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Notes -
The narrator's entire existence has been self-harm. He's lived his entire life to that point reactively, instinctively, to the point that he's incapable of choice, only scripted response. He's dead inside, a walking corpse, a moral nullity, neither satisfying his desires nor living for something beyond them. A chemical burn is the least of his worries, and the pain can be instructive. Specifically, it's pain he chooses, pain he accepts and endures rather than being driven by.
The whole point of the film is that for the characters, there isn't enough real pain, at least not in the forms they need. The reason it continues to resonate to this day is because that's true in the real world too: we are anesthetized to the point of catatonia by a culture of relentless, lazy hedonism while our lives slowly drain away a minute at a time.
The point isn't that it's super-cool to get a chemical burn. The point is that excessive comfort is deadly to the soul.
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