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Culture War Roundup for the week of July 10, 2023

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1 Not that I know of

2 Children of Men (2006) fits the trope perfectly. Disney's Up (2009), Creed (2015) and Intouchables (2011) fit almost perfectly the trope, except the men do not die in the end

Biutiful (2010) also shares many of the same elements, except for most of the filme the main character does not act as a mentor, but rather as an abuser for ethnic minorities. He regrets and seeks redemption by leaving all his possessions to one of them before his death.

Me Before You (2016) and The Fault in Our Stars (2014) also have many of the same elements - with the dying-man mentor that gives everything they can to their intellectual protégé - however do not envolve ethical minorities - the low-self-steem-girl and the depressed-seriously-ill-girl do that role, respectively. Million Dollar Baby (2004) has similarities too.

3 The Green Mile (1999) sort of fulfills the trope. Except the saviour is disadvantaged in every way.

4 If the goal is to tell a story about the exchange between the two total opposite characters - the dying wise mentor's succession to the vulnerable one just starting their life - it is almost hard to tell it without picturing them as, well, opposites. And while ethnicity, age, gender or background do not necessarily have to be all different (few of the films have all the elements combined), the more the betterer! and you may end up with an accumulation of differences. Nothing can be more different than the old, grumpy, well settled white man and the young, vulnerable, foreign, optimistic, ethnic minority girl.

So, I don't think the way these stories are told is really a calculated effort to push an especific agenda. The characteristics of the characters are more of a necessary setting for the story to happen.

That is not to say that whether these stories are told is just as fortuitous, though. Maybe these scripts get a better chance of being produced in the first place, because these stories fit into a narrative of promoting said minorities and/or appealing to an audience who wants to see these groups more represented in films.