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I feel that people often praise movies that call out or subvert expectations of their genre solely because they do that, even if execution of the subversion itself is not good.

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The Coen brothers work with the same themes as the book of Job, where the mores and dreams of man are crushed beneath the capricious whims of an alien God. The message is subversive in that people want the world to be fair and then it isn’t, but the plot and the structure of the film sit comfortably within the bounds of tragedy. I get disliking a hero’s ignoble death aesthetically, but it’s more like you not liking dark chocolate rather than the chef not understanding how to add more sugar to the blend.