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Notes -
I'm not immune to the idea of a landscape that draws you in and in the past have liked such. These days I'd mostly prefer the landscape to be quite unusual or presented in the right context. I kind of like the Lo-fi girl videos because they seem especially well calibrated for the mood they are trying to create; I loved Scavengers' Reign because of the continual newness of its alien landscapes and wildlife. Whereas simple beautiful photos of earth's landscapes have been so abused for the purposes of marketing, screensavers, etc that they have in general lost their charm for me unless curated/displayed just so. Or else I feel that they are trying to suck people in to look at them as distraction, instead of in relation to the place where they're displayed (a pet peeve is places that display photos of the cities where they actually are, like a London cafe that has photos of London on the wall, a sure sign that you are in a crappy tourist spot.).
As to why I find the Miro piece attractive, hmm, hard to articulate, but I guess I like its choiceful colour combos, its combination of crisp shapes with rich more naturalistic textures. It feels like it abstractly represents elements of thought being observed, like when you close your eyes tightly or meditate. I find in it a sense of soft motion and microscopic scale interaction, like we're in some kind of primordial soup or subatomic field that could run on peacefully for millions of years. But I ain't gonna pretend this doesn't sound a little pretentious. In the end it just feels like Miro caught onto a certain wavelength and was able to share it at a time when it hadn't been captured so well before.
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