Folamh3
User ID: 1175
Tangentially related but this reminds me of a tweet playfully mocking Vance which I found pretty funny, primarily just for how it was phrased:
[vice presidential debate]
moderator: what makes you smile
tim walz: my kids
jd vance: pass
moderator: what’s your favorite donut
jd vance: what if i killed you
Anyone starting to feel like there's nothing really that dystopic about A Clockwork Orange?
Shows how little I know.
I mean, we do have our token progressives. Darwin/guesswho was active as recently as April, and I had a spirited and productive debate with @TokenTransGirl more recently than that.
Deiseach is still active in the ACX comment section. Reading between the lines I get the impression he lives they live in Ireland.
I'd love to see a source for this claim. According to Wikipedia, the Wuhan Institute of Virology was conducting research into coronaviruses in bats as early as 2005.
In 2015, an international team including two scientists from the institute published successful research on whether a bat coronavirus could be made to infect a human cell line (HeLa). The team engineered a hybrid virus, combining a bat coronavirus with a SARS virus that had been adapted to grow in mice and mimic human disease. The hybrid virus was able to infect human cells.
That sounds pretty similar to GoF to me.
Also:
[In 2014], the US government granted exceptions to the GoFR moratorium to 7 out of 18 research projects that had been affected.
Since you asked for modern works, a world without the film Tár would be poorer than one with it.
To me, it seems like it's useful to have that stuff around, just as a canary test that free speech is really working.
Of course, I'm not calling for creepy fetish art to be banned. Just like "hate speech" - I think that people yelling racial slurs makes our culture slightly worse, but I'm not calling for them to be banned.
Remember how, at the outbreak of the Ukraine war, the overwhelming majority in this forum suddenly developed unconditional trust in consensus MSM reporting, if only on that topic?
I'm afraid not.
I am sceptical.
Oh yeah, I have heard of this.
Back when I was in secondary school, some guys in my social circle spent a lot of time on BestGore. It never appealed to me, I have no interest in watching real people being actually tortured and murdered. One time I asked one of these guys "when you watch these videos, does it turn you on?" and he said "a bit".
I still have no idea if he was being honest or just trying to be shocking (he couldn't have been older than eighteen at the time). It will not surprise you that I haven't been in touch with him for over a decade.
Reminds me of that joke from two years ago: "Following the example of McDonald's and Coca-Cola, PornHub is pulling out of Russia in protest of its invasion of Ukraine. If this trend continues, Russia is on track to being the healthiest country in the world within a generation."
What's Funkytown? Or do I even want to know?
therefore a pornographic painting is no worse off than a landscape, a still life, etc.
I can imagine an erotic or even pornographic artwork which enriches human culture, if only marginally. Heck, I don't need to imagine: Klimt's The Kiss (https://en.wikipedia.org/wiki/The_Kiss_(Klimt)) was attacked as pornographic in his lifetime, and it's one of the most iconic portrayals of intimacy the twentieth century has given us. Alan Moore's From Hell depicts sexuality and prostitution very explicitly, and it's my favourite of his works (and I think superior to Watchmen). Lolita was banned in many countries, but remains a masterpiece. It's been a long time since I saw Antichrist (https://en.wikipedia.org/wiki/Antichrist_(film)) and, while I don't think the film couldn't have done without the unsimulated sex scenes, I still think it's an impressively disquieting and thought-provoking film. There are many erotic, even pornographic, works of art which I will defend and which I really do believe have enriched human culture in ways great or small.
I just don't think the category of "creepy fetish art depicting non-human characters made for perverts on commission, and for whom the creator feels his livelihood is threatened by the advent of Stable Diffusion" contains any such works - I think 100% of works in this category had either no impact on human culture, or a negative impact. And I have no reason to expect this state of affairs to change at any time in the immediate future.
As an aside - I've written in this forum before about how, up until a certain point in my life, it was quite common for story ideas to pop into my head at any given time; but this process largely halted a couple of years ago as I entered my 30s. There are a lot of practical life factors in play, but subjectively, it feels as though my head were a radio, and the tuner knob has gotten bumped off of the frequency where all the story ideas are broadcast. Before, I could just hear them, and now I can't. Have you ever felt that way? And did you change anything in your life accordingly?
