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I think so. The new Moynihan Train Hall is maybe the best example, drawing accolades from elites and normies alike (extension to Penn Station on which I wrote a treatise about a conservatism founded on this specific kind of greatness). One World Trade Center (the "Freedom Tower") was controversial but probably also qualifies, although isn't new anymore. I would say the movie Everything Everywhere All at Once is both a great movie and an elite favorite. On statues specifically I do not know, because I don't follow the topic carefully and only the controversial stuff makes the headlines.
Cladding. Elite architects think cladding "looks cheap" even though it makes buildings more appealing to mainstream sensibility. That's just one example.
No, the Lincoln Memorial doesn't look cheap; the pejorative there would probably be implications of fascism or white supremacy. When Trump issued an executive order that federal buildings should be designed in neoclassical style, the American Institute of Architects responded in part that "Rather than pre-qualified architects receiving the chance to design uniquely-contemporary federal structures for the cities they serve, all future government buildings would instead be reminiscent of the monumental, white construction that has defined Washington, D.C., since its inception, as well as the structures built-in ancient Rome and Greece, and more recently, in Hitler’s Third Reich." I think that's reflective of the genre.
It isn't the cause of the dislike. The cause of the dislike is barberpole theory and elite fashion. The excuse for the dislike is this latter litany.
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