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I feel that people often praise movies that call out or subvert expectations of their genre solely because they do that, even if execution of the subversion itself is not good.

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NC4OM knows what it's doing, because Llewelyn's death (foreshadowed by an equally ignoble death of Wells) is when you see Ed Tom start to spiral down. He's too late to save Llewelyn, he is too afraid to be a hero and confront Chigurh, he can't save Carla Jean or pick up Chigurh's trail, the whole case is one big failure. Troubled by his inability to change the world for the better, he then learns that it's nothing new or unique.