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I kind of see what you're getting at, there is something profound in using our human intellects to engineer away bodily suffering and codify the processes of doing so, or formulate an elegantly simple solution to a knotty problem, but it lacks the aesthetic dimensions that satisfy the more earthly senses.
There are some fairly simple principles to what most people consider beautiful and aesthetically pleasing and they carry across from art and architecture to music and magazine models, and they can indeed often be codified in mathematical terms. Repetition, rhythm, ratio, harmony, symmetry, dynamics, variation, proportion, and other more human or purpose specific ergonomics, plus any embedded textual and subtextual communication. These are not idiosyncratic preferences. They're timeless, real, and to a degree they're intuitive. It's the same things that make clowns and caricatures funny by getting it wrong via exaggeration. We have thousands of years of practice and improvement in these matters, and while cost constraints are a perennial consideration there's no reason to abandon them entirely or pretend they don't exist.
It's a bit like cookery. Only the most wretched poor, prisoners on punishment, or an ascetic monk would be expected to eat plain grains. But on the other end of the scale even the richest royalty aren't eating an entire bowl of pure saffron. There's a Goldilocks balance of complexity to aim for and a lot of post-war culture has either gone for too little (brutalism, soylent meal replacement drinks), too much (3D cinema, "experimental" ""music"", 87 flavours of hot sauce, Times Square, tinnitus level audio amplification, etc) or a ruthless bean-counting (sub)optimising (I don't know, plastic cutlery? or pockets that are only deep enough for your fingertips). To paraphrase Marie Kondo, those things don't spark joy, or comfort, or contentment. They spark under/over-stimulation and alienation, and those make society a sad panda.
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