I could've written this paragraph myself. I used to write fiction and compose music quite a lot, but when I undertake NaNoWriMo this year, it will be the first significant chunk of original prose I'll have written since mid-Covid. Before that I wrote four novels or novellas (three as a teenager). The reason I haven't written anything since mid-Covid isn't because I've had writer's block (in the sense that I've been trying to write but the words aren't coming to me) - I just haven't had any ideas since. And it happened in two artistic media - it used to be I could write an entire song in my head without touching a guitar, the ideas would just come to me of their own accord. That almost never happens to me anymore, except sometimes with rhythmic patterns - with rare exceptions, writing a melody is something I have to consciously work at, playing a riff over and over until it congeals into something more substantial. It's hardly surprising to me that the best musicians tend to produce their best work in their twenties and peter out thereafter.
All of the foregoing is why it was such a surprise to me when the idea for this story popped into my head - I'd legitimately forgotten how pleasant that sensation is of being in a creative flow state and the ideas are just "coming" to you. I'm not going to say it's better than sex, because it isn't, but it's an intensely pleasurable intellectual sensation.
Why do ideas rarely come to me anymore? Half of the answer is just growing up and having a more keenly honed sense of what works and what doesn't. It's not merely that the four novels or novellas I wrote earlier in my life had a strong premise but were let down by the execution - I think even the basic premises of all of these novels were unworkable to start with, and I was too young/inexperienced/immature to recognise that at the time, so close to my creation and so caught up in the act of creating that I failed to appreciate how dumb my creation was. I remember a handful of the ideas for stories and novels I had when I was younger, ideas which I fully intended on bringing to fruition when I could find the time, and absolutely all of them were utterly terrible. (And that's not even getting into the ideas I've forgotten - I very much doubt there were any gems in there.) Like Scott talking about the Chamber of Guf, I think it's very possible that ideas for stories appear in my subconscious at about the same rate as they always did, but my quality control filter prevents them from rising to the level where I'm consciously aware of them. I'm very excited about the idea for this story, in large part because I feel like it has a very strong "elevator pitch" - even if I can't pull it off, I feel like someone could do something interesting with the same basic premise. This is in stark contrast to my third and fourth novels in particular, which were navel-gazing narcissism from start to finish.
But the "quality control filter" explanation doesn't explain why melodies don't come to me as often as they used to.
I'm somewhat sympathetic to the claim that we've passed the point where any individual drawing/painting can constitute a "significant enrichment to human culture".
Well now you're putting words in my mouth, which I don't appreciate. At no point did I claim that creepy fetish art doesn't significantly enrich human culture, but that non-creepy non-fetish art does significantly enrich human culture. Given the vast rate at which humans create art (e.g. 100,000 songs are uploaded to Spotify every day) and Sturgeon's law being what it is, the likelihood of any given artwork having a significant impact (positive or negative) on human culture is about the same as winning the lottery. Creating art is almost always done purely for the amusement of the creator himself, and I say this as someone who devotes a large chunk of his spare time to making and distributing music. Even the proportion of artworks which are created with the expectation of turning even a modest profit (or breaking even) are a small minority.
What I said was that depictions of Judy Hopps getting gang-banged fail to enrich human culture in even the most meagre way. That is to say, if someone draws Judy Hopps getting gang-banged, at best the existence of this "artwork" has zero impact on human culture whatsoever, and at worst it makes human culture very slightly worse (appeals to humanity's baser instincts, a waste of the artist's time when he could have spent it doing something more edifying, promoting gooning rather than self-improvement etc.). I'm not saying that art which depicts something beautiful or moving makes human culture significantly better; I'm saying that creepy fetish art will never make human culture even a little bit better and have a good chance of making it slightly worse.
calling New Jersey trash or an “armpit” has been common for decades
100% confident that if Trump referred to Detroit or Baltimore or maybe even Louisiana as "trash" or similar this would be cited as a white supremacist dog whistle, for unsurprising reasons. Who, whom all the way down.
