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I'm pretty sure it is, if that's the intended use case of that file, and people other than you know about the decryption method. On the other hand, literally any data file of a certain length (call it A) can be turned into literally any other data file of the same length (B) if you hit it with exactly the right "decryption" (B-A) by just adding the bits together. So if you take this idea too far, every file is secretly an encrypted Mickey Mouse to the right code.
There's something nontrivial in here about information theory. If the copyrighted image has 500 kb of data, and your "encrypted file" is 500 kb, and the decryption key "Mickey Mouse" is 12 bytes, then clearly the file must contain the copyright violation. If you make an "encrypted file" with 12 kb and some wacky compression algorithm that requires 500 kb to encode and is specifically designed to transform the string "Mickey Mouse" into a copyrighted image, then yeah, that algorithm is a copyright violation.
On the other hand, if you use a random number generator to generate a random 500 kb number A, and then compute C = (B - A) where B is your copyrighted image, then in isolation both A and C are random numbers. If you just distribute A and nobody has any way of knowing or guessing C, then no copyright violation has occurred. If you just distribute C and nobody has any way of knowing or guessing A, then no copyright violation has occurred. But if you distribute them together, or if you distribute one and someone else distributes the other, or if one of them is a commonly known or guessable number, then you're probably violating copyright and trying to get away on a technicality.
But it's not enough for it to simply be possible to "decrypt" something into another thing. A string of pure 0s can be "decrypted" into any image or text. A word processor will generate any copyrighted text if the user presses the right keys in the right combination. I think there has to be some level of intent or ease or information theory value such that the file is doing the majority of the work.
So I'll concede that you make a LLM that will easily reproduce copyrighted material with simple descriptions and passwords, then I can see there being issues there. Similar to how if an author keeps spitting out blatant ripoffs of copyrighted works with a couple of words changed they'll get in trouble. But simply having used them in the training material is not itself a copyright violation. A robust LLM that has trained on lots of copyrighted materials but refuses to replicate them verbatim is not a copyright violation simply for having learned from them (which seems to be the primary objection that artists are having, not the actual reproduction of their work which I would agree is bad).
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