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Notes -
A point that rankles my American other half, year after year, is that the "Christmas Music" played publicly here in Ireland is a completely different canon to what she grew up with back home. And, unusually, there is just a total failure of Americanisation in the domain of Christmas music - her canon seems ancient (many tunes from the 1950s versus a tilt towards the 1980s here, because of different population pyramids - we don't have a bulge of 60-70 year olds monopolising all the cultural memory space) and painfully schmaltzy to most Irish ears, including my own.
For example, the universally-acknowledged GOAT of Christmas music in Ireland is The Pogues' Fairytale of New York, a thoroughly secular 1980s ballad that consistently rankles schoolmarmish woke types not because of overt Christofascism, but because the word "faggot", in the pejorative sense, is a key lyric. This song gives rise to the only occassion in modern Ireland where a person can drunkenly chant the word "faggot" at a stuffy office (Christmas) party and recieve no censure.
Overtly religious stuff is also played publicly (a fine example is Mary's Boy Child by Boney M, a jaunty German-calypso tune) because it's a religious holiday. The modal Irish person under 35 sounds like a Q-Anon believer when discussing Catholicism (it's a giant conspiracy run by paedos to amass wealth & get a go of children), yet will still tolerate religious music at Christmas because, come on. I don't know how American culture has managed to get away from this. Maybe it really is semitic sour grapes from the pullers of American cultural levers.
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