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Notes -
/u/orthoxerox conflates the Campbell monomyth with the originally Aristotle-inspired idea of a flawed character arc (particularly for tragedies, cf. hamartia).
There is something of a "Heroine's Journey" per Murdock (one of Campbell's students) which mainly differs in the emphasis of returning balance and harmony rather than manichean domination. Leaving that aside, the myths Campbell cites in Hero with a Thousand Faces are, well, the myths: Osiris, the Gautama Buddha, Jesus, etc. The Aztec's Tezcatlipoca, Prince Kamar al-Zaman, Jason, Herakles, and so on. The hero is heroic, if they even have flaws they are not particularly relevant to the plot. Similarly, Campbell-inspired fiction hardly has the character flaw as a central pivot. Luke Skywalker doesn't have any plot-relevant character flaws -- he's a bit whiny and grows up, but he doesn't suffer because of his immaturity. It's only until later in the series that an added dimension about overcoming cyclic revenge is thrown in.
The idea that compelling protagonists absolutely must overcome a personal flaw to succeed in their larger struggle (i.e. have a 'character arc') is a more modern thing. It is particularly ironic to criticise contemporary media for having insufficiently flawed protagonists compared to monomythic heroes, accordingly. Overpowered, morally simple protagonists are hardly a new invention. Stuff like the "hero must have a tragic backstory" is not monomythic or Campbellian.
With that out of the way, it's not clear to me that many of the new female-led disney/pixar princess fare (e.g. Frozen, Inside Out) lacks this typical character arc:
Frozen has a strong character arc for Anna, whose childish infatuations sets up the nation for betrayal. Elsa's 'let it go' moment isn't emancipatory an exhibition of selfishness, and her abdication damns her nation to endless winter. The resolution of the plot is tied to overcoming these flaws.
In Inside Out, Riley isn't the protagonist. Joy is, and she's an insecure control freak whose insistence that everything reflects her preferences precipitates the slide into depression.
But even if they lack plot-relevant flaws, then that doesn't necessarily mean they are narratively not worthwhile. Moana is much more of a Campbell hero because she isn't really that flawed. Would the Lord of the Rings be better if Frodo's struggle with the influence of the ring was intertwined with being bullied or something, and his narrative success was dependent on reconciling himself with that?
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