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Notes -
Because it's being written for narrative addicts. People enjoy the altered flow-like state created by reading a long narrative for hours at a stretch, their own consciousness and volition being overridden by the flow of the story. For such people, the story concluding is a problem because it breaks the state, while additional length is pure benefit, because it allows for more contiguous false-memory and thus more verisimilitude to the experience.
Narrative-gooning.
More or less. And to be clear, by "people" I'm referring to myself, and presuming that others read for roughly similar reasons.
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I remember this post of yours where you floated psychoanalyzing the mindset of rational fiction after finishing Worth the Candle. I’d be interested in hearing what you had to say about the genre based on what you’re saying here.
It's never left my mind, and is both the reason I posted the OP and the reason I'd be interested in hearing what people liked about HPMOR.
This thread, via Orwell, is me poking at the same general idea. Sherlock Holmes is another example, as is Orson Scott Card from Ender's Game, and I think Tolkien's negative assessment of Frank Herbert's Dune. For examples of the opposite, one of my favorites is Hammer's Slammers, by David Drake, especially the first chapter of the first book.
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