Yep, I get it now, I had it all backwards in my head because I'm very new at this. Thanks a lot!
Since we're on the topic of the election, a question about betting odds from an almost complete n00b on the topic. Paddy Power is one of the biggest bookies in Ireland and the UK, and they're offering odds on the election outcome:
- Trump to win - 1/2
- Kamala to win - 13/8
- Kamala to win the popular vote - 8/15
- Trump to win the popular vote - 6/4
- Kamala to win the popular vote and Trump to win the election - 6/4
Am I tripping, or is something not adding up here? If they're placing Kamala as the favourite to win the election, surely any derivative bet from that conditional should also be the favourite, and vice versa. Why do they apparently think "Kamala wins the popular vote but Trump wins the election" is more likely to happen than not, but "Trump winning the election" is less likely to happen than not?
EDIT: Disregard, I get it now.
Wake up babe, new "basket of deplorables" just dropped.
This concept is as old as animation and cinema.
For years I've wanted to take part in NaNoWriMo, but was held back by lack of a decent idea going in: I didn't want to just start writing without even a basic premise to guide me. Four weeks ago, I was about to leave the office, when an idea I'd had years ago (but never really properly developed beyond a 500-word sketch) just popped into my head. Between walking from the office to the train station and getting off the train, I'd developed the idea into a full narrative. Over the last four weeks I've been developing the idea further and doing research (including asking you fine people technical questions, for which I'm grateful). With two days to go before the competition starts, I want to spend today and tomorrow coming up with names for my characters and fleshing out the setting and the backstory. It's going to be a busy month, wish me luck.
Only yesterday I discovered that the culture war has come for NaNoWriMo itself. I was under the impression that it was just an informal game with a website, forum and not much beyond that. I didn't realise that it's a bigger deal: they have people in leadership roles and do fundraising drives and corporate tie-ins. Earlier this year they issued a statement saying that they are totally fine with people using ChatGPT as part of their NaNoWriMo entries, and moreover, that opposition to generative AI is rooted in "classism" and "ableism". This ignited a firestorm within the community, with prominent members and published writers urging people not to participate. I can't help but feel a smidge of Schadenfreude of the "living by the sword" variety: I'm sure all of the people opposed to generative AI in the creative arts consider themselves very woke and inclusive, and must resent being accused of "ableism" for what strikes them as a perfectly reasonable position. First time?
The controversy isn't going to stop me from taking part - I think the wailing and gnashing of teeth about generative AI is rather overhyped, and in any case all I'm going to use the website for is log my progress. I have little interest in interacting with anyone else on the website who's taking part, and I certainly won't be donating to the organisation itself.
I'm not a prude, I acknowledge that explicit sexuality (even unsimulated sex between actors) has its place in art. But your comment, while thought-provoking, has done nothing to dissuade me from my original perspective that human culture is not in any way enriched by a rendering of the bunny rabbit from Zootopia getting gang banged.
Your own source says that Israel claims that 19 (not 9) of the people who perpetrated the October 7 attacks were UNRWA employees. Nowhere does it claim that Israel claims that these were the only people in the UNRWA who are also Hamas members, or sympathetic to Hamas's goals.
Not that I'm aware of. But I don't think this is to Hamas and co.'s credit: I just think the security apparatus Israel installed in response to suicide attacks have been effective enough to essentially nullify it as a tactic. Perhaps they've tried doing it in Gaza to attack IDF troop patrols, but I haven't heard anything to that effect.
This article from December last claims that terrorists have blown themselves up in Gaza to attack the IDF, but doesn't specify the perpetrators' ages.
There was a campaign video (which I haven't seen) where Vance tried to present himself as a "regular dude" by going into a donut shop and buying a box of donuts. Apparently the person behind the counter wasn't interested in taking part, Vance stumbled over his words and the whole thing was awkward and uncomfortable for everyone.
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