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Notes -
I don't remember whether it was on the old Motte or here, but I remember stumbling upon this idea of a "heroine's journey" as well. However, I think you're oversimplifying the male version. The archetypical version is more of a "man is flawed but is oblivious to that, man has a false goal, man chases that goal and fails because he's weak, man accepts that the goal is false and he's flawed and becomes stronger by rejecting the flaw, man reaches true goal".
For example, consider Trading Places. Aykroyd's character has a clear goal in sight: to get his old life back. He chases this goal relentlessly, tries to prove that Murphy's character is a criminal and a fraud, resorts to planting drugs in his office, but ultimately fails. When Murphy's character rescues him from a suicide attempt, he realizes his weakness: egoism. The Dukes exploited them both, but he only cared about himself. He abandons his goal and uses his new power of friendship to achieve his new goal: revenge. Together they humiliate and bankrupt the Dukes, and Aykroyd's character gets everything: he's become a better, stronger man who can rely on his friends and be relied upon, he has avenged the humiliation of himself and his new friend and he's once again a rich executive, which was his original goal. And while Jamie Lee Curtis has an uncannily simian face, she still has a huge rack.
I haven't seen Barbie yet, so I can't tell how different Ken's journey is from the archetypal one.
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