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Notes -
The weirdification of Nolan's films has always astounded me. How could someone who started so competently and strongly, and was given so much due to that success, essentially only go downward with regards to his portrayal of human beings on screen? You can even see it as early as The Dark Knight, where things happen for the convenience of the plot, and not because they make sense. Actually, as I detailed in one of my comments, I can forgive that as long as it's effective, and it was. However, by The Dark Knight Rises it really became a mess when you asked even one question about how things worked.
I will slightly disagree, in that a good few of the characters in
InceptionInterstellar feel very real, but it still does have that undercurrent of "Nolan thinks he's deeper than he is". I also, as my OP indicated, have a very strong space/sci-fi bias. Even with that, I think Memento and The Prestige are by far Nolan's best. What a triumph The Prestige is.That and Memento are probably the only films of his I'd put in the W column without major qualifications.
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