me, that's an exception to the rule. Hamilton has a diverse cast and a unique style of music (and written by a non-caucasian man) that made it extremely marketable.
I don’t quite understand your position here. To summarize, a Broadway musical might not be an appropriate venue for a controversial story, unless the cast and author are non-white, in which case it’s okay because it will make a lot of sales. If the cast and authors are all white, the play should be relegated to a museum, where the story can be told with sensitivity (i.e., told in a way that makes its worst critics happy), regardless of profitability.
You seem to be subtly merging two different criteria (ethical and financial) to judge whether a play is appropriate to perform on Broadway. No one would disagree that an unpopular play shouldn’t be performed on Broadway; the question is whether a financially successful play that upsets leftists should be allowed to be performed. In other words, the question is one of censorship, not popularity.
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There's been immense/intense backlash in the decade since, though.
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