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I will highly recommend Robin Hobb's works. Farseer, Liveship Traders, Tawny Man, Rain Wild, and Fitz and the Fool. I haven't read her other works, but the 16 books over 22 years constitute one of the best fantasy series I've ever read. There are stopping points, and the connections don't show up until the last two groups, so you can take it on in groups of 3 at first.
That said, she's the only female author that comes to mind when I think of books I've enjoyed.
Eh, I tried her books and got a good way into the Farseer series but I had to eventually give it up because it was too talky and emotional and all the flaws about women writers above. It reminded me of Mercedes Lackey's Valdemar books, that same kind of treacly 'outsider saves everyone but is universally despised but never mind we know he's heroic' attitude, and there came a point midway through one book where I was just "No, to hell with this, no. Don't do the big stupid elaborate psychological manipulative scheme, just do the clear practical action thing".
But of course you couldn't do that because then you wouldn't have the maaagic and how unfaaaair it is about Fitz being a bastard and all the rest of the glurge. I mean, look at this bloody synopsis extract from the Fitz and the Fool trilogy:
Do you get it, huh, huh? Do you? It's about racism, see! And homophobia and pretty much any -phobia or -ism you want to slap in. With goddamn racist, exclusionary animals. Because of course we must have the cuddly-wuddly animals that are sentient beings too, and make Victorian Moral Lessons out of them.
My God, and this is only off the Wikipedia article, I think if I had read this book I would have clawed my own eyes out. I dunno who the villains of that set of books were, but I'm already cheering them on to massacre the feckin' heroes with their handy pots of crow feather paint.
I admire the Farseer books, although I found them frustrating as a boy. The weakest parts are, as you say, the hamfisted social commentary. Hobb could not have been more blatant about the analogy between closeted gays and wit-bonders if she tried.
What fascinated me was her anti-fantasy approach. From just the plot synopsis, FitzChilvary seems to have gone on a standard set of fantasy adventures and achieved a standard set of fantasy great deeds. And yet he never gains status. Near the very end of the series, he is the equivalent of the CNA in a group care home. No one knows his name. Those who do have a low opinion of it.
But Hobb doesn't present any wallowing by FitzChivalry as valid. He was acting out of selfless intentions, not for personal glory... right?
I thought her basic take on this was original and good: the royal family needs assassins, but who do you trust? Well, your own family. But if you give them that kind of ability, and trust them with those kind of secrets, what's to stop them from deciding the crown would look as good on their head as on yours? You make sure they can't inherit. Thus you have a line of bastards who can't inherit because they're not legitimate, but they are close enough in blood to be amenable to the demands of the royal role.
That's clever. But the way it worked out was poor - so you need people with the royal blood but not too close to the throne? That's what the minor branches of the family are for, as every noble house knows. Put the poor relations to work this way! You don't need to have bastards. And bastards can be recognised and legitimised, this has also happened historically. The set-up where "okay, main line prince, go out and have a bastard or two for us to have our new pool of assassins" was clunky. It could work in a Machiavellian world, but this world was supposed to be" if you're named after a heroic virtue, you embody that virtue" and that doesn't work well when you have honourable people as royals. Prince YesI'mHorrible can do that, but not Prince Generous or Prince Noble or whatever.
But that didn't suit Hobb, because she wanted the "Alas! 'Tis so tragic, the selfless heroism of the exploited bastard who is never valued or given his proper due!" bit, and after a couple of books it grated on me. Fitz was so groovy he should have been acknowledged as a legitimate royal but that's not going to happen because the main line are so ungrateful and they prefer to cynically use him to get his hands dirty so they can keep their hands technically clean.
But that's okay because Fitz is so noble himself, he only did it for the greater good and not for personal gain, even though he totally could have tricked them all and taken over because he's so smart and capable and and and....
Yeah, I get it, he's Marty Stu.
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