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Notes -
Reminds me of this short-ish essay from 2005 (?):
https://web.archive.org/web/20140508105717/http://plover.net/~bonds/objects.html
If Bach did not have fans when he was alive that seems to have more to do with when he lived than anything, I know Beethoven had fans. Or is he specifically talking about The Well-Tempered Clavier and not including more general fans of Bach's work, or for that matter modern fans of classical music? Because it seems like there are better factors than "badness" to explain the distinction: one or more of whether a work is serialized, whether a work is long, and whether a work is well-suited to additions by fans and other third-parties. Factors like those mean there is more to discuss on an ongoing basis, rather than just reading a book or listening to a specific piece, saying it's good, and that's it. Notice how elsewhere he has to group together "Japanese kiddie-cartoons" - because anime and manga are mostly a lot of different creator-written works, rather than a handful of continually reused IPs, most individual anime don't have a fandom, or only have a miniature fandom/discussion-group in the form of some /a/ and /r/anime threads during the season they air. Anime movies have even less. Similarly in the era of sci-fi short-stories there was a sci-fi fandom but not fandoms for individual short stories and little for individual novels.
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