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Another kernel to think about: by not buying a ticket to the sequel, you’re not only avoiding giving money to someone who hates you but not financially supporting a form of entertainment you enjoy. Which is more important to you, signaling to the movie industry to make more films like Into the Spiderverse or keeping your money away from a pro-antifa type? My choice would be towards the former. There’s not much quality bigger-budget films these days thanks to Disney-Marvel. I avoid seeing their stuff in theaters now unless I feel like a dose of visual popcorn. The first movie was a solid story with interesting, experimental visuals, with no pro-antifa or other wokish messaging. If the sequel follows suit, then that’s not a problem for me. If there’s evidence that the director-now-producer’s views have seeped into it, then skip it.
Something to compliment /u/haroldbkny‘s take: consider “death of the author”. Once a work is created, it stands on its own separate from whatever the author intended. Into the Spiderverse is not pro-antifa work just because the director is so. My personal experience with this is Joss Whedon. Buffy, Angel, and, to a smaller extent, Firefly were all huge influences on my late childhood. I still rewatch them with some regularity. However, it turns out Whedon the man is not quite the feminist crusader Whedon the writer/director is. He might be an egomaniac jerk who verbally abused some of the actresses on his shows. I’m not going to let that ruin them for me.
It is a bit funny because at the end of the day Firefly doesn’t come across as overly feminist.
Sure, Zoe kicks ass. But…there are a lot of traditional values about masculinity viewed as positive.
True, of the three Buffy is the one that's most overtly feminist. But they're all of the 90's/early 00's egalitarian brand of feminism that uplifted good strong female characters without tearing down the male characters.
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