A piece I wrote on one of the most fascinating and incredible thriftstore finds I've ever stumbled upon.
The Edwardians and Victorians were not like us, they believed in a nobility of their political class that's almost impossible to understand or relate to, and that believe, that attribution of nobility is tied up with something even more mysterious: their belief in the fundamental nobility of rhetoric.
Still not sure entirely how I feel about this, or how sure I am of my conclusions but this has had me spellbound in fascination and so I wrote about it.
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Notes -
It's hard for me to take rhyming couplets seriously. They are so sing-songy and monotonous that they almost seem inherently comic to me. I much prefer Fagles's Iliad over the small amount of Pope's Iliad that I read. Pope's Iliad is probably my least favorite Iliad translation that I have seen. To me it just seems like it is a lot of Pope and not much Iliad. To be fair, I do not know any variety of Greek so I can only judge English-language Iliads on their own merits.
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