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Culture War Roundup for the week of April 3, 2023

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Amazon recently renewed The Peripheral, a sci-fi drama from Jonah Nolan and Lisa Joy that cost close to $175 million for eight episodes (sources say their final eight-episode season of Westworld at HBO cost about $140 million). Amazon has ordered six additional hours of The Peripheral despite what sources say has been lukewarm audience engagement. “It probably should have been canceled,” says an insider. “But they made a megadeal and the political capital they would lose with Lisa and Jonah would be too great. And they have other shows coming.” Fallout, the next show from Nolan and Joy, is also “extremely expensive,” says a source.

But a showrunner with considerable experience at Amazon sees it differently: “They don’t learn from their mistakes. They [say], ‘We can’t do any more deals like that.’ You turn around and they’re right back to — the impolite term is ‘star-fucking.'” For creative executives at the studio, the result has been exasperation. “They say, ‘We don’t want to buy from outside studios,’” says a former Amazon exec. “Then packages come and they buy everything that comes through the door, and our development is thrown out.”

One executive says it was different when Salke first took charge at Amazon. “She shot from the hip, she went with her gut, and she didn’t let data overrule her,” this person says. “But she hired a staff that was in over their heads in terms of being able to get those shows produced at a number. I think if we had [FX boss] John Landgraf or [HBO’s] Casey Bloys or somebody who had more credibility and direct interaction with the development of shows, it would be so much easier to spend less. But we kind of act like it doesn’t matter if we have deep conversations with talent. A guy like Donald Glover would think, ‘No way in hell I’m doing a deal with these guys unless they overpay me.’ I know we’re third or fourth on their priority list. Agents are direct about it: ‘You guys pay a premium for being Amazon.’ They have clients who would much rather work at other places.”

The general theme here seems to be bad leadership that believes it can shovel money at projects to make them succeed and who seem more interested in relationships with industry insiders who don't trust or respect them (and again, trying to paper it over with money) than developing a coherent plan.