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I feel that people often praise movies that call out or subvert expectations of their genre solely because they do that, even if execution of the subversion itself is not good.

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Icons are a prerequisite for iconoclasm. Once the great idols of gods are torn down, the statues of great men are next, and then the statues of ordinary men. When only the memory of statues remain, they must rail against and try to tear down memories too, to remain iconoclasts.